Voaky999 wrote in post #15837460
I use the 70-200ii for sports/events and use the 85L for portrait sessions/family get togethers. The 85L is much less intimidating to point at your average portrait subject/family member. The 1.2 is nice too for low light capability and bokeh.
Same use here, . . same reasons - but I also often use 'em both equally at the same event/wedding. After the ceremony the 70-200 usually come off with the 85 taking it's place and when I need distance or flexibilty again they get traded back. I see them as soul mates, brothers in arms. My 24-70 MKII has a similar freindship with the 35L, except the 24-70 usually stays on the second camera until much later in the day. I use a 2x5DMKIII wedding kit with those 4 lenses and I've never been at a loss for great glass in any sitation, . . very versitile kit that inspire's and handles pretty much anything that comes my way. The 85 is a great compliment to the 70-200 and visa-versa.
Note: Versitile as the core of my event rig is, I also of bring 6 x 600EX RTs and mods to every shoot (fast glass or not, gotta have my octa, beauty dish, softbox handy - can't pay an assistent to stand around!) I also keep a tokina 11-16 (16 2.8 "prime") in the bag for the odd wide use too.
When it's play creative time though, it's the 35, 85 and one flash on the belt (where it usualy stays), . . in this situation the 85 see's 80% of the action - loves me some 85L!