BallerStatus wrote in post #17692345
Thanks for the input, but my style leans more toward the 35 side over the 50. I personally never got along with the 50. It always seems too tight or not enough constantly. I know there is a lot of gap between the 35/135, but it is working for me so far. Great for events where I have some room. 35 shows the atmosphere, 135 gets me nice and tight on a subject. 135 works great for candid shots. Plus I like running two lenses on two bodies most of the time. 24/50/135 would require me to run 3 lenses and change them out frequently. I'm willing to give the 24/50/135 a shot sometime tho
you should definitely try it. 50 often works, and not that tight, gives much more pleasing blur than 35, and enough for environmental. Have a backup 24-105/24-70 in the bag when it's actually too tight. I like the simplicity of 2 lenses on two bodies, and it'll work for most of the event, just not the entire event.
Sony A7riii/A9 - FE 12-24/4 - FE 24-240 - SY 24/2.8 - FE 28/2 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - EF 135/1.8 Art - F 600/5.6 - CZ 100-300 - Astro Rok 14/2.8 - Tamron 17-28/2.8 - 28-75/2.8 RXD, 70-200/2.8 VC