Second wedding. C&C please

I still have a lot to learn.. Any feedback is welcome

1)

Few more..

6)

You did a fine job for a relative rookie.

My only encouragement is to buy a nice book (like this one) on posing.

All the pics look a bit cold. Try warming them up to make the subjects look more alive.

1. The hands look awkward and that background doesn't do much for me. I would use a longer focal length.

2. Background is not that great. Don't like the disconnect with the grass/barrier/water. The bridge grows out of the back of his head. This pose is pretty good for them because it slims them both a bit. The bridge being centered is bad.

3. Why at an angle? I am all for a dutch angle if it is very intentional and adds to the photo. This seems like it was done just to be done. G grabbing B's thigh there isn't very flattering.

4. I would crop out some of the negative space on the right to give the pic more balance. You also cut off the shoes of the little girls.

5. Poor pose and poor background. With a longer lens (200mm) and a waist up shot, you could have a really interesting background with the boats and the building. The pose doesn't do either of them favors. I reserve a man's hands around a woman's belly for maternity only.

6. Little better background with the foreground cut out, but would still like a longer lens. This is a bit more flattering for her, but check out his tie and straighten it. I don't like his hand all the way around her where you can just barely see his digits. The veil thing here doesn't do much for me.

7. Not a flattering pose for them.

8. Why 6 and 8? Pick one or the other. This is a little better, but let the veil drop and have her hands engaged with him, not the veil.

9. Bad pose, really bad editing. Get the whole bridge in there if you are going to have it a part of the composition.

10. Bad pose, bad editing and a tilted horizon for no apparent reason. Her arm up like that makes it look bigger.

This bride has really incredible eyes and you really didn't do anything that really highlights them. Get closer and shoot longer and get something tight of her eyes. Make something interesting of the backgrounds. I agree on buying Roberto Valenzuela's book.