...B&W photography?
Looking for a 35mm lens to be mated with a 5D MkII.
A quick search on the forums did not yield any relevant results.
Any insight on manual and/or third-party lenses also would be much appreciated.
Thanks
Xaris
O-Ren Member 36 posts Joined Mar 2010 Location: Athens More info | May 25, 2013 04:15 | #1 ...B&W photography?
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cdifoto Don't get pissy with me 34,090 posts Likes: 44 Joined Dec 2005 More info | May 25, 2013 04:35 | #2 There is no such lens. Your post processing is what will make a B&W shine. Did you lose Digital Photo Professional (DPP)? Get it here
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May 25, 2013 06:52 | #3 If you have a relatively newer canon camera you can set picture style to monochrome, so you can preview your results for B&W photography. Sony A7RII | Sony A7S
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Tommy1957 Goldmember 1,288 posts Joined Apr 2013 More info | May 25, 2013 06:59 | #4 B&W is best shot in color. As such, the best lens is whatever lens you deem appropriate for what you are shooting. Shoot raw, or raw + jpg. If you just shoot jpg monochrome, you will have lost the color information, and that is KEY to PPing B&W.
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LeftHandedBrisket Combating camera shame since 1977... More info | May 25, 2013 09:03 | #5 cdifoto wrote in post #15965409 Your post processing is what will make a B&W shine. Tommy1957 wrote in post #15965570 If you just shoot jpg monochrome, you will have lost the color information, and that is KEY to PPing B&W. these. PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20
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No it's all post processing. I On One Software PerfecT B&W and Nik software to a lesser degree. I use both of these in conjuntion with LR Canon 8-16 fisheye Canon 16-35 2.8 II Canon 24-70 2.8 II Canon 35L, 85L, 135L,200f/2 Canon 70-200 2.8 IS II Canon 300 f4.IS Canon 300 f2.8 IS II Canon 500 f/4 II Canon 100l macro is, Canon 180 macro, Sigma 180 2.8 Macro . 5dIII,7d,Canon 1dx 1.4 canon extender Canon 2.0 extender and two 580ex speedlites, three 600ex speedlites. and a bunch of studio lighting Zeiss 50mm Makro
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May 25, 2013 09:44 | #7 Tommy1957 wrote in post #15965570 B&W is best shot in color. As such, the best lens is whatever lens you deem appropriate for what you are shooting. Shoot raw, or raw + jpg. If you just shoot jpg monochrome, you will have lost the color information, and that is KEY to PPing B&W. +1 Gerry
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ToddLambert I don't like titles More info | May 25, 2013 10:00 | #8 Agreed with the above - I would only add, that I sometimes will turn the camera to BW while shooting, so that I can see my shots in BW while I'm taking them. This is only the preview JPG that is actually B/W, as the raw files are still capture in full color. This helps to at least visualize what you're getting without having to commit to it while you're shooting. Of course you need to be shooting in RAW for this, but in my opinion you should be anyways.
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gasrocks Cream of the Crop 13,432 posts Likes: 2 Joined Mar 2005 Location: Portage, Wisconsin USA More info | May 25, 2013 11:17 | #9 One of my older MF lenses has less contrast than modern lenses. This has great possibilities for portrits and B&W conversion later. Shot with lower contrast equals more shades of grey perhaps. Yes, shoot in color and do the B&W conversion in PP. Don't just take out the color - there are some great softwares for B&W conversion. Gene GEAR LIST
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May 25, 2013 13:23 | #10 hes gone wrote in post #15965798 =he's gone;15965798]these. the best lens for B/W is also the best for color. Dont understand me wrong, shoot monochrome but keep raws for editing... Sony A7RII | Sony A7S
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pulsar123 Goldmember More info | May 25, 2013 13:37 | #11 The only twist is that a lens not very good for color photography (because of too much chromatic aberration - either longitudinal or lateral) can prove to be perfectly fine for B&W photography. So you can save money, by buying cheeper lenses. 6D (normal), 6D (full spectrum), Tamron 24-70 f2.8 VC, 135L, 70-200 f4L, 50mm f1.8 STM, Samyang 8mm fisheye, home studio, Fast Stacker
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gasrocks Cream of the Crop 13,432 posts Likes: 2 Joined Mar 2005 Location: Portage, Wisconsin USA More info | May 25, 2013 15:20 | #12 Yes, B&W is in some ways easier than color but I doubt I'd tell someone to buy "cheeper" lenses. GEAR LIST
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Tommy1957 Goldmember 1,288 posts Joined Apr 2013 More info | May 25, 2013 15:31 | #13 pulsar123 wrote in post #15966391 The only twist is that a lens not very good for color photography (because of too much chromatic aberration - either longitudinal or lateral) can prove to be perfectly fine for B&W photography. So you can save money, by buying cheeper lenses. gasrocks wrote in post #15966596 Yes, B&W is in some ways easier than color but I doubt I'd tell someone to buy "cheeper" lenses. Are those lenses specifically for photographing chickens?
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gasrocks Cream of the Crop 13,432 posts Likes: 2 Joined Mar 2005 Location: Portage, Wisconsin USA More info | May 25, 2013 19:18 | #14 Wasn't that a famous clip from the Lucy show: Ethel and Lucy working with some baby chickens and Ethel saying - they remind me of Fred - Ceehp, cheep? GEAR LIST
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pulsar123 Goldmember More info | May 26, 2013 10:22 | #15 Well, even expensive lenses (think 85L) have substantial longitudinal CA, which cannot be easily fixed in PP, so going B&W will definitely help... 6D (normal), 6D (full spectrum), Tamron 24-70 f2.8 VC, 135L, 70-200 f4L, 50mm f1.8 STM, Samyang 8mm fisheye, home studio, Fast Stacker
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