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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 18 Jun 2013 (Tuesday) 22:19
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Wireless Flash help.

 
Van ­ Gogh
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Jun 28, 2013 09:23 |  #31

Tiberius wrote in post #16068668 (external link)
It's to correct for colour balance.

Yes t is for correcting colour balance but under what colour situation would blue coloured stofen be needed?


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Jun 28, 2013 14:52 as a reply to  @ Van Gogh's post |  #32

Sometimes it's not about matching, but creating a color contrast. Use CTB if you want to warm the background wrt your subject, CTO if you want to cool the background wrt your subject.

See:
http://www.metrodcphot​ography.com/tutorials/​gels-flashstrobe/ (external link)


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Tiberius
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Jun 28, 2013 17:27 |  #33

Van Gogh wrote in post #16072628 (external link)
Yes t is for correcting colour balance but under what colour situation would blue coloured stofen be needed?

If the ambient light was predominately blue (open shade, for example), then you can set your WB to shade and it will come out looking peachy. The camera will be increasing the orangeness of the light a little to correct for the overall blue tint (or you will if you shoot raw).

However, if you add a flash inm there as well, then the WB adjustment will also have its ornageness increased. But because it wasn't blueish to begin with, your flash will look quite orange, making it obviously artificial. So whacking a blue dome on the flash will help to correct that. Keep all the light, both ambient and flash, at the same colour temperature so it all looks natural.


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Van ­ Gogh
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Jun 29, 2013 18:00 |  #34

Tiberius wrote in post #16074048 (external link)
If the ambient light was predominately blue (open shade, for example), then you can set your WB to shade and it will come out looking peachy. The camera will be increasing the orangeness of the light a little to correct for the overall blue tint (or you will if you shoot raw).

However, if you add a flash inm there as well, then the WB adjustment will also have its ornageness increased. But because it wasn't blueish to begin with, your flash will look quite orange, making it obviously artificial. So whacking a blue dome on the flash will help to correct that. Keep all the light, both ambient and flash, at the same colour temperature so it all looks natural.

Ok makes sense, thanks :)

Tiberius wrote in post #16074048 (external link)
If the ambient light was predominately blue (open shade, for example), then you can set your WB to shade and it will come out looking peachy. The camera will be increasing the orangeness of the light a little to correct for the overall blue tint (or you will if you shoot raw).

However, if you add a flash inm there as well, then the WB adjustment will also have its ornageness increased. But because it wasn't blueish to begin with, your flash will look quite orange, making it obviously artificial. So whacking a blue dome on the flash will help to correct that. Keep all the light, both ambient and flash, at the same colour temperature so it all looks natural.

Thanks for the article, nice read.


Camera - 2x5Dmk3, C100 mkii, 70D, 60D
Lenses - 24-70mm f2.8L II, 70-200mm f2.8L IS ii, 85mm f1.2L II, 35mm f1.4 ART, 100mm f/2.8L Macro IS
Lighting - 3 x 600EX RT's, Printer - Epson 3880

  
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Van ­ Gogh
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Jun 29, 2013 18:08 as a reply to  @ Van Gogh's post |  #35

BTW guys I bought some gels recently and understand what CTO gels do perfectly.

But 1 of them is 1/2CTB, goes from 3,200-4,200k.
The other ones are Plus Green (cc30) and Heavy Frost Diffusion.
I don't quiet understand what these gels are for.


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Tiberius
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Jun 29, 2013 21:16 |  #36

The green ones can be used for correcting fluorescent lights.


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Wireless Flash help.
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