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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 07 Jul 2013 (Sunday) 03:16
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work lights

 
macks123
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Jul 07, 2013 03:16 |  #1

Lighting can be quite expensive. i saw some led work lights at home improvement from $80 - $130 that i thought may be good. I am not a professional photographer and was thinking these may be a decent alternative considering my budget especially since i have a gift certificate. I wanted to see what more experienced photographers thoughts on these would be. a waste of money, good for my first lighting equipment or any other thoughts.

i found three led work lights that i was considering

Husky 5 ft. 2500 Lumen Multi Directional LED Work Light 3PL-TP-DF-24W (external link)

Husky 5 ft. 1720 Lumen Led Work Light with Tripod WL1720LT-H (external link)

Designers Edge High Intensity Green 24-LED Twin Tripod Work Light with 5 ft. Power Cord L1322 (external link)


thanks in advanced




  
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Left ­ Handed ­ Brisket
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Jul 07, 2013 08:16 |  #2

post 6 from this page: https://photography-on-the.net/forum/showthre​ad.php?t=261340

I did the calculations for someone else and the numbers are pretty scary.

Let's say the 430EX is 50 watt-seconds (realistically it is closer to 100 w/s, just that monolight owners won't admit it). Anyway take it as 50WS.

A watt-second is how much power the light would consume, if spread out over one second. So, a 50W light bulb turned on for one second would generate 50 w/s. Let's take an inefficient light source generating 10 lumens per watt. So that's 500 lumens, not unrealistic for a home lightbulb at 50W. Now we've got 500 lumen-seconds.

Problem is a flash cannot stay on for one second as many exposures are much faster than that. Flashguns go off around 1/1000th of a second... you can imagine where this is heading to have so much power discharged in a tiny fraction of a second. Condense your 500 lumen-seconds into 1/1000th of a second. Yes, that is half a million lumens when the 430EX fires at full power.

The reason why 'hot lights' work is that you use long shutter speeds. You would only need a 500 lumen light source IF you could expose for one second. If your exposure is completely driven by the flash duration, then you have to deliver that amount of power in that tiny little window of opportunity.

I did some tests with a known 1K lumen light source, exposed for 1/200 f/8 ISO 400 in a pitch black room. Hardly anything showed up. I then did it again with the 430EX at 1/16 power (manual, not E-TTL2) and the whole room lit up bright as day. So it pretty much confirms that the flash is a few orders of magnitude more powerful than hot lights, but of course, the duration is MUCH shorter.

Your LED concept would get you a macro ringlight, but not a macro ringFLASH. There is no reason why it cannot be done given adequate thermal management and/or a very reduced duty cycle to allow the heat time to dissipate.

A cheaper solution is to take two flourescents and stack 'em on a desk.. well that's if your subject does not run away

My solution? ST-E2 and 430EX.


you will also see problems with the lights not giving off a full spectrum of light. Take a look at the first graphic on this page: http://intiridesigns.c​om/articles/color.php (external link)

notice the yellow line which is daylight, the same light that a flash tries to emulate. Also notice the LED light's output, there are spikes and valleys. There's no way to know if those shop lights would show the same, better or worse spikes and valleys.

I'm not trying to say that the lights you posted won't work for what you need them for (by the way, why do you need them?) but you need to be aware of their limitations as well as the benefits of a full spectrum flash. You can pick up a solid flash for a hundred bucks that will put out more light (for a shorter duration) than those shop lights.


PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20

  
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mike_311
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Jul 07, 2013 10:38 |  #3

honeslty just get a few yong nuo 460s, they are dirt cheap and will work much better than worklights. you could spend less than $200 and probably get three speedlights/stands and umbrellas. then you can just add on as you need to.

much more effective and easier to control.


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Aressem
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Jul 07, 2013 11:02 |  #4

mike_311 wrote in post #16098713 (external link)
honeslty just get a few yong nuo 460s, they are dirt cheap and will work much better than worklights. you could spend less than $200 and probably get three speedlights/stands and umbrellas. then you can just add on as you need to.

much more effective and easier to control.

Or some YN-568's


Ryan Mackay WEBSITE (external link) | FACEBOOK (external link) | GEAR LIST | Buy & Sell Feedback: 1, 2, 3, 4, 5

  
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Whortleberry
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Jul 07, 2013 11:19 |  #5

Imagine the eye-strain working with that intensity of constant light for anything other than a very short time. Not for me, thank you very much.


Phil ǁ Kershaw Soho Reflex: 4¼" Ross Xpres, 6½" Aldis, Super XX/ABC Pyro in 24 DDS, HP3/Meritol Metol in RFH, Johnson 'Scales' brand flash powder. Kodak Duo Six-20/Verichrome Pan. Other odd bits over the decades, simply to get the job done - not merely to polish and brag about cos I'm too mean to buy the polish!
FlickR (external link) ◄► "The Other Yongnuo User Guide v4.12" by Clive Bolton (external link) ◄► UK Railway Photographs 1906-79 (external link)

  
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CptTripps
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Jul 07, 2013 15:14 |  #6

I agree with the others. At $80-130 I would think some Yunguo's would be a much better solution (not to mention cheaper).


60D - Sigma 30mm 1.4 - 50mm 1.8 ImkII - 18-135 IS - 70-200 2.8 mkII - 2x430ex II - 3xFlextt5+AC3 - Einstein 640 w/mc2 - Vagabond Mini

  
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macks123
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Jul 07, 2013 20:48 |  #7

thank you all for your quick replies and advice.




  
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ksbal
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Jul 09, 2013 10:09 |  #8

Been there, done that - have the suckey white balance pictures to prove it... Don't go with shop lights, please.


Godox/Flashpoint r2 system, plus some canon stuff.

  
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