amfoto1 wrote in post #16134921
Has anyone contacted Sigma directly about this?
It sounds as if the problem is artificial light (indoor) vs natural light (outdoor). With the preponderance of flourescent bulbs these days (CFLs), could that be where the fault occurs? It's not uncommon for CFLs to wreak havoc with exposure, maybe it's causing focus problems, too.
If there is a difference depending upon the type of light, I can see where if you did your testing and adjusted MA indoors under artificial light, then went outdoors (where it was fine before adjustment), it would now be way OOF.
By the way, most MA testing procedures call for the target to be set up 50X the lens focal length distance from the film plane. With a 35mm lens, that would put the target just short of 6 feet away (35 x 50 = 1750 mm. 1750 / 25.4 = 68.898 inches), wouldn't it?
I'm curious about these things because I've been seriously considering this lens.
If it allows fine tuning at different focus distances, it sounds as if the dock might be the solution... though it adds extra cost to owning and using the lens.
It is not just CFL's though... For example, at Knotts Berry Farm I had the Sig 35 with my 5D3 taking night shots... There was a mix of LED, (Halogen?), Neon and tungsten bulbs illuminating the midways in various parts... 80% of the time, it required +10 to be sharp wide open... Sometimes, 0 worked better (consistently, not just random shot tests), but at one of the shows that I would guess was illuminated mostly with LED or stage lighting (not sure what type that is), it was WAY off at 0...
Yet in daylight, +10 causes massive backfocus... 0 was flawless all day at Disney, Universal and Knotts, not a single problem.
Back at our rental home, at night with artificial lighting... 0 no longer worked... I had to set to +10 to be anywhere near sharp.
Its weird because you would think the camera body would have the big influence on all this... Yet I never had this issue with Canon lenses... If anything, it is very slight to the point I never notice. However, the Sigma was extremely noticeable and really became frustrating to use since I would constantly go from daylight to artificial light within the amusement parks.
Not sure what is going on with the lens itself to cause to behave this way, but I sent my first back for the exact same behavior... 0 perfect from MFD to infinity in normal light but required +10 in artificial light... Got my new one and same thing, 0 MFD to infinity, +10 in artificial.
So I had luck getting good copies of this lens that required no MA at all (in normal conditions), but really went crazy in anything but.
I wish they could figure this issue out though, because that lens is stunning. I would LOVE to own it and not have to hassle with MA depending on where I am shooting. I don't care if it required +10 all the time or whatever, but not to change... I would rather take a softer lens (35L) for reliability.