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Thread started 24 Aug 2013 (Saturday) 19:39
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Am I the only one who doesn't understand the appeal of street photography?

 
TMaG82
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Aug 24, 2013 19:39 |  #1

I apologize if this has been posted before. But am I the only one who doesn't understand the appeal of street photography? I understand about capturing people in unscripted, and non posed body language but something about it seems odd to me. I mean I understand if you're on vacation or somewhere new and something about the scene just seems interesting to you. Like if you're in NY and you see a meat vendor, then I could see taking a picture. But too many times I see people posting pictures of some random person walking down the street talking on a cell phone. And talking about how Camera X is more discreet and because it has a tilt screen you can shoot from the hip.

I like to shoot portraits and pictures of my family and daughter as much as the next guy. And if I'm out at a barbecue I'll grab my camera and take pictures of my friends. But something about walking down the street, trying to hide the fact that I have a camera, and just snapping random shots of strangers just doesn't appeal to me. And after reading some stories of having confrontations with strangers as well, I could see it being potentially dangerous.

I know everyone has their own subject matter they like to shoot. Either it's people, nature, buildings, macro, landscapes, etc. And buying cameras/lenses that are better suited for their subject matter.

Surely I'm not the only one right?


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Tedder
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Aug 24, 2013 19:56 |  #2

What's appealing about it, I think, is that once in a very great while you can get a shot that matters.



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Aug 24, 2013 20:13 |  #3

I've done my share of "Street" photography. I'm not going to say that all such photos are "good", but when I'm out and I see something of "interest", whether a visually stimulating "scene" or someone whose "character" comes out in an appealing way, or whatever draws my attention, I like to be able to "capture" that!

How much time have you spent looking at street photography? There are threads here dedicated to street/urlban and candid photography, have you checked them out?

Here's one on "Urban Candids":

https://photography-on-the.net …/showthread.php​?t=1004012

"Black and White Street Photography":

https://photography-on-the.net/forum/showthre​ad.php?t=796329

"Colorful Urban":

https://photography-on-the.net/forum/showthre​ad.php?t=187351

And this one featuring "Urban Fragments", which don't "feature" people:

https://photography-on-the.net/forum/showthre​ad.php?t=737713


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Aug 24, 2013 20:30 |  #4

I find it invasive at best. Confrontational more times than not and not very appealing to me....so no you are not alone. But my post should generate some opposing views.




  
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tonylong
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Aug 24, 2013 20:33 |  #5

Elfstop wrote in post #16236951 (external link)
I find it invasive at best. Confrontational more times than not and not very appealing to me....so no you are not alone. But my post should generate some opposing views.

Heh! I'm not sure what you mean by "opposing views"...do you mean people saying that you personally should like doing street photography? I don't think that would be something to "push". But then I can say that I enjoy doing street photography...! Are you opposed to that:)?


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airfrogusmc
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Aug 24, 2013 20:34 |  #6

It's one of the few areas that the image you make can be truly one of a kind. Great street work is about more than just people on the streets. Its about line, shape, geometry and how those elements are working to support the subject and it has to be seen and captured in a fraction of a second. It's insanely difficult to do well. And it takes a real pair of them to get out there and do.




  
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airfrogusmc
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Aug 24, 2013 20:43 |  #7

A couple of trailers from an upcoming movie about some of the best street photographers alive today.

http://vimeo.com/70639​661 (external link)

and this

http://www.youtube.com​/watch?v=2vqCd2K1-KY (external link)




  
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airfrogusmc
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Aug 24, 2013 20:48 as a reply to  @ airfrogusmc's post |  #8

A great piece by Meyerowitz that goes way beyond street work to address framing.
http://www.youtube.com​/watch?v=Xumo7_JUeMo (external link)

Garry Winogrand
http://www.youtube.com​/watch?v=Tl4f-QFCUek (external link)




  
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airfrogusmc
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Aug 24, 2013 20:51 |  #9

And a great piece about Robert Franks book The Americans which might change your perspective on street work. Maybe to get you to look at it a little differently.
http://www.youtube.com​/watch?v=mHtRZBDOgag (external link)




  
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Aug 24, 2013 21:03 |  #10

IMHO there's good street photography and there's pointless snapshooting on the street. The former can be compelling. The latter? Meh.

It's the same with all genres really. Some people find it impossible to dislike a photo of a naked woman but IMHO there are good ways and bad ways to go about it.

All is purely subjective, obviously.


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tonylong
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Aug 24, 2013 21:07 |  #11

Well, I'll chime in again!

To answer the OP "am I the only one who doesn't understand the appeal of street photography?"...

No, of course you are not alone in this!

Some folks don't "get" it because they've never gotten out into the streets and done it.

Some folks have gotten out there but have had bad/unpleasant experiences and it turned them off.

Some folks have gotten out there but have just found the experience less than satisfying.

Some folks just don't like the "look and feel" of the urban/street scenes and photographs.

Some folks don't like the "idea" of candid street photography, the "idea" of it being intrusive/invasive into the "lives" of the subjects.

***

All that being said, there are those of us who have gotten "out there", who do get out there, and who do find the appeal, the personal satisfaction, and who feel that at least some of our street/candid photos have "something" about them, something that to us at least makes it "worthwhile"!

Now if the OP is implying a criticism toward we who "shoot the streets", well, hmm...we can answer, but if the OP is simply saying that he/she just doesn't "get it", well, we can talk about that as well:)!


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Aug 24, 2013 21:33 as a reply to  @ tonylong's post |  #12

Depends on how you want to define "street photography," but asking about the appeal of street photography is largely the same as asking about the appeal of, among others:

  • Henri Cartier-Bresson
  • Garry Winogrand
  • Robert Frank
  • Elliot Erwitt
  • Andre Kertesz
  • William Klein
  • Lee Friedlander
  • Joel Meyerowtiz
  • Josef Koudelka
  • Daido Moriyama
  • Walker Evans
  • Helen Levitt
  • Bruce Davidson
  • Alfred Eisenstaedt
Or in other words, some of the more noted photographers ever, irrespective of genre.

Don't get me wrong. If you don't like something, you don't like something, and that's fine. I wouldn't try to tell someone what color they should like.
After all, if, hypothetically, I didn't like landscapes, you could shove Ansel Adams in my face all day long, but I likely wouldn't change my mind.

Anyway, street photography is about life and humanity, and I don't exactly see such subjects as irrelevant in the greater scheme of things.

How many birds on a stick photos are there? Are some good, some bad, some just there? And if I was to base my opinion on all of wildlife by basically referring only to bad bird on a stick photos, would that be the best way to approach the matter?

As France's new Minister of Culture Aurélie Filippetti recently stated in regards to possibly lifting current restrictions on photographing folks in public:

"Without [photographers], our society doesn't have a face. Because of this law, we run the risk of losing our memory. [...] Just to think that Cartier-Bresson or Josef Koudelka would have been prevented from doing their work is unbearable."

Somewhat a long this line, as I've mentioned a few times on POTN, I can't imagine how foolish it would be to confine our visual record of human history and sociology to posed shots.

By the way, I seldom ever take photos of my friends or family.

I've been shooting candids for eight years, and only three times has anyone even remotely 'confronted' me; and one of those encounters involved a Nigerian hawker in Harajuku, Tokyo who didn't want his actions recorded---and he wasn't even in the photo!

Far more folks will smile or, as they say, strike a pose, though usually after the fact, should anyone even notice at all. If you walk down a city street, you are being videotaped constantly anyway.

And how would I feel if I was the subject. Actually, in Tokyo, caught two guys taking shots of me---so.

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Aug 24, 2013 21:38 as a reply to  @ sjones's post |  #13

Not everyone likes the same things. It would be boring if we all did. Not everyone likes strawberry-rhubarb pie. Not everyone likes street photography.


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Aug 24, 2013 21:58 |  #14

My way of thinking is this: the street shots that I take mean something to me at the time I shoot 'em. If they mean little when I later view 'em, they get binned as I haven't captured what evoked me to take the shot. I shoot for me, and just as I shoot posed portraits of my kids, which will for ever invoke something in me, when I later view them, so it is with my street shots.

How many times are we asked to watch videos or look at snaps of our families' vacations that bore us to tears? I guess that's how it is with our photography...........​....it means something to us and if it means something to others, then that's a bonus...............bu​t do I need a bonus? I guess so if you want your work to be appreciated, but personally, that's not my primary consideration. If you're a pro making a living, then that's different, it's got to mean something to the client, but other than that, I personally, shoot for myself and I get the same satisfaction from the odd "bird on a stick" as I get from an urban candid...............i​f and only if, I see on my monitor, what I envisaged/felt/appreci​ated, at the moment I took the shot.


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Aug 24, 2013 21:59 as a reply to  @ Nukehed's post |  #15

No one has to understand it. As long as you can appreciate it.

I for one appreciate this photo was taken.

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Am I the only one who doesn't understand the appeal of street photography?
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