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Thread started 01 Oct 2013 (Tuesday) 16:14
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Canon 24-105 or Sigma 24-70?

 
jonathanheierle
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Oct 01, 2013 16:14 |  #1

looking to add to my lens collection, will be shooting fast action sports, studio/macro work and landscapes give me some insight, thanks!


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YashicaFX2
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Oct 02, 2013 00:46 |  #2
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How about some insight on how you narrowed the choice down to these two? Neither seems exceptionally good for the uses you listed. Both seem like general purpose answers to a three-pronged specific question. Neither of them improves on your 70-200 for sports or close-up work. Both fill the bill for studio stuff, but better is available. And you already have a highly regarded wide lens for landscapes. Color me confused.

Fast-action sports: EF 70-200 f/2.8 or Tamron 70-200 VC
Macro: EF 100 2.8 or 2.8L
Landscapes: Current lens, or 10-22, if you want wide.


Dedicated APS-c shooter. Gripped 60D, 60 2.8, 10-22, 15-85, Σ70-200 OS and a big white something or other! Plus a 5D w/28-75.

  
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jonathanheierle
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Oct 02, 2013 09:13 |  #3

YashicaFX2 wrote in post #16340009 (external link)
How about some insight on how you narrowed the choice down to these two? Neither seems exceptionally good for the uses you listed. Both seem like general purpose answers to a three-pronged specific question. Neither of them improves on your 70-200 for sports or close-up work. Both fill the bill for studio stuff, but better is available. And you already have a highly regarded wide lens for landscapes. Color me confused.

Fast-action sports: EF 70-200 f/2.8 or Tamron 70-200 VC
Macro: EF 100 2.8 or 2.8L
Landscapes: Current lens, or 10-22, if you want wide.

since i only have the 70-200 and the tokina 11-16, the tokina is on my 7d most of the time, if i got the 24-105 id get the extension tubes to make it a little more decent for macro work, i wouldnt mind using a 24-70/105 for landscapes but a wide angle already does that very well,

ive looked into the 100mm for extremely sharp macro photos, since i just ordered my first studio and it will be here within a week, id rather get a 24-105, incase studio isnt for me i can walk away with a more useful lens


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YashicaFX2
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Oct 02, 2013 09:23 |  #4
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In that case, the new 24-70 f/4 IS is a likely (but expensive) candidate. It has newer IS than the 24-105 and it is notably sharper, and has a LOT less distortion at the wide end. Since you are shooting APSc, the 15-85 is about the best thing going in this range. On APSc, it is a more useful lens than the 24-105, for me anyway.


Dedicated APS-c shooter. Gripped 60D, 60 2.8, 10-22, 15-85, Σ70-200 OS and a big white something or other! Plus a 5D w/28-75.

  
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jonathanheierle
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Oct 02, 2013 09:26 |  #5

YashicaFX2 wrote in post #16340598 (external link)
In that case, the new 24-70 f/4 IS is a likely (but expensive) candidate. It has newer IS than the 24-105 and it is notably sharper, and has a LOT less distortion at the wide end. Since you are shooting APSc, the 15-85 is about the best thing going in this range. On APSc, it is a more useful lens than the 24-105, for me anyway.

the 24-70 is way out of my price range, the 15-85 is nice, but im nuts for L


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YashicaFX2
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Oct 02, 2013 09:55 |  #6
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You are aware that "L" does not always get you better IQ? The EFs 10-22 is arguably a better lens than either the 16-35 II or the 17-40, if you only consider IQ. The 10-22 will not work on FF, obviously. It has less distortion than the 17-40 and is sharper across the frame than either of the EF offerings. What it is not is f/2.8 (or f/4), weather sealed, or FF compatible.

I don't know for sure, but I suspect if you limit the comparison to IQ, the 15-85 is a better lens than the 24-105. It is sharper with less distortion than the 24-105 on your 7D. The 15-85 also has newer IS. Again, what the 15-85 is not is f/4 and weather protected.

There are a lot of advantages to "L" other than IQ. Most of the time, better IQ comes along for the ride. But, not always. Ponder your priorities before you spend any money.


Dedicated APS-c shooter. Gripped 60D, 60 2.8, 10-22, 15-85, Σ70-200 OS and a big white something or other! Plus a 5D w/28-75.

  
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jonathanheierle
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Oct 02, 2013 10:08 |  #7

YashicaFX2 wrote in post #16340667 (external link)
You are aware that "L" does not always get you better IQ? The EFs 10-22 is arguably a better lens than either the 16-35 II or the 17-40, if you only consider IQ. The 10-22 will not work on FF, obviously. It has less distortion than the 17-40 and is sharper across the frame than either of the EF offerings. What it is not is f/2.8 (or f/4), weather sealed, or FF compatible.

I don't know for sure, but I suspect if you limit the comparison to IQ, the 15-85 is a better lens than the 24-105. It is sharper with less distortion than the 24-105 on your 7D. The 15-85 also has newer IS. Again, what the 15-85 is not is f/4 and weather protected.

There are a lot of advantages to "L" other than IQ. Most of the time, better IQ comes along for the ride. But, not always. Ponder your priorities before you spend any money.

what I'm looking for is the fastest af with the sharpest iq


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Rocky ­ Rhode
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Oct 02, 2013 10:10 as a reply to  @ YashicaFX2's post |  #8

17-55 f/2.8 fills your current gap nicely, and is an excellent lens for indoor and outdoor portrait photography.


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YashicaFX2
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Oct 02, 2013 10:27 |  #9
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jonathanheierle wrote in post #16340703 (external link)
what I'm looking for is the fastest af with the sharpest iq

Rocky Rhode wrote in post #16340706 (external link)
17-55 f/2.8 fills your current gap nicely, and is an excellent lens for indoor and outdoor portrait photography.

Keep in mind that I do not own the 24-105. From reviews and user comments I believe that if you want sharp, you don't want a 24-105. I know two people who use the 17-55, both on the 7D. They really like it.


Dedicated APS-c shooter. Gripped 60D, 60 2.8, 10-22, 15-85, Σ70-200 OS and a big white something or other! Plus a 5D w/28-75.

  
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Copidosoma
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Oct 02, 2013 10:35 |  #10

YashicaFX2 wrote in post #16340758 (external link)
Keep in mind that I do not own the 24-105. From reviews and user comments I believe that if you want sharp, you don't want a 24-105. I know two people who use the 17-55, both on the 7D. They really like it.

x2.

The 24-105 is capable of decent sharpness on the 7D but it isn't really anything outstanding.

Personally, if I was you I'd get the 15-85 EF-s. If you really don't like it and want the red ring that badly I'll trade you my 24-105 for it.


Gear: 7DII | 6D | Fuji X100s |Sigma 24A, 50A, 150-600C |24-105L |Samyang 14 2.8|Tamron 90mm f2.8 |and some other stuff
http://www.shutterstoc​k.com/g/copidosoma (external link)
https://500px.com/chri​s_kolaczan (external link)

  
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jonathanheierle
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Oct 02, 2013 10:40 |  #11

Copidosoma wrote in post #16340788 (external link)
x2.

The 24-105 is capable of decent sharpness on the 7D but it isn't really anything outstanding.

Personally, if I was you I'd get the 15-85 EF-s. If you really don't like it and want the red ring that badly I'll trade you my 24-105 for it.

15-85 or 17-55 now? haha and copidosoma if i get the 15-85 and am not super happy with it, ill consider trading you lol


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john5189
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Oct 02, 2013 10:45 |  #12

The 17-55 f2.8 IS is the best NON-L zoom lense canon do. It is nearly as good as the 24-70mk1 for IQ
I have one on a 7D and could not bear to part with it.


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YashicaFX2
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Oct 02, 2013 11:06 |  #13
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john5189 wrote in post #16340813 (external link)
The 17-55 f2.8 IS is the best NON-L zoom lense canon do. It is nearly as good as the 24-70mk1 for IQ
I have one on a 7D and could not bear to part with it.

Perspective is everything. I prefer the range of the 15-85 to the aperture of the 17-55. As usual, YMMV.


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Copidosoma
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Oct 02, 2013 11:31 |  #14

jonathanheierle wrote in post #16340801 (external link)
15-85 or 17-55 now? haha and copidosoma if i get the 15-85 and am not super happy with it, ill consider trading you lol

Actually you would do well with either. Just that the 15-85 gives you a bit more reach.

As above, the 24-105 is a really nice focal range, has IS and a red ring and all that good stuff but it isn't really a super sharp lens (helps alot to stop it down a bit like most lenses). Definitely not on something like a 7D.

Lots of folks look down on the EF-s lenses because they aren't "L". However, the performance of some of them matches and in some cases exceeds that of the L equivalents. I wouldn't overlook them. Even if you do plan to go FF someday, resale on most lenses can get you back most of what you paid for the lens so you really don't lose much.


Gear: 7DII | 6D | Fuji X100s |Sigma 24A, 50A, 150-600C |24-105L |Samyang 14 2.8|Tamron 90mm f2.8 |and some other stuff
http://www.shutterstoc​k.com/g/copidosoma (external link)
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Oct 02, 2013 11:43 |  #15

Constant aperture is more important for me, since I can go full manual and not have my exposure changing while I zoom. This makes post processing much faster in Lightroom. 15-85 would be frustrating to me in that way.

I had the 17-55 f/2.8 on my T2i, but it was too short. I love the 24-105 f/4L on the T2i. It's great on my 1D3 also, especially if it's raining -- sealed system.

AF speed is great on the 24-105. I never see distortion on the wide end because I've enabled lens corrections in Lightroom. The distortion just goes away and is never an issue.

As far as IQ goes, the 24-105 has been great for me. No complaints at all.


1D MkIV | 1D MkIII | 550D w/grip & ML| EF 70-200mm f2.8L| EF 24-105mm f4L IS | Canon EF 100-400mm f/4.5-5.6L IS | Samyang 14mm f/2.8 IF ED UMC | 430EXii | EF 50mm f1.8

  
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Canon 24-105 or Sigma 24-70?
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