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FORUMS Post Processing, Marketing & Presenting Photos The Business of Photography 
Thread started 07 Oct 2013 (Monday) 17:03
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What do I tell him? (they want all pictures)

 
rejay14
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Oct 10, 2013 23:30 |  #31

carlh wrote in post #16354684 (external link)
another tip, go download a file renaming program, so you have consecutive file numbering rather than missing photo's from the one's you supply them i.e. img001.jpg and then img007.jpg - they will wonder what happened to 002 to 006, so get your files renamed, then you wont get asked ;)

FastStone (external link)Photo Resizer is what I use. It can also add watermarks and batch re-name. I like to deliver sequentially named files.

Jeff


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HappySnapper90
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Oct 12, 2013 07:53 |  #32

rejay14 wrote in post #16362122 (external link)
FastStone (external link)Photo Resizer is what I use. It can also add watermarks and batch re-name. I like to deliver sequentially named files.

Jeff

Lightroom does all that and many people already use it. No need to use additional software.




  
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Biffbradford
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Oct 12, 2013 10:12 |  #33

So does Irfanview (freeware).


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rejay14
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Oct 12, 2013 19:22 as a reply to  @ Biffbradford's post |  #34

From my experience, Lightroom has to process /re-export every photo to do this. Fast stone is 100x faster. Yes, it's better to do this upon original export.


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Oct 12, 2013 19:25 |  #35

rejay14 wrote in post #16366268 (external link)
From my experience, Lightroom has to process /re-export every photo to do this. Fast stone is 100x faster. Yes, it's better to do this upon original export.

I don't know how quick Faststone is but I don't find LR particularly slow or annoying. If I have a TON of files I can always walk away and do something else.


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rejay14
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Oct 12, 2013 19:58 as a reply to  @ cdifoto's post |  #36

If rather just sit there for 15 seconds until it's done


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fontanka
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Oct 12, 2013 20:03 |  #37

Ratjack wrote in post #16353677 (external link)
So I recently did some pictures for an old friend of mine. We were really good friends back in high school, but don't talk a whole lot anymore. The photos were of him, his wife, and their 1 year old son.

I normally supply 10 edited images, but since I know them I edited every usable image there was and I delivered ~35 images to them. The rest of the images that were not delivered were because of bad lighting, posing that was unflattering, or blurry out of focus pictures.

He messaged me today and said they loved the pictures but wants the rest of the unedited ones. I would never do this for anyone else but I don't know what to do since he and I were good friends. I don't feel comfortable giving him pictures that I feel look really bad and are not representative of what I can do.

Should I just give them to him? Or should I tell him I delete the unusable ones during the culling process?

Thank you in advance!

I'd say I deleted them during the culling process (which I myself always do). In this case it's easier than going into explanations.


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cdifoto
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Oct 12, 2013 20:10 |  #38

rejay14 wrote in post #16366337 (external link)
If rather just sit there for 15 seconds until it's done

How many files are we talking about in 15 seconds?


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rejay14
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Oct 12, 2013 20:10 |  #39

40-50 maybe


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Hogloff
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Oct 12, 2013 21:57 |  #40
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fontanka wrote in post #16366345 (external link)
I'd say I deleted them during the culling process (which I myself always do). In this case it's easier than going into explanations.

I find the truth is best rather than fabricating a story. Sooner or later your fabrications catch up.

Nothing wrong in saying that not all of your shots are keepers and that you spent the time culling out the ones that don't meet your standards.

Why lie?




  
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1000WordsPhotography
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Oct 16, 2013 14:42 |  #41

At the end of the day its up to you but I'd recommend you say no and stand firm. And modify your contract so it clearly states that you and you alone are the judge of what pictures will be released.


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cdifoto
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Oct 16, 2013 15:03 |  #42

Hogloff wrote in post #16366573 (external link)
I find the truth is best rather than fabricating a story. Sooner or later your fabrications catch up.

Nothing wrong in saying that not all of your shots are keepers and that you spent the time culling out the ones that don't meet your standards.

Why lie?

Indeed. Too many photographers get hung up on trying to look like they don't ever take bad photos.


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Oct 17, 2013 23:23 |  #43

rjharris wrote in post #16353998 (external link)
^^^ this ^^^^^

I've gone this route before and at least they respect you a bit. I also tell anybody I shoot I delete any I don't think will work for whatever reason.

Double this. If they're subpar, there's no reason to keep them. Delete them and tell them you deleted them. Friend or not, it's your name that will be associated with product you didn't think was on the level.


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