YashicaFX2 wrote in post #16428471
Hi, Ben. Welcome to POTN.
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I will go full-frame when I can afford to go whole-hog: 5D3, 16-35II and 24-70II. I don't see either the 17-40 or 24-105 as being as good on FF as my 10-22 and 15-85 are on APSc. That said, if I had the money, I'd jump to all FF in a minute. In my opinion, if you can afford it, go completely FF. The only advantage the 7D has over the 5D3 is burst rate. If burst rate is that important, buy a 1Dx.
Thanks for the welcome. I’ve been hanging out for awhile but finally decided to join.
After I get the 24-70ii, I don’t see myself buying the 16-35; more likely is a 14mm prime. The 24mm on FF is as wide as I will want for most of what I do. I am however in love with the 14L 2.8 after renting it a few weeks ago. I feel a 14mm prime would scratch my UWA itch very nicely whether it is the 14L or the Rokinon.
dscri001 wrote in post #16428518
Since you already have the 5d3 I'd say stick to the crop. It offers a different approach and different options. Maybe look into the 70D? Or wait it out for the 7D2.
If I don’t sell the body+lens I would just keep the 7D as it has been a great camera for me so far. It’s not necessarily about getting a new body but more about what to do if I decide to save a good friend some money. Not to repeat myself but if I don’t sell it to him, I will keep the combo. Not singling you out, please no offense intended. I greatly appreciate that you took the time to respond. I just wanted to make that clear to anyone who may like to offer further suggestions.
bratkinson wrote in post #16428670
When I upgraded my 60D to a 5D3, I just 'shot as usual' as I already had all L glass + an 85 f1.8. Other than the jump in size & weight (both cameras gripped), the loss of extra 'reach' with the 60D wasn't noticable. Actually, I preferred being closer in for simlar shots. But the big surprise I got was that my 16-35 f2.8L ii now spends a lot more time in the bag. I used that for a fair number of indoor shots at church events as its field of view was effectively that of a 25-55 lens. The 24 end of my 24-105 is now sufficient for 'wider'. Having deduced that, it came as no surprise my 80-200 f2.8L (magic drainpipe) spends more time mounted than it used to on the 60D.
Thanks for this. I am thinking many of the same things. I also feel that the 24-70 will be plenty wide and having the 70-200 ready to go on another FF body could be a great thing. I found myself putting the 17-55 onto the 7D when I needed that wider shot but that will now be covered at all times by the 24-70mm.
Scott M wrote in post #16428746
I kept my 7D after buying a 5D3, but the 7D is now only used for wildlife using a 100-400L lens. The 5D3 is used for everything else. I still find the 7D useful enough for trips where I will be shooting both wildlife and landscapes -- such as this past summer when we spent a week in Glacier National Park. I could hike around the park with the 7D + 100-400L and 5D3 + 24-105L (or 17-40L) and was prepared for any shooting situation without changing lenses.
Before adding the 2nd body, in past trips I would need to leave the telephoto lens mounted as we traveled or hiked, and switch to my landscape lens whenever I came across a landscape scene, then switch back to the telephoto again. That is a lot of lens changing that I now avoid. This was required because waterfalls and mountains will wait for you to change lenses, but grizzly bears, wolves, elk, moose, etc. will not.
If you do not shoot wildlife, though, you may not find much use for both a crop and full frame body, unless you just want to have a backup.
I do not shoot wildlife often but what I do not like doing is: stopping, trying to find a low key spot to change lenses, grabbing the other lens, swapping, shooting, walking 5 minutes and realizing I want the other lens again. That is my main interest in having two bodies, exactly as you said above. I realize that swapping lenses is part of the game but if I can minimize it, I am much more likely to actually take the picture I want to take; instead of just being lazy. I do like the idea of always having the lens you need right away ready and swapping for things you have lots of time to prepare for. Solid logic.
To me, having the 24-70 and 70-200 each ready to go on a designated body at all time is an ideal scenario. Hence the upcoming purchase of the 24-70
. In my ideal world, I would only then have the added weight of a tiny little 14mm prime to lug around for 99% of what I do.
What I’m still trying to mentally wrestle with is whether or not to give up the crop sensor body. What other positives/negatives are there that haven't been thought of yet in the thread? I do realize that is nothing that a stranger on the internet can decide for me.
In regards to funds, I’m not yet married and no kids so I have some money to spend hehehe