bnsfr wrote:
Thanks Phil. If I am not mistaken, the G2 has at least the ability to manually adjust shutter and aperture within more limited ranges of the EOS D30 (and has a larger aperture setting on all but the (my wife says) prohibitively expensive telephoto lenses, which at least would help me take indoor action shots without breaking the piggy bank (my daughter plays basketball)). It has 400 ISO, which is of some use, but less than the up to 1600 of the EOS D30. What other differences in features do you think are significant between the cameras?
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By the way, are your website shots with your G1? Very nice stuff.
Thanks for the compliment on my galleries. As Im sure you know, Pekka's original G1 gallery stands the test of time and remains a wonderful way to spend an hour or so. Also look up Don Ellis' Kleptography site (unique name for a search engine!) to see great G1 and now G2 photos.
To echo Pekka's comments, and to answer some of your questions:
Yes, you have a limited manual control over the G2--not limited in controlling the camera, but limited in that the camera doesn't have a full range of choices. Slowest shutter is 8 seconds, smallest aperture is f8.0. And manual focus is still pretty much a joke...
As Pekka says, just because the G2 says it can take an ISO 400 photo, don't go thinking you'll actually want to look at it and show it! I have never made a serious photo at other than ISO 50. It might as well not be an option. The D-30 can make pretty good images at ISO400. You will need a flash, either the Canon 420EX or 550EX, since these support E-TTL exposure. The built in flash is essentially useless and if used, produces horrible exposures.
Pekka also mentions a Pro/Con with the depth of field of the G2. It can be wonderful, especially if you like those "large format" images where everything is in focus. But sometimes you don't want everything to be in focus, and it's a technique-challenge to get the foreground in focus and the background out of focus enough to avoid being distracting. As you may have seen in my Portraits gallery, the success in part of these images is the choice of a simple background so that even if it's in focus, it's not distracting. I'm personally not too worried by the DOF problem, and have used it to my advantage as in this image where the tree and vine are further apart than I am from the tree (by a factor of about 2):
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Anyway, more things to think about.
cheers,