CyberDyneSystems wrote:
The beef with inkjets is that they all stink!
We use laser printers for text printing and they are so much more relairble than inkjets it isn't even funny.
Inkjets clog,
Inkjet cartridges dry up and must be thrown out if they are left unused for a very short time.
Cartridges are WAY to expensivce for what you get.
The printers themselves are made cheap and break.
HPs inkjets die in about a year,..
Epson Inkjets barely last a few months,. assuming they work out of the box to begin with....
So,.. that my beef

CyberDyne "who has owned 5 inkjets all of which lasted no more than a year and all of which allways required hours of effort to get a good print form" Systems

Yes, I've had problems with inkjet printers. The worst problems have been with (dare I say it) Canon's bubblejet printers, which are highly prone to clogging if they aren't used very frequently.
And I have an HP1100C, which is an early high-quality four-color inkjet, and it worked just fine for about two years before the print heads clogged up.
But my Epson 1270 has been going for 2.5 years now, and only once have I had to even go through the head-cleaning exercise. And I use it in binges separated by weeks of non-use. Yes, the cartridges are small and have to be replaced frequently.
Reportedly, the Epson 2200 is more of a professional unit with higher overall reliability than the 12xx series. And the color tanks can be replaced one color at a time.
But if you think this is unreliable, you haven't ever run a chemical darkroom. Talk about having to keep up with it! A layoff of a month means throwing nearly all your chemicals away and starting completely over. I may have to clear the prints heads once in a while, but I used to spend a whole session in the darkroom just prepping chemicals and getting everything clean before I could start a project. Or, you can mix in small quanities and spend all your time mixing (and having to be VERY precise about it). Or, you can spend much more than what inkjets cost and throw away lots of stale chemicals.
No, the problems of my Epson have been minor indeed compared to the travails of an occasionally used chemcial darkroom, especially if you do color. The alternative is to burn a CD and take it to the lab, where I'm sure they can screw up your color as effectively as they could when you shot film!
In short: Cost, convenience, accuracy, and reliability. Pick any two.
Rick "thinking dye-sub is your only reasonable alternative" Denney