Most photographers only know how to quantify a lens' sharpness, but bokeh contrast and other factors are however something that is well understood by lens designers, and can easily be measured adjusted. There is nothing magical about it.
Have a read through this site if you do not believe that this is something that is very well understood:
http://bokehtests.com/styled/index.html
The 50mm f/1.2L has an extremely neutral and even circle of confusion, with very tight contrast, which is what leads to it's amazing bokeh. This is something very hard to accomplish and lets us objectively say that the 50mm L lens is a 10/10 in bokeh and therefore character.
The 50mm f/1.4 ART is reportedly tuned to have the exact same sort of circle of confusion as the 50mm L.
What this means is that the 50mm f/1.4 ART might deliver images that identical clones of images from the 50mm f/1.2L at equivalent apertures, if you just add some blur, and correct for difference in CA, distortion and vignette.
Like I said I would wait, because both lenses could have the exact same character and 10/10 look. Sigma is trying very hard to make their lens unequivocally better.
If the Sigma 35 is any indication of what to expect from the Sigma 50 ART, then I wouldn't expect it to have the "character" of the 50L. I'm impressed by the sharpness of my Sigma 35, but I've always thought that it had somewhat of a "cold" quality to it....and the bokeh can be very erratic with complex backgrounds.
The 50L wasn't the sharpest lens I owned by a long-shot....but it's bokeh is unlike anything I've seen in another lens. Between its bokeh and its color rendering, its a very "beautiful" lens overall.
I think most people fall in this category.
(24Lii, sigma 50A, 135L), and for the other ends of the spectrum, sigmaEX 14mm2.8 and sigmaEX 100-300F4.
