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FORUMS Cameras, Lenses & Accessories Canon Lenses 
Thread started 06 Jan 2014 (Monday) 21:29
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Keep or sell

 
Coral
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Jan 06, 2014 21:29 |  #1

Looking for opinions, should I sell my Canon 50mm f1.4 because I have a 24mm x 70mm f2.8 or should I keep the 50mm?


Living the Dream
Gear: Camera 5D3, Glass: EF 50mm f1.4, EF 100mm f2.8, EF 70-200mm f4, EF 500mm f4 II, Tamron 24-70mm f2.8

  
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bob_r
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Jan 06, 2014 21:41 |  #2

Do you ever shoot your 50mm with an aperture larger than f/2.8?
Is your 24-70 as sharp as your 50mm at f/2.8?


Canon 7D, 5D, 35L, 50 f/1.4, 85 f/1.8, 135L, 200L, 10-22, 17-55, 70-300, 100-400L, 500D, 580EX(2).
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Nogo
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Jan 06, 2014 21:42 |  #3

I would keep it myself. May be a time when you need the faster lens for something.


Philip

  
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Coral
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Jan 06, 2014 21:42 as a reply to  @ bob_r's post |  #4

yes I have but it seems I rarely use the lens anymore. I'll keep it. Thanks.


Living the Dream
Gear: Camera 5D3, Glass: EF 50mm f1.4, EF 100mm f2.8, EF 70-200mm f4, EF 500mm f4 II, Tamron 24-70mm f2.8

  
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SamFrench
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Jan 06, 2014 21:43 |  #5

Sell and buy the new Sigma 50




  
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MalVeauX
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Jan 06, 2014 22:03 |  #6

Coral wrote in post #16584005 (external link)
Looking for opinions, should I sell my Canon 50mm f1.4 because I have a 24mm x 70mm f2.8 or should I keep the 50mm?

Heya,

Since it's your fastest glass, I would keep it, when asking in relation to your 24-70 F2.8. The focal length is nothing to write home about, unless it's your preferred length. But F1.4 is a very powerful and useful thing to have. If you don't use it at F1.4, then it serves next to no purpose in your bag. If you stop it down, it again, serves next to no purpose in your bag. If you do use it at F1.4, then it serves it's purpose and it's worth keeping.

If you have interest in wide aperture, and you're looking for new glass, then maybe look for wide aperture glass that is sharper wide open, like the Sigma 35mm, or the Canon 24/35L or even simply 35mm F2 IS. It depends on what you're shooting and how you like to do things.

That said, it's not a very expensive lens, so ask yourself, do you really need the $200~250 it might fetch after the process? Will it fund a lens you will use more? Or is it really just something you can keep and play with sometimes.

Seems to me that you have next to no interest in it, since you're even considering selling it, which tells me you probably don't use it at F1.4, thus don't care about it. In which case, sell it.

Very best,


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EOS5DC
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Jan 06, 2014 22:19 |  #7
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I agree that if you are not shooting it a f/1.4, sell it. Two stops is a lot of light. I use a 35 f/2 that gets me 2-1/3 stops over my 15-85 at 35mm. If I don't need the light, there is no point in changing lenses. Both are quite good.


Bodies: 60D, 6D.
EFs: 15-85, 10-22
EF: 28-75, 35 f/2 IS, Σ70-200 OS, 100-400L
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MalVeauX
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Jan 06, 2014 22:30 |  #8

EOS5DC wrote in post #16584154 (external link)
I agree that if you are not shooting it a f/1.4, sell it. Two stops is a lot of light. I use a 35 f/2 that gets me 2-1/3 stops over my 15-85 at 35mm. If I don't need the light, there is no point in changing lenses. Both are quite good.

It's not just the light. You can increase exposure in other ways. There's plenty of reason to change lenses other than needing the light.

Autofocus - Wide aperture allows for better autofocus in low light.
Depth of Field - F1.4 cannot be mimicked by F2 or F2.8. It's a creative look.

The depth of field, well, is kind of a big deal. It's usually the allure to wide aperture lenses.

Very best,


My Flickr (external link) :: My Astrobin (external link)

  
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1Tanker
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Jan 06, 2014 22:33 as a reply to  @ EOS5DC's post |  #9

I'm sure you don''t use it as much, due to the versatility of having a zoom.. versus the lack of wanting f/1.4. Most find the 50/1.4 doesn't sharpen up til ~f/2 (as do i), but that's still an extra stop..of light and/or DoF.
As MalVeauX mentioned, if you don't really need the extra $250, it might be nice to keep around.


Kel
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EOS5DC
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Jan 06, 2014 23:49 |  #10
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MalVeauX wrote in post #16584178 (external link)
It's not just the light. You can increase exposure in other ways. There's plenty of reason to change lenses other than needing the light.

Autofocus - Wide aperture allows for better autofocus in low light.
Depth of Field - F1.4 cannot be mimicked by F2 or F2.8. It's a creative look.

The depth of field, well, is kind of a big deal. It's usually the allure to wide aperture lenses.

Very best,

That's fair, if you shoot that way. Overly thin DOF looks like a gimmick to me. Lots of photogs overdo it just because they can. I agree that in the right shot it is attractive. Perhaps I am just not capable of that level of work.

I sold my fast primes (50 1.8, 85 1.8, 135L and 200 2.8L) because I never used them wide open. I don't care for the razor thin DOF look. I use my 35 2 for its light gathering ability. In dark restaurants, an f/2 ISO 640 shot has a lot less noise in it than the ISO 3200 I'd be forced to use with my 15-85 at f/4.5. The too thin DOF is a consequence I have to manage, not a benefit.

Ditto my 70-200 2.8. I shoot people at f/4-5.6 on crop and f/5.6-8 on FF with it. I also get the entire face in focus. The f/2.8 comes in handy at a sporting event where I need the shutter speed. It also makes for faster, more accurate AI-Servo focusing. For some of us, it is just about the light.


Bodies: 60D, 6D.
EFs: 15-85, 10-22
EF: 28-75, 35 f/2 IS, Σ70-200 OS, 100-400L
Flash: 580EX II, 430 EX II

  
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Coral
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Jan 07, 2014 09:17 |  #11

thanks again for all the opinions


Living the Dream
Gear: Camera 5D3, Glass: EF 50mm f1.4, EF 100mm f2.8, EF 70-200mm f4, EF 500mm f4 II, Tamron 24-70mm f2.8

  
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