Charlie wrote in post #16611077
well the flipside is what happens with folks that shoot dual bodies? I know that on my 5D2 and 6D, I had different MFA values. Say I shoot a 35 and 85 combo, would that mean that one lenses would always have to mount on the same body? If I use one body with two lenses, then I'de be in trouble (hypothetically)...
thankfully, I'm not OCD'd enough to care about the small variances in MFA, otherwise, I'de drive myself crazy.
I did wonder about what would happen if shooting on two separate bodies. However, since when you use the Sigma dock, you are adjusting the mechanics in the lens itself for the different focus distances. So hopefully, once you have it set properly, focusing at those distances are correct (regardless of body). Then when you change the camera body, the entire focus range of the lens will be equally off either front or back focusing. So, then you just use the AF Micro-adjust on the new body to address it for that body and your lens now works on both. (I haven't tested this but I think it should work this way. I wouldn't be surprised if I was proven wrong though.)
What I think Sigma is doing with their Art series lenses is increasing the optical quality substantially, but since they also need to be cheaper than Nikon and Canon still, they are using looser tolerances in their manufacturing process. These looser tolerances require more fine tuning afterwards, so they throw out a dock to let the end customers do it themselves. Now they save money have not having as tight of tolerances, customers can adjust it themselves and not send them back as much for adjustments or as returns, and they can make money on the docks while keeping their costs lower. It is win, win, win, win for them.