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Thread started 01 Feb 2014 (Saturday) 08:59
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Lens Sharpness, Pixel Peeping & Prints...

 
silvex
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Feb 01, 2014 14:54 |  #16

The sharpness of a lens it is just a thin slice of the whole pie. Try taking a "low cost" lens thru rough weather, test focus speed in dim lighting, and you will start to see why they ahove different prices. The same goes for dSLR bodies. Any dSLR in the hands of a SKILLED photographer will produce impressive images. Pro gear does not mean that it is expensive. It means that it will deliver images under most situations. Most iconic images have NOTHING to do with sharpness or gear. It is all about content.


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kin2son
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Feb 01, 2014 15:35 |  #17
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ah yes, it is mostly an obssesion within our little selfs.

Truth is there is no discernable difference.

I've been pondering whether I should go smaller and lightly by switching to Fuji simply for the fun factor, and try to capture stuff that I ain't capturing enough.


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Levina ­ de ­ Ruijter
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Feb 01, 2014 16:28 |  #18

What an interesting thread.


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https://focusonphotogr​aphy.community.forum/t​hreads/wild-birds-of-europe.54/
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Feb 01, 2014 16:40 |  #19

silvex wrote in post #16655820 (external link)
Most iconic images have NOTHING to do with sharpness or gear. It is all about content.

somewhat, but there are famous "iconic" pictures that would not be the same without high IQ, like that one of the afghan girl:

http://en.wikipedia.or​g/wiki/Afghan_Girl (external link)

i saw it printed in the magazine and it was beautiful in colors and detail. if it was a grainy bw photo, it would not have had nearly as much interest.

another photograph similar to that, another girl:

http://en.wikipedia.or​g/wiki/Bibi_Aisha (external link)

again, beautiful picture.


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moltengold
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Feb 01, 2014 17:15 |  #20

nice topic
I don't print photos because they are digital photos
if they comes from an old film camera then I have to print :)


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Charlie
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Feb 01, 2014 17:27 |  #21

20x30, you may be able to see the difference. Much easier to see it on PC since you can put the images side by side. Super sharp lenses have the flexibility of large crops when you screw up composition.

plus the lenses in question have elite levels of sharpness, differences will be minor at ANY size. Compare a consumer zoom vs L prime and you'll probably see the difference at smaller sizes. I have a few shots printed to 12x18 and no way can you figure the lens based on sharpness. I can even list the lenses, and no way to distinguish the lens based on sharpness.


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Charlie
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Feb 01, 2014 17:38 |  #22

moltengold wrote in post #16656135 (external link)
nice topic
I don't print photos because they are digital photos
if they comes from an old film camera then I have to print :)

Having tangible prints are really nice. Guests can go through an album real fast. Sometimes I'll just put on a sideshow and be done with it, but people love viewing my album. It's a different experience than online/TV.


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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MakisM1
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Feb 01, 2014 18:20 |  #23

I have shown these comparisons a number of times. These are 100% crops. They correspond to 60 inch wide prints

IMAGE: http://i37.photobucket.com/albums/e66/MakisM/Canon/18_200_24_70comparison_zps4bd2a96f.jpg~original
IMAGE LINK: http://s37.photobucket​.com …ison_zps4bd2a96​f.jpg.html  (external link)

The comparison is of the EF 24-70 MkII with the EF18-200 both mounted on the 60D (the only body I had available at the time).

For those of you that run Firefox or Chrome (I don't know whether IE works the same way) right click the image and Click view image. You get the same image with nothing else the tab. Now press CTRL and roll the scroll wheel of the mouse until the image becomes half the size. That corresponds to a 20x30. Chances are about 50/50 that one could identify the wrong lens (i.e. the same probability as picking up the sharper lens without looking at the photo).

Now, does it mean that the super expensive L lenses are useless, or an expensive luxury?

You are not going to see me running to the For Sale section before the word is out...

Certainly cropping is a consideration.

Subject isolation is another. What sold me to the EF 70-200 MkII was a photo of a dog team pulling a sled with the leading dog's face being in perfect focus and everything else fading into a blur. Glorious photo. I can try six ways from Sunday (and trust me I have) the EFS18-200 at 200 &f5.6 doesn't get you the subject isolation.

Certainly the 18-200's IS is not comparable to the 70-200 either.

IMAGE: http://i37.photobucket.com/albums/e66/MakisM/Canon/70200_18200comp.jpg~original
IMAGE LINK: http://s37.photobucket​.com …/70200_18200com​p.jpg.html  (external link)

At pixel peeping level the rendering and contrast of the 70-200 are unmistakeable. The lighting in this photo doesn't show it. Sharpnesswise, you tell me...

At over 2 hours shooting engagement the results of the EF 70-200's weight are unmistakeable also... :D

I feel that each lens in my collection has its place, actually the only candidate for departure may be the nifty (I may keep it just for kicks) if the new Sigma 50 Art proves worthy of its promise and a bargain in price.

Gerry
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EverydayGetaway
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Feb 02, 2014 00:59 |  #24

This thread makes me smile :)

I was starting to feel alone in my lack of pixel-peeping give a darn.

I never view a shot at more than 1:2 in LR when editing, and that's usually just to check focus or use the brush tool more effectively. I've got a 20x30 hanging upstairs from a superzoom on a 20D and it looks brilliant. I plan on getting an even larger print for my living room in the near future... haven't decided what to print it on though, maybe canvas.

I shot side by side with my dad's 24-70/2.8 (albeit mk1) and my Vivitar S1 70-210mm and apart from any obvious differences in FL, the shots rendered incredibly similarly, pretty much equal in terms of sharpness. You can be darn sure the client couldn't tell the difference ;)


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Feb 02, 2014 04:29 as a reply to  @ EverydayGetaway's post |  #25

I hope this keeps going. Most interesting thread here for a while imo


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Feb 02, 2014 04:53 |  #26

My Dad still has a poster-size picture he took back in the 1980's of a Scottish loch with perfect reflections on the water.
It was taken about 6.30 in the morning as he went out to get the paper.
He's not a photographer, he just had a Kodak P&S to hand.

Pictures are all about composition and the right lighting.
When it all comes together your gear makes no difference.


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Talley
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Feb 02, 2014 07:43 |  #27

Charlie wrote in post #16656173 (external link)
Having tangible prints are really nice. Guests can go through an album real fast. Sometimes I'll just put on a sideshow and be done with it, but people love viewing my album. It's a different experience than online/TV.

I've spent a small fortune investing in printing. tons of Canon paper, Pro-100, precision ink refill kit and a x-rite colormunki photo calibrator/icc profiler.

To be able to print accurately and hold in my hand what I have taken is just simply amazing. It's since I've printed over 400 images in the past month have I realized I was too hung up on sharpness and pixel level perfection.

I've printed shots that were slightly out of focus and with the right PP and printing to 8x10 you could not even tell at a distance of about 2' away. THIS was the real eye opener. The particular shot would of been a trash shot but when printed it looked good enough to hang on the wall and for family/guests to view.


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jaomul
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Feb 02, 2014 08:44 |  #28

In general printed shots look better I think. Before digital how many shots looked great at 12x8 from the darkroom. They looked good and there was no practical way to check focus or sharpness in an eye for example, larger than the eye was printed on the photo. Many could be oof if zoomed in by today's 1:1 standards of viewing


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Charlie
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Feb 02, 2014 08:57 |  #29

Talley wrote in post #16657393 (external link)
I've spent a small fortune investing in printing. tons of Canon paper, Pro-100, precision ink refill kit and a x-rite colormunki photo calibrator/icc profiler.

To be able to print accurately and hold in my hand what I have taken is just simply amazing. It's since I've printed over 400 images in the past month have I realized I was too hung up on sharpness and pixel level perfection.

I've printed shots that were slightly out of focus and with the right PP and printing to 8x10 you could not even tell at a distance of about 2' away. THIS was the real eye opener. The particular shot would of been a trash shot but when printed it looked good enough to hang on the wall and for family/guests to view.

I figured out a long time ago that home printing was not worth it. Sold off all my paper, CIS, and printers. Costco is just too cheap :) , 13 cent for a 4x6 and 2.99 for 12x18..... it's a no brainer. If they screw up, they reprint. It was a pretty common issue for me to screw up large prints. Cartridges would streak, uneven color, run out.....

I've had shots look like webcam shots turn out OK on print. Great expression and composition, so I kept it. Personally, it really bothered me with poor quality stuff on my wall, so it eventually went away. My next item I want to test are metal prints. Large landscapes are my favorite to print.

You should try creating a really nice landscape and print it. Pretty awesome for me.


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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Talley
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Feb 02, 2014 09:04 |  #30

Charlie wrote in post #16657531 (external link)
I figured out a long time ago that home printing was not worth it. Sold off all my paper, CIS, and printers. Costco is just too cheap :) , 13 cent for a 4x6 and 2.99 for 12x18..... it's a no brainer. If they screw up, they reprint. It was a pretty common issue for me to screw up large prints. Cartridges would streak, uneven color, run out.....

I've had shots look like webcam shots turn out OK on print. Great expression and composition, so I kept it. Personally, it really bothered me with poor quality stuff on my wall, so it eventually went away. My next item I want to test are metal prints. Large landscapes are my favorite to print.

You should try creating a really nice landscape and print it. Pretty awesome for me.

For the cost I spent on ink/paper it's about 5.5 cents for 4x6, 10c for 8x10 and about 50c for a 13x19. However, I'm not in it for the money. To have complete control is the best reward.


A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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