I really impressed by this photo.
http://ppcdn.500px.org …55dcfb220404d5b0/1080.jpg![]()
Can somebody explain or make a guess on how to make such photo?
simak Member 114 posts Likes: 5 Joined Jun 2008 Location: Russia, Moscow region, town Chekhov. More info | Mar 21, 2014 14:04 | #1 I really impressed by this photo. Sorry for bad english.
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simak THREAD STARTER Member 114 posts Likes: 5 Joined Jun 2008 Location: Russia, Moscow region, town Chekhov. More info | Mar 21, 2014 14:07 | #2 How to get such light which targets only on the face? Sorry for bad english.
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Deanhedges Member 68 posts Likes: 1 Joined Jan 2013 More info | Mar 21, 2014 18:14 | #3 My guess. http://hedgesphotography.zenfolio.com
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Scatterbrained Cream of the Crop 8,511 posts Gallery: 267 photos Best ofs: 12 Likes: 4607 Joined Jan 2010 Location: Yomitan, Okinawa, Japan More info | Mar 21, 2014 18:19 | #4 A largish softox high camera right feathered across the face. The glint on the hair (camera left) indicated a reflector just behind the subject camera left to fill the shadows and another light on the background. A decent distance to the background will make it easy to keep the main light from effecting the background. VanillaImaging.com
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airfrogusmc I'm a chimper. There I said it... More info | Mar 21, 2014 18:32 | #5 I agree with Scatter but I would say large softbox in very close and feathered probably a reflector camera left though no cathlight in the eyes to indicate that. Also the gentle light on her jaw line would also indicate reflected light coming back in from that side. Subject out 6 or so ft from B/G and spot on the B/G. I shoot portraits all the time at 2-2.8 with an 85L and it really softens the B/G. I never use a ND. I just dial the mono light down all the way. And I also spot the B/G. I do use a reflector most to the time.
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TheLoftStudios Goldmember 1,072 posts Likes: 9 Joined Oct 2009 Location: Houston, Texas More info | IMHO, it was done one of two ways….. MARK
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LeftHandedBrisket Combating camera shame since 1977... More info | Mar 21, 2014 18:57 | #7 airfrogusmc wrote in post #16776130 Also the gentle light on her jaw line would also indicate reflected light coming back in from that side. The light on her chin is reflected from her shoulder. Probably no reflector. PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20
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LeftHandedBrisket Combating camera shame since 1977... More info | BTW, hot linking other people's images is frowned on. You should replace the image with a link to the photographer's website. PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20
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airfrogusmc I'm a chimper. There I said it... More info | Mar 21, 2014 19:02 | #9 Not exactly the same different purpose but similar and could match it easily. Softbox 30 X 40 turned horz not vert like the catchlights in the one posted indicates. In real close just out of camera rt. Reflector camera left and spot on B/G. To match the one posted better I would turn subject more to her left (conterclockwise) and move the light more counterclockwise (if looking straight down from above). Turn the soft box vertical and raise it some.
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airfrogusmc I'm a chimper. There I said it... More info | Mar 21, 2014 19:05 | #10 hes gone wrote in post #16776196 =he's gone;16776196]The light on her chin is reflected from her shoulder. Probably no reflector. I'd lean towards a closer, smaller light rather than farther, larger. The lighting is great. But I think the color correction and great focusing/DOF is what makes the image that much better. Edit: on second look the eyes and the strand of hair should both be in focus. Probably some selective sharpening/blurring going on. Yes you could be right about the light reflecting off her shoulder and the warm processing is really nice on the original. I think the one I posted this was shot at 2.8, 85L.
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v35skyline Goldmember 3,572 posts Likes: 16 Joined Apr 2007 Location: San Diego, CA More info | Mar 21, 2014 19:06 | #11 Scatterbrained wrote in post #16776111 A largish softox high camera right feathered across the face. The glint on the hair (camera left) indicated a reflector just behind the subject camera left to fill the shadows and another light on the background. A decent distance to the background will make it easy to keep the main light from effecting the background. An ND filter over the lens to allow you to open it up for the shallow DOF, or a supertelephoto lens. ![]() CameraCanon EOS 60D X100s | X-Pro1 | X-T1 | XF 14 | XF 18 | XF 35 | XF 56 | XF 60 | XF 10-24
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Aressem Goldmember More info | Mar 21, 2014 19:54 | #12 hes gone wrote in post #16776206 =he's gone;16776206]BTW, hot linking other people's images is frowned on. You should replace the image with a link to the photographer's website. This. It's only a matter of time before the mods do it for you. Ryan Mackay WEBSITE
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Scatterbrained Cream of the Crop 8,511 posts Gallery: 267 photos Best ofs: 12 Likes: 4607 Joined Jan 2010 Location: Yomitan, Okinawa, Japan More info | Mar 21, 2014 20:10 | #13 v35skyline wrote in post #16776216 CameraCanon EOS 60D Focal Length85mm Shutter Speed1/200 secs Aperturef/1.8 ISO/Film100 Yes, I saw that. VanillaImaging.com
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Mar 21, 2014 20:30 | #14 I was looking at his other stuff. I like his work. Reminds me of Rembrandt
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dmward Cream of the Crop More info | Mar 21, 2014 21:28 | #15 60D with 85 at 1.8 is more like 135 at about F2.8 David | Sharing my Insights, Knowledge & Experience
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