but what do I know?
Honestly, the more I think about it, the more questions I have. I have a feeling that copy variation may come into play more with MTF and less with how a lens tends to render contrast between colors. The article seems to suggest that there is some (seemingly vague) optical relationship between resolution and contrast at a very fine level to color color rendition on a level somewhere above the very fine 10-30lpmm level.
In the real world, I think many of these differences can probably be accounted for in raw processing. The optimal raw starting point or profile may differ from lens manufacturer to lens manufacture (or even lens to lens) as it does from camera to camera.
(24Lii, sigma 50A, 135L), and for the other ends of the spectrum, sigmaEX 14mm2.8 and sigmaEX 100-300F4.




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