That is not the same lens - it is the multicoated versions. There were at least 5 versions of this lens. It is said, largely on the basis of the linked lens tests, that the last version, dubbed "made in Japan" because it says that on the bezel (although all versions were), is the best version. I can tell you I also owned the very first "silver nose" version, and it was a dog. The OP's version may be somewhere in the middle, but for sure it is a different optical formula (6/6 rather than 6/5).
These are Gary Reese's lens tests from the Olympus mailing list in the 1990s. I was a member of that list when he conducted them, so I remember some background information that didn't stay online. People got suspicious of the poor results from some lenses, and it was eventually traced to the OM-1's lack of vibration control. The OM-2SP has higher shutter lag, and that's why he retested some lenses with it. I bought one, and it was true. When you read these tests you need to bear in mind that towards the end the list membership was just as interested in which body was best as which lens. Of course, Canon bodies (at least my 5D and 1Ds Mk III) had no such problem. Such are the risks of low mass body designs.
I can confirm that the "made in Japan" 50mm f/1.8 has high resolution and medium contrast, as the test says.
clarnibass wrote in post #16935011
The lens I had was Olympus Zuiko 50mm f/1.4 which is great.
I had the "serial number > 1 million" version of this, and it was OK stopped down but not great wide open (nothing unusual for a 50mm f/1.4 of the period). My copy presented me with a dead insect inside it one day, and was uneconomic to repair. I replaced it by the "made in Japan" f/1.8, which I found to be a better lens.
None of this takes away from the fact that the OP's F.Zuiko is definitely worth spending a moderate amount on an adaptor.