I am the house photographer for the entertainment department at the Chumash Casino Resort in Santa Ynez, California. I have been their contract photographer for ten years. I have shot over 500 concerts and other events there. All of my equipment has been acquired with that venue in mind. I have two 1DXs and lenses include a 70-200mm f/2.8L IS USM II ... see my gear list (via my .sig) for all the other stuff I have, which is substantial.
Over the years I have needed an assistant/replacement shooter for when I have been indisposed. I have had Brooks Institute students who have been uniformly awful. I have had two military guys from Vandenberg AFB who have been superb. Sadly, one got deployed and the other fell in love and moved away (I will be his best man in October.) So, I now have found a local Pro who shot for NFL and then a local newspaper for 25 years, recently parted ways with them and is teaching and working with the fire department, etc. I have several events over the next several months when I am going to be out of town and need a stand in. This guy is an excellent shooter in the newspaper photographer sense. But he is a Nikon guy! 
I am having him shoot two or three events with me so I can get his RAW images and verify my workflow. He shot Gladys Knight with me last night. He shoots with a D800 and 70-200mm f/2.8 lens at ISO 6400. Compared to my 1DX with 70-200mm his images are stunningly soft and I don't know why. Shooting side by side of the same subject at the same time covering the width of the stage from the light board Gladys' face is so soft that you cannot tell it is her. My images are uniformly crisp. The only difference in settings is that I am shooting at ISO 3200. I am shooting f/4.5 and he f/4.0. Shutter speeds are close. I am at 110mm and he is at 85mm.
It does not look like a focus issue or a subject or camera movement issue. It looks like a noise or soft lens issue to me. But all the reviews I read suggest that his equipment should deliver results almost identical to mine. He seems a little resistant to accepting that his images are marginal so I've asked him to come by my studio and look at them with me.
Anybody have any insight? Is the D800 bad in low light/high ISO? Is the Nikon 70-200mm f/2.8 poor wide open? I'm not sure where to go with this.

