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Thread started 20 Jun 2014 (Friday) 14:51
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Canon EF 16-35mm f/4L IS USM

 
corndog ­ cabernet
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Post edited over 3 years ago by corndog cabernet. (2 edits in all)
     
Apr 06, 2017 13:44 |  #2041

Pics from Rte 66 AZ


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01Ryan10
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Apr 06, 2017 17:35 |  #2042

San Gorgonio Mountain in Southern California.

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IMAGE LINK: https://flic.kr/p/TqDA​VM  (external link) Gorgonio Sunrise (external link) by Ryan Luna (external link), on Flickr

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dochollidayda
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Apr 06, 2017 17:41 as a reply to  @ 01Ryan10's post |  #2043

Beautiful light.


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fplstudio
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Apr 07, 2017 07:39 |  #2044

IMAGE: https://farm4.staticflickr.com/3931/32929402784_269afd3dfe_b.jpg
IMAGE LINK: https://www.flickr.com …2784/in/datetak​en-public/  (external link)

10+ years with Canon, now new fresh air with Sony Full Frame
A7R3 | A6300 | MC-11 | FE 16-35 GM | EF 35 1.4 Art | FE 55 1.8 | FE 85 1.8 | EF 70-200 4L IS | FE 100-400 4.5-5.6 GM OSS | E 10-18 4 OSS | E 35 1.8 OSS
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Pippan
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Apr 07, 2017 07:46 |  #2045

Great photo! But that silhouetted bloke on the right has a tree growing out of his eye. :)


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Tvw
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Apr 07, 2017 07:50 |  #2046

Pippan wrote in post #18321834 (external link)
Great photo! But that silhouetted bloke on the right has a tree growing out of his eye. :)

:mrgreen::mrgreen::mrgreen:


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fplstudio
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Apr 07, 2017 08:20 as a reply to  @ Pippan's post |  #2047

Lol!


10+ years with Canon, now new fresh air with Sony Full Frame
A7R3 | A6300 | MC-11 | FE 16-35 GM | EF 35 1.4 Art | FE 55 1.8 | FE 85 1.8 | EF 70-200 4L IS | FE 100-400 4.5-5.6 GM OSS | E 10-18 4 OSS | E 35 1.8 OSS
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mcluckie
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Apr 07, 2017 08:23 |  #2048

Lichter21c wrote in post #18090487 (external link)
I would recommend the B+W XS-PRO. B+W is really the only filter I like. it should provide the least amount of quality degradation.

You don't need a slim filter for this lens. It's more expensive and you're stuck with a slip-on cap that was usually in the bottom of my bag when I had the 2.8LII.


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all dingus | dslr canon 5D4, 70-200LII zeiss distagon 15, 21, 25, 28, 50ƒ1.4 milvus; vario-sonnar N 24-85; makro planar 50, 100 mirrorless leica Q2 fujifilm XT-2, 16, 56; zeiss distagon 12, planar 32 film canon 1n hasselblad 501cm, 50, 80

  
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white ­ venom
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Apr 07, 2017 18:14 |  #2049

Clingman's Dome sunrise

IMAGE: https://c1.staticflickr.com/3/2850/33087781313_2d981f680f_b.jpg
IMAGE LINK: https://flic.kr/p/SpRw​Ca  (external link) 16mm sunrise (external link) by RJ Prusik (external link), on Flickr

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leoni
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Apr 08, 2017 08:47 |  #2050

Regards from Bucuresti - Romania


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Canon 6d with Canon 16-35F4 IS, Canon 50 1.8STM, Canon 85 1.8 , 70-200mm F4 L,

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marcial4
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Apr 08, 2017 19:43 |  #2051

IMAGE: https://c1.staticflickr.com/3/2850/33077691974_dfdd054d67_b.jpg
IMAGE LINK: https://flic.kr/p/SoXP​q3  (external link) Broken (external link) by Marcial Quintero (external link), on Flickr

Marcial "Marshall" Quintero
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fplstudio
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Apr 12, 2017 07:58 |  #2052

Colleagues, this lens cannot be on the second page ;-)a

Shot few days ago in an abandoned basalt quarry, it s a famous spot definitely worth many visits.

IMAGE: https://farm3.staticflickr.com/2937/33951782606_0e82df5070_b.jpg
IMAGE LINK: https://www.flickr.com …2606/in/datetak​en-public/  (external link)

10+ years with Canon, now new fresh air with Sony Full Frame
A7R3 | A6300 | MC-11 | FE 16-35 GM | EF 35 1.4 Art | FE 55 1.8 | FE 85 1.8 | EF 70-200 4L IS | FE 100-400 4.5-5.6 GM OSS | E 10-18 4 OSS | E 35 1.8 OSS
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Larry20d
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Apr 12, 2017 21:44 |  #2053

Tomorrow I will be trading my 17-40L for the 16-35. The photos in this thread are amazing!!! Can't wait to get my hands on this lens. Can anyone recommend a lens that will provide similar results for my backup cropped sensor 80D?


5D Mark III, Canon 80D,16-35L, 24-105L, 70-300L IS, 100-400L IS, Nifty 50 1.4, Canon 135L, Canon 85 1.8, Canon EFS 18-135, Canon 55-250, Sigma 150 Macro, EFS-18-135, Sigma 150-600 Contemporary, Extension Tubes, Canon G10

  
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dochollidayda
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Apr 13, 2017 01:09 as a reply to  @ Larry20d's post |  #2054

MalVeauX wrote in post #18325485 (external link)
Interesting.

The light is the weak point. But it will function at F2.8~F4 with high ISO. Most of us use big lights and bigger sources, because we stop down to F8~F11 and want spread for diffuse light.

Also, a macro with a built in light is not new, it's been done. It's just the first from Canon.

Kudos to Canon for doing something outside of their box.

I'll pass on one though, it's a master of none. Don't need that for macro.

Very best,

I do not have personal experience but I have heard great things about 10-22.
Having said that 16-35 F4 seems to be in a different league IMO.


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Red ­ Dexs
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Apr 13, 2017 05:21 |  #2055

The canon 10-22 is a fine lens, the only reason I sold it was for the 16-35 f4 which is a excellent lens.


Sony A7R IV, FE 200-600mm f/5.6-6.3 G OSS. Plus quite a bit of Canon gear.

I like what I like.

  
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Canon EF 16-35mm f/4L IS USM
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