I am looking to purchase a UWA lens for my 7d and am torn between the 10-22 and 10-18. I have used the 10-22 many times and really like it but I don't know if its worth the extra $350?
whitevenom Goldmember More info | Aug 01, 2014 20:20 | #1 |
jimewall Goldmember 1,871 posts Likes: 11 Joined May 2008 Location: Cleveland, Ohio More info | What MalVeauX said! Thanks for Reading & Good Luck - Jim
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Aug 01, 2014 21:51 | #4 I'd almost be tempted to get the 10-18mm for the IS. It'd be great for the sunset/golden hour shots when the light is fading. 5D4 | 8-15L | 28-135mm f/3.5-5.6 IS | 24L II | 40mm pancake | 100L IS | 70-200mm f/2.8L IS mk2 | 400mm f/4 DO IS
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MalVeauX "Looks rough and well used" More info | Aug 01, 2014 21:56 | #5 kawi_200 wrote in post #17071386 I'd almost be tempted to get the 10-18mm for the IS. It'd be great for the sunset/golden hour shots when the light is fading. Heya,
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1Tanker Goldmember 4,470 posts Likes: 8 Joined Jan 2011 Location: Swaying to the Symphony of Destruction More info | If i had it to do over again.. knowing how much i don't use the UWA, i would pick the 10-18 over the 10-22. I considered selling my 10-22 to grab the 10-18 and hopefully pocket some money, or put the money towards more gear. Umm.. it's not worth it, by the time i pay tax/shipping, buy a lens hood, and for what i'd get for the 10-22... i wouldn't have too much left over. Kel
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1Tanker Goldmember 4,470 posts Likes: 8 Joined Jan 2011 Location: Swaying to the Symphony of Destruction More info | Aug 01, 2014 22:02 | #7 MalVeauX wrote in post #17071392 Heya, I wouldn't try to shoot a portrait in low light with IS and natural light. Sure, it's possible, but it really isn't optimal at all. This is what ISO is for. I find Ultrawide to be one of the focal ranges where IS really isn't something I worry about. And I shoot a lot of ultrawide/landscape/sunset. Why I stress the portrait thing is because if you're shooting at 1/10s or slower, with IS, it doesn't matter if the shake on the sunset is handled, a human moves slightly and that will blur no matter what at this level to an extent. Very best, There's other uses for an UWA Mark..ie. car shows (where a tripod is prohibitive). I would take IS on an UWA any day. Kel
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jhartley Member 110 posts Likes: 7 Joined Aug 2013 More info | Aug 01, 2014 22:54 | #8 If you already used the 10-22 why not rent the 10-18 and see if it works for you. I've looked at both and for the money savings I think the extra cost of the 10-22 isn't worth it for me at least. 70D 18-135 STM, 10-22mm, 24mm STM, 40mm STM, 55-250 STM, 270EX II
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MalVeauX "Looks rough and well used" More info | Aug 01, 2014 23:09 | #9 1Tanker wrote in post #17071406 There's other uses for an UWA Mark..ie. car shows (where a tripod is prohibitive). I would take IS on an UWA any day. This is one example of where IS can be helpful on any lens. A stationary object. But shooting golden hour portraits of humans? I wouldn't stress IS there.
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maverick75 Cream of the Crop More info | Aug 01, 2014 23:13 | #10 MalVeauX wrote in post #17071392 Heya, I wouldn't try to shoot a portrait in low light with IS and natural light. Sure, it's possible, but it really isn't optimal at all. This is what ISO is for. I find Ultrawide to be one of the focal ranges where IS really isn't something I worry about. And I shoot a lot of ultrawide/landscape/sunset. Why I stress the portrait thing is because if you're shooting at 1/10s or slower, with IS, it doesn't matter if the shake on the sunset is handled, a human moves slightly and that will blur no matter what at this level to an extent. Very best, they never said portrait, pretty sure they meant landscape and for those precious dynamic range is needed. Hence lower ISO by using IS is a godsend. - Alex Corona Sony A7, Canon 7DM2/EOS M, Mamiya 645/67
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Aug 02, 2014 00:50 | #11 I'm in the same boat and have been leaning towards the 10-22 because I have been dabbling in astrophotography, but not enough to justify buying a 11-16. The lack of a distance scale makes me wonder how easy focusing on the stars would be with a focus by wire setup with no stop in an STM lens. Also the additional 2/3 stop less aperture at 10mm would be really slow for that. Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II.
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DreDaze happy with myself for not saying anything stupid More info | Aug 02, 2014 01:44 | #12 you can get the 10-22mm for $519 refurbished...makes the price a little closer...it seems like a hard decision to make...another lens to consider is the sigma 10-20mm f4-5.6...it's a lot closer to the 10-18mm price, and is close to the 10-22mm IQ wise... Andre or Dre
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Aug 02, 2014 05:37 | #13 FEChariot wrote in post #17071577 I'm in the same boat and have been leaning towards the 10-22 because I have been dabbling in astrophotography, but not enough to justify buying a 11-16. The lack of a distance scale makes me wonder how easy focusing on the stars would be with a focus by wire setup with no stop in an STM lens. Manual focus using LiveView x10 is the best way of getting accurate focus when shooting stars. Using a distance scale isn't really useful. So I wouldn't let that worry me. FEChariot wrote in post #17071577 Also the additional 2/3 stop less aperture at 10mm would be really slow for that. Now that does make a difference - and is the reason I own both a 10-22 and an 11-16. That extra 2/3 stop translates into roughly twice as many stars for the same exposure time and ISO. Frank Hollis - Retired mass spectroscopist
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datamon Junior Member 26 posts Joined Dec 2012 Location: Montgomery Village, MD More info | Aug 02, 2014 07:41 | #14 I am looking at UWAs too and am also considering the Samyang 8 mm.
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Aug 02, 2014 10:24 | #15 hollis_f wrote in post #17071752 Manual focus using LiveView x10 is the best way of getting accurate focus when shooting stars. Using a distance scale isn't really useful. So I wouldn't let that worry me. Oh jeez. I was trying to see through the viewfinder when I was shooting using my 17-50. I guess I falled back to film days mentality in the dark. Will the LCD be darker when using a slower lens though? I'm not so where I can test that for myself. Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II.
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