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Thread started 04 Sep 2014 (Thursday) 01:40
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Am I 'hurting' my 5D3 with the 24-105L

 
mikeinctown
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Sep 04, 2014 15:23 |  #31

I find it strange you would say

I was thinking about the 24-70/F2.8 (which I still find very expensive)

with a gear list like this

Gear: 5D Mark III | 7D | 24-105/F4 IS | 70-200L 2.8 IS II | 430exII --- Sony a6000 | 16-50 OSS | 24Z | RX100M3


As mentioned the 35art from sigma is really nice. I might also suggest trying a Tamron 24-70 2.8 as it has VC and costs $800 less than the Canon.




  
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moltengold
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Sep 04, 2014 15:42 |  #32

Hello Lapino
the same here
I tried and I could not be fall in love with the FF bodies
i sold my 5D3 twice and today i sold all my L lenses
and return to the crop
the FF bodies i have been tried are
5D2 , 6D , 5D3
they are so great but not for my use
now i can breath good :)


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moltengold
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Sep 04, 2014 15:44 |  #33

By the way i will wait for the 7D II when it comes
I love my old 7D


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riotshield
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Sep 04, 2014 15:57 as a reply to  @ mikeinctown's post |  #34

I feel that sensor tech has improved to the point where there are a lot of crop camera + zoom options that could easily replace a FF + 24-105L without much compromise and much more portability. Even though newer FF has ~2 stop ISO advantage over newer APS-C, you can find a crop 2.8 zoom combo that weighs about the same or less. Even an Olympus E-M1 + 12-40mm with the smaller sensor could substitute due to its better stabilization (about 1 stop more) and sharper lens, at half the weight of a 5D3/24-105L.

To me the only real reason to shoot FF anymore (unless you print large) is for shallower DOF. I still keep a 5D + 50 1.4 for this purpose but I use mirrorless for travel/walkabout use.




  
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Talley
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Sep 04, 2014 16:28 |  #35

riotshield wrote in post #17135807 (external link)
I feel that sensor tech has improved to the point where there are a lot of crop camera + zoom options that could easily replace a FF + 24-105L without much compromise and much more portability. Even though newer FF has ~2 stop ISO advantage over newer APS-C, you can find a crop 2.8 zoom combo that weighs about the same or less. Even an Olympus E-M1 + 12-40mm with the smaller sensor could substitute due to its better stabilization (about 1 stop more) and sharper lens, at half the weight of a 5D3/24-105L.

To me the only real reason to shoot FF anymore (unless you print large) is for shallower DOF. I still keep a 5D + 50 1.4 for this purpose but I use mirrorless for travel/walkabout use.

Great point. And this must be the reason why I'm moving toward primes.

Nothing will come close to a 5D and a 24mm 1.4 either which is my next lens.


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archer1960
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Sep 04, 2014 16:32 |  #36

Reservoir Dog wrote in post #17134794 (external link)
I have the 5D2 and the 5D3, the 24-105 is better on the 5D2, sounds crazy no ?
But in all case i was not very happy with the 24-105, i kept it because my wife love the range very useful for her, but me ... hum ... i'm a prime guy with very wide aperture ;) )

Sounds like you might need to MFA it on the 5D3.


Gripped 7D, gripped, full-spectrum modfied T1i (500D), SX50HS, A2E film body, Tamzooka (150-600), Tamron 90mm/2.8 VC (ver 2), Tamron 18-270 VC, Canon FD 100 f/4.0 macro, Canon 24-105 f/4L,Canon EF 200 f/2.8LII, Canon 85 f/1.8, Tamron Adaptall 2 90mmf/2.5 Macro, Tokina 11-16, Canon EX-430 flash, Vivitar DF-383 flash, Astro-Tech AT6RC and Celestron NexStar 102 GT telescopes, various other semi-crappy manual lenses and stuff.

  
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InfiniteDivide
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Sep 04, 2014 20:29 |  #37

Honestly. Try the 40mm STM on your 5D III
It has good coverage and weighs nothing. You may start using your 5DIII instead of your EOS-M
Or if you need fast, try the 50L or Art lenses. love mine from f1.2 to f8.0 as a walk around lens.
While I love shooting wide open with this lens, I often walk around my town at f5.6 framing cars and houses haldheld.

I find that while a new zoom lens can be incredibly sharp, and can take a very wide range of photos;
the results are good, but not 'amazing' 'spectacular' or 'magical'

The 24-105, taking a portrait at 105mm f4, will not have a 'wow' factor.
The 85L and 135L lenses on the other hand do have this quality.
Perhaps is the OOF bokeh, even when stopped down, that creates this.


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Reservoir ­ Dog
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Sep 04, 2014 20:56 |  #38

archer1960 wrote in post #17135897 (external link)
Sounds like you might need to MFA it on the 5D3.

no ;)
All my lenses are MFA on all my bodies and i do make a difference between a miss-focus/back/front focus and IQ ;)
It's just some lenses are better with certain bodies ;)
For example the 85 f/1.4 wide open is tremendously better on the 5D3 than 5D2 ;)
Do not make me wrong, 85 f/1.4 is already super excellent on the mark2, but it got a step up on the mark3 :D


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Neilyb
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Sep 05, 2014 05:29 |  #39

Zeiss 21mm. :)


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snake0ape
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Sep 05, 2014 07:19 |  #40

Reservoir Dog wrote in post #17136312 (external link)
no ;)

For example the 85 f/1.4 wide open is tremendously better on the 5D3 than 5D2 ;)

Hmmmm, maybe it is just copy variation. I had both the 5dii and III. I did not notice any big difference in picture quality. Why do you think the camera body will make such a tremendous difference? Can you show us a typical example?


5Diii | 50D | 8-15L 4| 16-35L 2.8 II| 24-70L 2.8 II | 70-200L 2.8 IS II |Tamy 150-600 | Σ35Art 1.4 | 40 2.8 | Σ50Art 1.4 | 85L 1.2 II | 100 2.8 Macro | Helios 44-3 58mm f2.0 |Helios 40-1 85mm f1.5 | 1.4x & 2x teleconverters

  
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Nick5
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Sep 05, 2014 07:53 |  #41

Just back from Paris and Ireland. Sure I used my 24-105 with great results. But the 5D Mark III with the 70-200 f/2.8 L IS Mark II is my comfort zone.


Canon 5D Mark III (x2), BG-E11 Grips, 7D (x2) BG-E7 Grips, Canon Lenses 16-35 f/4 L IS, 17-40 f/4 L, 24-70 f/4 L IS, 70-200 f/2.8 L IS II, 70-200 f/4 L IS, 70-200 f/4 L IS Version II, 100-400 f/4.5-5.6 L IS Version II, TS-E 24 f/3.5 L II, 100 f/2.8 L Macro IS, 10-22 f3.5-4.5, 17-55 f/2.8 L IS, 85 f/1.8, Canon 1.4 Extender III, 5 Canon 600 EX-RT, 2 Canon ST-E3 Transmitters, Canon PRO-300 Printer

  
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dmnelson
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Sep 06, 2014 10:29 |  #42

riotshield wrote in post #17135807 (external link)
I feel that sensor tech has improved to the point where there are a lot of crop camera + zoom options that could easily replace a FF + 24-105L without much compromise and much more portability. Even though newer FF has ~2 stop ISO advantage over newer APS-C, you can find a crop 2.8 zoom combo that weighs about the same or less. Even an Olympus E-M1 + 12-40mm with the smaller sensor could substitute due to its better stabilization (about 1 stop more) and sharper lens, at half the weight of a 5D3/24-105L.

To me the only real reason to shoot FF anymore (unless you print large) is for shallower DOF. I still keep a 5D + 50 1.4 for this purpose but I use mirrorless for travel/walkabout use.

I've had an EOS M about a year, and I obviously prefer my FF for the things that it's better at. But for casual shooting and vacation photos I don't feel like I'm giving up a lot when I use my M. It doesn't have the bokeh, the fast focusing, etc. But if I shot the same vacation photos on my 6D and on my M and hung them on the wall, I doubt the average joe could tell them apart. For many things it just doesn't matter, and size/convenience/porta​bility become the priority.


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MNUplander
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Sep 06, 2014 11:31 |  #43

The 24-105 is a great lens for the price. Sure, there's better out there but not much beats in terms of the price, IQ, focal range and size combination.

The 24-105 is not hurting your 5D3, you're just developing a more discriminating taste.


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saaFOTO
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Sep 06, 2014 11:36 |  #44

the 24-105 is just a crap lens... especially if you have a 5D3 you want something to compliment it like others said... a 50 1.4 is amazing or even 85 1.8
... you could probably sell that 105L and get both of those lenses and you'd be a happier man or woman... but with a 5d3 you should be able to get amazinggggggg pics with any lens!


A CANON. A FEW LENSES. MIAMI.

  
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Talley
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Sep 06, 2014 11:49 |  #45

I'm selling my Tamron 24-70 and replaced it with a 24-105. The colors on the canon are better and the AF is proving to me to be more reliable.

It's a fine lens and will be used for studio and vacationing. My wife has an EOS-M (so do I but its going for sale soon too) and It's nice and all but with vacationing and no flash use your gonna live at the higher ISOs. The 24-105 provides a great range.


A7rIII | A7III | 12-24 F4 | 16-35 GM | 28-75 2.8 | 100-400 GM | 12mm 2.8 Fisheye | 35mm 2.8 | 85mm 1.8 | 35A | 85A | 200mm L F2 IS | MC-11
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Am I 'hurting' my 5D3 with the 24-105L
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