pnauduri05 wrote in post #17182865
Hi
thanks you very much for your comments. Acutally I shot with 50D at F4.0 and 1600 iso. I shot in manual mode. She was constantly moving her head. Also i cound go beyond 1/40sec shutter speed. On Canon 50D 1600 iso is a limitation. Of course i admit that i could not hold the leas stedily as it was heavy and i was tired from day long shooting. I will definitely consider your points. Can i use some prime lens with around F1.2 opening? I saw 24mm F1.2 or 135mm 2.0 L lens. Do suggest these because i have a 50D.
thanks once again.
@PhotosGuy Thanks for posting the Efix data.
A couple of things to keep in mind.
The primes don't have "IS", but are far lighter, thus less movement on your part.
With primes, you will do a lot more foot work trying to get the composition.You may not always be in the same seats at the same distance frrom stage. Then to go wider or tighter you will be constantly changing lenses.
If you can use a tripod, this will allow you to get away with a slower shutter speed. Even a mono pod would help, if a tripod is not allowed.
For stage performances, i would much rather go with a body that has a higher iso range than a lens that opens wider. So rather than investing in an expensive lens just for stage performances, you already have a lens that opens to F/2.8, just open your 70-200 to closer to or at F/2.8 for the extra shutter speed (F/4 to F/2.8 is one stop). Getting a lens that opens to F/2 is one more stop of light over the F/2.8, but a lot less DOF.
The problem with a wide lens is you will either be right at the base of the stage looking up at the performance or back and only shooting the whole stage.
If you are just shooting these performances as a hobby. Keep the body and lens that you have. If you will be getting paid, look into getting a newer body with a higher iso range.The 60D and 7D are the next bodies up that have a higher iso range. If these will be paid gigs, i would look into a full frame body. A newer used body is cheaper than the 135mm L lens.