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Thread started 05 Oct 2014 (Sunday) 10:28
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Abstract subject: "street" photography

 
AudiOx
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Oct 05, 2014 10:28 |  #1

Just learning this addictive hobby, and this little fellow caught my eye as I was walking to lunch on Friday. I've done just some basic tweaking in LR5 to get my feet wet, but honestly wasn't sure what to do. Any redeeming qualities?

40mm, f/2.8, 1/400s, ISO250

IMAGE: http://gallery.quattroworld.com/d/49069-1/BluePlanet.jpg

Mostly Canon Stuff. Flashpoint Explor600/Zoom Li-On. Always learning.

  
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Left ­ Handed ­ Brisket
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Oct 05, 2014 13:50 |  #2

Thumbs up.

I say this only because you are just getting started, but you can often get sharper images with smaller apertures. F/5 vs f/2.8. Not that the image lacks sharpness but you never know, it could be sharper.


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hiketheplanet
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Oct 06, 2014 00:35 as a reply to  @ Left Handed Brisket's post |  #3

agree with the above, would like to see this with no OOF area on the bottom. Assuming this was shot at a slight angle. Get perfectly level with the flat surface, stop down I'd say even to f/8 to minimize OOF in this situation. Also, try breaking out of the rule of thirds a little, it's rather obvious here. I think the blue ball placed on the point of a golden intersection might actually work better. For post processing, since this is abstract, dont be scared to be a little more liberal in post. Personally I might destaurate the blacktop, and make thr blue ball pop even more. All in all, a decent capture. Keep it up!




  
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Martin ­ Dixon
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Oct 06, 2014 07:38 |  #4

I like it :)


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tekin112000
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Oct 06, 2014 08:35 |  #5

IMAGE: http://i281.photobucket.com/albums/kk221/Tekin112000/IMG_0099.jpg

Vinnie, don't put too many onions in the sauce

  
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AudiOx
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Oct 06, 2014 10:12 |  #6

hiketheplanet wrote in post #17196163 (external link)
agree with the above, would like to see this with no OOF area on the bottom. Assuming this was shot at a slight angle. Get perfectly level with the flat surface, stop down I'd say even to f/8 to minimize OOF in this situation. Also, try breaking out of the rule of thirds a little, it's rather obvious here. I think the blue ball placed on the point of a golden intersection might actually work better. For post processing, since this is abstract, dont be scared to be a little more liberal in post. Personally I might destaurate the blacktop, and make thr blue ball pop even more. All in all, a decent capture. Keep it up!

Great feedback! I'm hoping the ball will still be there today when I return with better tools. I brought my 100mm macro with me and will stop down DOF plus assure I'm parallel to optimize focus. I'll also work more in LR to make the ball pop; total noob there. I was torn with losing the detail of the asphalt cracks. Just read up on the golden intersection...like the nautilus shell....cool (and vaguely remembered reading about it in a composition book). The current pic isn't cropped much so I'll be able to reposition easily.
Now if I can just avoid getting hit in the parking lot!


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AudiOx
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Oct 06, 2014 21:04 |  #7

Was able to find the spot again and there was a bit less traffic in the lot....not enough time to focus stack, but it's better. It's really a miracle I found it the first time because it had been raining and made the blue pop. When I went today, it was dried out and a pale chalky blue. I poured a bit of water over the area and voila, it popped again! Even a big cloud diffused the sun for a couple of minutes before relenting.
Both shots at 100mm, f/8, ISO400

Starting a bit further away. PP: I took out the minor bits of other colors except for the blue which I upped the saturation and sharpness a bit. Moved the ball a bit over to the golden intersection. This blue is also much closer to the actual bead.

IMAGE: http://gallery.quattroworld.com/d/49087-2/BluePlanet-1.jpg

Now a bit closer. PP: I pulled out the natural oranges in the surrounding asphalt being complementary to the blue. The color in the first image detracts from the blue, but I think it works in this tighter shot. (love this 100mm lens) Also tweaked it over to golden intersection.
IMAGE: http://gallery.quattroworld.com/d/49091-2/BluePlanet-3.jpg

I also tried backing way off the sharpening and clarity of the surrounding asphalt feathering it out, but it just looked OOF. Some neat blurring filters in PS would be better, but I don't have PS....yet.

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dhog6s
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Oct 07, 2014 08:54 |  #8

the cropped shot looks better for me.




  
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Left ­ Handed ­ Brisket
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Oct 07, 2014 09:14 as a reply to  @ dhog6s's post |  #9

i think i might like something between the crop in the original post and the crop of the first in post 7. It gives more of a sense of place.

the desaturated rocks don't really do it for me either. Again, something in-between full saturation and desaturated might be the answer.


PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20

  
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hiketheplanet
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Oct 09, 2014 15:14 as a reply to  @ Left Handed Brisket's post |  #10

If you turn "IMAGE EDITING OK" on through the User CP, others can take a stab at editing this in post.




  
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AudiOx
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Oct 09, 2014 15:52 |  #11

hiketheplanet wrote in post #17203862 (external link)
If you turn "IMAGE EDITING OK" on through the User CP, others can take a stab at editing this in post.

Done. Thanks.
The linked image is of a course a highly resized jpg version of the full RAW.


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hiketheplanet
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Oct 09, 2014 15:56 as a reply to  @ AudiOx's post |  #12

Here's my go at it. Cropped (heavily) and some adjustments. Tried to fill the frame more.

IMAGE: http://planeteric.com/photos/ball.jpg

And another crop, keep wanting to crop in closer!

IMAGE: http://planeteric.com/photos/ball-2.jpg



  
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bob_r
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Oct 09, 2014 21:02 |  #13

I like the first image posted the best. The ball breaks the repeating patterns found in the asphalt. By reducing the area of the repeating patterns, the ball doesn't have the same impact.


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** Image Editing OK **

  
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AudiOx
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Oct 09, 2014 21:41 |  #14

I arrived at the same conclusion...a little further out the better.
1-it helps identify the setting
2-it helps establish the pattern of the cracks to give the ball something to break up
I almost interpret it as the ball fell like a meteor and created the cracks upon impact


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bob_r
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Oct 09, 2014 22:08 |  #15

AudiOx wrote in post #17204434 (external link)
I arrived at the same conclusion...a little further out the better.

My thoughts exactly. The ball is not really the main subject, the pattern in the asphalt is and the ball disrupts that pattern. Closeups of the ball just reduce the pattern.
Your viewer's eye will be drawn immediately to the ball regardless of it's size in the image.


Canon 7D, 5D, 35L, 50 f/1.4, 85 f/1.8, 135L, 200L, 10-22, 17-55, 70-300, 100-400L, 500D, 580EX(2).
Sigma 150 macro, 1.4X, 2X, Quantaray 2X, Kenko closeup tubes, Yongnuo YN685(3), Yongnuo YN-622C-TX. Lots of studio stuff.
** Image Editing OK **

  
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Abstract subject: "street" photography
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