here is a good technical article on sRaw - and then at the end mRaw (this is a newer standard and maybe less well understood from a reverse engineering perspective)
http://dougkerr.net/Pumpkin/articles/sRaw.pdf
in essence, sRaw sub-sambles every 2nd pixel, thus creating a file with data on 1/4 of the pixels (1/2 x 1/2), in a file 1/2 the size but in a lossless way and uses interpolation to 'guess' the information in the omitted pixels
to the human eye, on any reasonable sized PRINT, there would be absolutely no way to see the difference
for the pixel peakers out there, yes there is a loss of data
a pro shooting in this format for PRINTING purposes, for anything less than a very large poster there is NO issue
the issue, like that with the Sony A7s is one of cropping - if you are cropping 1/2 the image, and then creating 24x36 Prints (or bigger), this is only when it 'might' be noticeable on close inspection - and this is the reason why I decided not to go with a Sony A7s as a 3rd body for very low light wedding situations - because at 12 megapixels, if you crop 100% it does NOT scale to a sharp image on a larger print - uncropped it fine
what would be nice is two things:
- if you could down convert (I search a while ago and didn't find anything)
- if an mRaw or an sRaw would allow the camera's buffer to process more files (like Jpegs) before filling (I tried a while ago and there was no difference on my 5D3 - haven't checked my 7D2 yet - that alone would be a huge advantage of M or S Raw)
it sounds like the photographer knew what he was doing which is great news and the client is happy
paul
Hockey and wedding photographer. Favourite camera / lens combos: a 1DX II with a Tamron 45 1.8 VC, an A7Rii with a Canon 24-70F2.8L II, and a 5DSR with a Tamron 85 1.8 VC. Every lens I own I strongly recommend [Canon (35Lii, 100L Macro, 24-70F2.8ii, 70-200F2.8ii, 100-400Lii), Tamron (45 1.8, 85 1.8), Sigma 24-105]. If there are better lenses out there let me know because I haven't found them.