Dec 15, 2014 15:52 | #1 Taken with Canon 7D and 70-200mm f/2.8L IS II Taken at f2.8, 1/500sec, ISO 12800. Not sure how I feel about this shot, although part of that could be the super-high ISO (which honestly was still not quite high enough, but I wasn't willing to give up any more shutter speed and had no more aperture to play with). So a very dark indoor shot (if I recall right at this point it was basically the overhead lights only, night had fallen outside) of a moving subject. So any thoughts on both the technical and also the general artistic aspects? Tools of the trade: Canon 400D, Canon 7D, Canon 70-200mm f2.8 IS L M2, Sigma 120-300mm f2.8 OS, Canon MPE 65mm f2.8 macro, Sigma 150mm f2.8 macro, Tamron 24-70mm f2.4, Sigma 70mm f2.8 macro, Sigma 8-16mm f4.5-5.6, Raynox DCR 250, loads of teleconverters and a flashy thingy too
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doogiebee Hatchling 3 posts Likes: 1 Joined Apr 2009 More info | Dec 16, 2014 05:03 | #2 For what it is worth, IMHO, the main negative is the rider looking away. It just doesn't do anything for me. Sorry.
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Dec 16, 2014 08:14 | #3 Overread wrote in post #17334396 ![]() Taken with Canon 7D and 70-200mm f/2.8L IS II Taken at f2.8, 1/500sec, ISO 12800. Not sure how I feel about this shot, although part of that could be the super-high ISO (which honestly was still not quite high enough, but I wasn't willing to give up any more shutter speed and had no more aperture to play with). So a very dark indoor shot (if I recall right at this point it was basically the overhead lights only, night had fallen outside) of a moving subject. So any thoughts on both the technical and also the general artistic aspects? Static and distant with nothing to connect to the subject. A lower camera angle with much tighter framing and rider and mount approaching the camera position would be more interesting.
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texkam "Just let me be a stupid photographer." 1,580 posts Likes: 998 Joined Mar 2012 Location: Olympia, Washington USA More info | Dec 16, 2014 08:26 | #4 No engagement. Over sharpened.
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Dec 16, 2014 09:30 | #5 Thanks for the feedback guys. I agree, although I disagree. Personally I do agree that there is something missing, though I think the pose can work, but that its just that there is nothing for the subject to engage with - I suspect if there were something the top left for them to be focused upon as a second point of interest - then even if it were blurred it would still tie the shot together. At present it is indeed just sand. Tools of the trade: Canon 400D, Canon 7D, Canon 70-200mm f2.8 IS L M2, Sigma 120-300mm f2.8 OS, Canon MPE 65mm f2.8 macro, Sigma 150mm f2.8 macro, Tamron 24-70mm f2.4, Sigma 70mm f2.8 macro, Sigma 8-16mm f4.5-5.6, Raynox DCR 250, loads of teleconverters and a flashy thingy too
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texkam "Just let me be a stupid photographer." 1,580 posts Likes: 998 Joined Mar 2012 Location: Olympia, Washington USA More info | Dec 16, 2014 23:38 | #6 Halo between darks and lights.
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seres Senior Member 580 posts Likes: 40 Joined Apr 2013 More info | Dec 16, 2014 23:45 | #7 Slightly over-sharpened, but I like the composition. The rider turned away adds mystery. —Eric
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BornForThis Member 55 posts Likes: 6 Joined Oct 2014 More info | Dec 17, 2014 01:56 | #8 I guess I'll be in the minority and say I personally like it. It may be a tad bit over sharpened but u still like it.
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Dec 17, 2014 16:46 | #9 tex - ahh I see it now! Yes the banding is there, must have crept in when I was resizing and sharpening for web display and I just missed it! Tools of the trade: Canon 400D, Canon 7D, Canon 70-200mm f2.8 IS L M2, Sigma 120-300mm f2.8 OS, Canon MPE 65mm f2.8 macro, Sigma 150mm f2.8 macro, Tamron 24-70mm f2.4, Sigma 70mm f2.8 macro, Sigma 8-16mm f4.5-5.6, Raynox DCR 250, loads of teleconverters and a flashy thingy too
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warrenl Junior Member 21 posts Likes: 2 Joined Dec 2014 More info | Dec 24, 2014 09:59 | #10 it looks like the shot was taken before a dressage test started and the rider was looking over the ring.
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Dec 24, 2014 17:12 | #11 You'd be correct - start-up area just outside of the dressage ring - possibly watching another rider and possibly waiting for the horn/bell from the judges car (was one of hte early riders for the day but I don't think the first). Tools of the trade: Canon 400D, Canon 7D, Canon 70-200mm f2.8 IS L M2, Sigma 120-300mm f2.8 OS, Canon MPE 65mm f2.8 macro, Sigma 150mm f2.8 macro, Tamron 24-70mm f2.4, Sigma 70mm f2.8 macro, Sigma 8-16mm f4.5-5.6, Raynox DCR 250, loads of teleconverters and a flashy thingy too
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cleverer Senior Member 261 posts Likes: 45 Joined Feb 2006 Location: Southern pines, nc More info |
Dec 28, 2014 12:38 | #13 I know exactly what you mean Cleverer, but in this case I think if I got down lower I'd just be showing a very ugly grey and blue wall for the most part - outside and with more distances I can certainly envision the angle and type of story you mean - inside in this tight arena I don't think such a shot is as easily accomplished. Tools of the trade: Canon 400D, Canon 7D, Canon 70-200mm f2.8 IS L M2, Sigma 120-300mm f2.8 OS, Canon MPE 65mm f2.8 macro, Sigma 150mm f2.8 macro, Tamron 24-70mm f2.4, Sigma 70mm f2.8 macro, Sigma 8-16mm f4.5-5.6, Raynox DCR 250, loads of teleconverters and a flashy thingy too
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