[QUOTE=ecce_lex;17403747]Processing will be radically different according to what you're after. If pure aesthetics is your aim, you can do anything - even mess with it so much you won't know what you started with. That's for the artsy types.
At the other extreme, you can try to scientifically measure some thing or another (apparent movement of an asteroid/comet in relation to the stars, the variation in luminosity of a variable star, etc), and you'll only focus on that particular data set while keeping other parameters from interfering with it. This is when you get ugly, black and white images full of grain and badly framed - but scientifically relevant.
Normal people, on the other hand (which are at least 4 crazy on a 1-10 scale, since they do astrophoto), will generally try to stretch their image to its maximum potential, keeping in mind its inherent limitations as a function of exposure, glass quality, sensor, light pollution, seeing and tracking. Processing skills are important - I know because I suck at it.
To this day, I consider my very first astrophoto as the best one yet - the result is crazy given the fact I had no idea what I was doing with my primitive gear, out the window above a radiator and through city lights. I did much better then than on many nights now with my current fancy tech.
Hi ecce_lex
thanks for chiming in
I agree with your comments 
for me, I prefer the "as natural as possible" look (Then there's those that will ask ... What is that look?)
I have seen some pretty over the top saturation of some images around the net. And if they like that artistic look,
then awesome, just don't try and convince people that it is anything close to reality 
to answer samsen's comment ....
Dave: Why is that your highlights are so much suppressed? Emission clouds are not showing up.
that will mainly be because of the IR filter on the 5D3 and most other modern DSLR's and hence why
people buy/or get older Canons modd'ed to remove the filter
The reds that I know are in this nebula would leap out if it wasn't for that filter. It really hits the Ha hard
I come from a long history of film astrophotography ... the fave film my mate and I would use was hypered ( hypersensitised) Konica 3200
it gave nice colour and the hypering overcame some of the reciprocity failure that all film was susceptible to
Dave