DreDaze wrote in post #17403374
if i were only shooting airshows, i feel like i'd go for the 50-500OS
I know that the 50-500 sounds like a good idea, but if I look at my numbers, not including the one airshow where I rented the Tamron 150-600, then only 7% of my images are wider than 150mm and 81% are at 300mm or greater, based on nearly 12000 exposures. Of those 51% were shot on the Sigma 28-300, 43% were on the 100-400 L and 8% on my Centon 500mm mirror lens (thats rounding errors for you!). 76% of the 28-300 shots and 83% of the 100-400 shots were at maximum zoom. Add to this that most of those images also needed a fair degree of cropping (20% plus on the long edge would not be unusual) and you see why I would really like something longer than 500mm. Actually I still had to crop some of the Tamron 600mm shots too. Nothings changed though because back when I shot film I was using 400mm and that was still far too short, with massive cropping needed, and I really wanted a 600mm or even 800mm lens.
I did not include the Tamron show in the figures, as it was badly affected by poor weather, mostly high winds, which reduced the number of aircraft able to perform. It was also the first time that I had attended this show. It turns out that the crowd line to flight line separation at the show is considerably smaller than is usually found at major airshows in the UK. This kind of screwed with the useful range of focal lengths for the show. That would be one venue where the 100-400 would have probably been perfectly adequate.
Alan