It depends. If you're looking at the Mk2 of the 24-70/2.8 the question gets even harder given the fantastic optical performance of that lens. IMO, the things you need to think about are
- Do you prefer a zoom over primes or can you cope with only primes and no zoom?
- Can you cope with "only" f/2.8? (Most people can with the low light IQ of current bodies)
- The AF of 35 Art is reputed to be a bit hit and miss in varying light sources (I don't have an issue on my Nikon but most problems I've read are on Canon bodies). For some people this has even continued as a problem after calibrating with the Sigma dock
- I have also seen the odd AF complaint with the 50 Art.
I have both of these two Art lenses and love them. IMO, they are the pinnacle of their focal lengths - the 50 only being bettered by the Otus (others will prefer the look of the Canon, Nikon or Zeiss competitors though). However, if you are looking for absolute reliability in AF, the L's (35L, 50L and 24-70 Mk2 L) will be a slightly safer bet.