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Thread started 15 Apr 2015 (Wednesday) 05:55
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7DII for low light photography

 
lapino
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Apr 15, 2015 05:55 |  #1

Still making up my mind between the 5D3 and 7D2. Have both owned the 5D3 + 7D in the past, but looking for a body that compliments my Sony A6000 for faster AF and (mainly) indoor AF with decent zooms. Mirrorless is not quite there yet. I know the difference between FF and APSC so let's not make this a debate about pro's cons. What I do want to know however, is how the 7D2 stacks up against the 5D3 for indoor/lowlight focussing, with apertures from f2.8 and below.


http://www.flickr.com/​photos/23660915@N07/ (external link)
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pknight
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Apr 15, 2015 06:40 |  #2

I can't speak to the 5DIII, but I had good luck with the 7DII and 30mm 1.4 on dark rides at Disney World last month. No problem focusing in very low light conditions.


Digital EOS 90D Canon: EF 50mm f/1.8 II, EF 50mm f/2.5 Compact Macro, Life-Size Converter EF Tamron: SP 17-50mm f/2.8 DiII, 18-400mm f/3.5-6.3 DiII VC HLD, SP 150-600 f/5-6.3 Di VC USD G2, SP 70-200 f/2.8 Di VC USD, 10-24mm f/3.5-4.5 DiII VC HLD Sigma: 30mm f/1.4 DC Art Rokinon: 8mm f/3.5 AS IF UMC

  
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lapino
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Apr 15, 2015 06:58 |  #3

What is the ev rating for the 7d2?


http://www.flickr.com/​photos/23660915@N07/ (external link)
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Sony A7III / Tamron 28-75 / 55-1.8

  
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pknight
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Apr 15, 2015 07:02 as a reply to  @ lapino's post |  #4

-3, I believe. Someone will correct me if I am wrong,:-)


Digital EOS 90D Canon: EF 50mm f/1.8 II, EF 50mm f/2.5 Compact Macro, Life-Size Converter EF Tamron: SP 17-50mm f/2.8 DiII, 18-400mm f/3.5-6.3 DiII VC HLD, SP 150-600 f/5-6.3 Di VC USD G2, SP 70-200 f/2.8 Di VC USD, 10-24mm f/3.5-4.5 DiII VC HLD Sigma: 30mm f/1.4 DC Art Rokinon: 8mm f/3.5 AS IF UMC

  
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lapino
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Apr 15, 2015 07:10 |  #5

still kinda struggling if the 7d2 will be on par with the 5d3 for portraits. i know, no ff and different dof but the cost of ff is killing me since I no longer make (enough) money woth my hobby. mind I would love the 7d2 aso for safari's and especially the kids being active. My a6000 is good but glass and speed is too limiting for now


http://www.flickr.com/​photos/23660915@N07/ (external link)
Gear:
Fuji X-T3 / 18-55 / 23-1.4 / 35-2 / 55-200 / RX100M4
Sony A7III / Tamron 28-75 / 55-1.8

  
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MakisM1
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Apr 15, 2015 07:45 |  #6

You raise a number of issues.

a) Low light performance

I can't quote 7DII data, but it is indicated that the 7DII sensor has similar performance to the 70D sensor for how ISO. If we accept this, the 5DIII will have one stop better performance in high ISO.

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I shoot choral performances in low light. I often shoot the 60D at ISO6400 for the 'reach'. Very rarely I have to go above this. The 7DII should be good to 12800.

Another issue regarding low light is whether the camera will focus well in low light.

The limit I reached with the 60D was f2.8, 1/50, ISO 12800 where the EF70-200L MkII had difficulty achieving focus. This is pretty low light! The 7DII will surely focus in light lower than this. Possibly a faster (say f1.4) lens will help focusing a couple of stops lesser light.

b) Portraits

Other than the thinner DOF (which I don't use in portraits, normally I shoot f5.6) you get a somewhat different perspective for the framing. Different does not mean superior or inferior.

The 7DII is a sports camera first and foremost. It can shoot everything else well, but barring the 1Dx, no other Canon camera (especially FF) is set up to shoot action as well.

Now, if your main theme is low light performances (ballet, choral, club scene, concerts) the 5DIII will perform slightlly better, but again the 7DII will perform better than the 60D, and I use the 60D in low light a lot!

If the price difference is too much for you (is it that big? I hear the 5DIII has dropped to around $2k), go for the 7DII.

Gerry
Canon R6 MkII/Canon 5D MkIII/Canon 60D/Canon EF-S 18-200/Canon EF 24-70L USM II/Canon EF 70-200L 2.8 USM II/Canon EF 50 f1.8 II/Σ 8-16/Σ 105ΕΧ DG/ 430 EXII
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lapino
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Apr 15, 2015 07:51 |  #7

price difference for bodies is not that much, but I always longed for a 24-70/2.8 when I had the 5d3 but could not justify the price, knowing a 7d2 with a 17-55/2.8 goves about the same image, keeping in mind one stop less dof and iso performance for the ff. But at a very high cost. Also, the 7d2 has advantages for reach. Loved how the 70-300l performed on my 7d a few years back.

Thinking now about the 7d2 plus 17-55/2.8 plus 70-300l and a 35/1.4 sigma for low light.


http://www.flickr.com/​photos/23660915@N07/ (external link)
Gear:
Fuji X-T3 / 18-55 / 23-1.4 / 35-2 / 55-200 / RX100M4
Sony A7III / Tamron 28-75 / 55-1.8

  
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pknight
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Apr 15, 2015 07:57 |  #8

lapino wrote in post #17518043 (external link)
price difference for bodies is not that much, but I always longed for a 24-70/2.8 when I had the 5d3 but could not justify the price, knowing a 7d2 with a 17-55/2.8 goves about the same image, keeping in mind one stop less dof and iso performance for the ff. But at a very high cost. Also, the 7d2 has advantages for reach. Loved how the 70-300l performed on my 7d a few years back.

Thinking now about the 7d2 plus 17-55/2.8 plus 70-300l and a 35/1.4 sigma for low light.

As long as you are going crop, consider the Sigma 30mm 1.4 Art as well. It is very good, and $400 less than the 35mm.


Digital EOS 90D Canon: EF 50mm f/1.8 II, EF 50mm f/2.5 Compact Macro, Life-Size Converter EF Tamron: SP 17-50mm f/2.8 DiII, 18-400mm f/3.5-6.3 DiII VC HLD, SP 150-600 f/5-6.3 Di VC USD G2, SP 70-200 f/2.8 Di VC USD, 10-24mm f/3.5-4.5 DiII VC HLD Sigma: 30mm f/1.4 DC Art Rokinon: 8mm f/3.5 AS IF UMC

  
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MakisM1
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Apr 15, 2015 08:09 |  #9

lapino wrote in post #17518043 (external link)
price difference for bodies is not that much, but I always longed for a 24-70/2.8 when I had the 5d3 but could not justify the price, knowing a 7d2 with a 17-55/2.8 goves about the same image, keeping in mind one stop less dof and iso performance for the ff. But at a very high cost. Also, the 7d2 has advantages for reach. Loved how the 70-300l performed on my 7d a few years back.

Thinking now about the 7d2 plus 17-55/2.8 plus 70-300l and a 35/1.4 sigma for low light.

I think it is a good thought! :-D

However, keep in mind that FOR THE SAME LENS, the FF is going to have the photos 1.x sharper (because the crop magnifies 1.6x more). So a crop with the 17-55 will not be the same as a FF with the 24-70 MkII, in terms of sharpness.


Gerry
Canon R6 MkII/Canon 5D MkIII/Canon 60D/Canon EF-S 18-200/Canon EF 24-70L USM II/Canon EF 70-200L 2.8 USM II/Canon EF 50 f1.8 II/Σ 8-16/Σ 105ΕΧ DG/ 430 EXII
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lapino
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Apr 15, 2015 08:21 |  #10

Not pretending to be an expert but this is simply not true, instead due to pixel density the 7d should be sharper (not considering lens quality of course). Correct me if I am wrong.


http://www.flickr.com/​photos/23660915@N07/ (external link)
Gear:
Fuji X-T3 / 18-55 / 23-1.4 / 35-2 / 55-200 / RX100M4
Sony A7III / Tamron 28-75 / 55-1.8

  
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MakisM1
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Post edited over 8 years ago by MakisM1. (2 edits in all)
     
Apr 15, 2015 08:39 |  #11

Let's say for the sake of the argument that a lens resolves 100 line pairs per mm (lp/mm) uniformly.

On the 7DII, on the long side (22.4 mm) we can cram in 2240 line pairs.

On the 5DIII on the long side (36 mm) we can cram in 3600 line pairs.

Printing a frame from each, the 5DIII will be sharper, even if the number of pixels is approximately the same per side.

Look at it this way, the smaller sensor will have to be magnified 1.6 times more to give you the same photo, it can't be sharper.


Gerry
Canon R6 MkII/Canon 5D MkIII/Canon 60D/Canon EF-S 18-200/Canon EF 24-70L USM II/Canon EF 70-200L 2.8 USM II/Canon EF 50 f1.8 II/Σ 8-16/Σ 105ΕΧ DG/ 430 EXII
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GregDunn
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Apr 15, 2015 08:40 |  #12

The crop camera can be sharper IF the lens is capable of resolving at high enough lp/mm to properly image the subject on the sensor without blur; the crop sensor's additional pixels on target will have the capability of rendering more detail. That's because the same lens will give an apparently magnified view on a crop sensor, so you'll have to take that into account when comparing images between them. If you adjust for field of view (e.g., change focal length or move) the difference will be less pronounced.

If you are doing astro or low light work, the 7D2 has superior read noise / thermal noise (not necessarily raw noise) to any other Canon at the moment. Read this article (external link) by Roger Clark for the details.


Canon 1Dx | 5D3 | 7D2 | 6D | 70-200L f/2.8IS | 70-200L f/4 | 24-70L f/2.8 | 24-105L f/4IS | 100-400L f/4.5-5.6IS | 17-55 f/2.8IS | 50 f/1.8 | 28-105 f/3.5-4.5 | 4x Godox AD360

  
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MakisM1
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Post edited over 8 years ago by MakisM1.
     
Apr 15, 2015 09:00 |  #13

There goes the old pixel on target comparison. Yes, if you shoot the moon and have to crop, the crop camera will put more pixels on target and resolve more detail. But we have to talk about the same photo, framed the same way to have a comparison.

If you wish to take your argument conversely, Saturday I was shooting a choir performing at the local community college (small) theater. I was sitting in the last row hoping not to distract the audience with my shutter sounds (it was a packed theater).

When I tried to get the whole choir in at 70mm, the 60D left 4 persons out. I'd have to punch a hole in the wall to get them into the frame! The 5DIII obviously had no problems, I actually had to go a bit more tele to frame the choir properly. Guess which photo was sharper?... Unfortunately the 5DIII photos were from the introduction and the 60D photos were from the finale, totally different sentiments to capture.

OP, in my first post I encouraged you to go for the 7DII and I stand by this opinion. I merely tried to give you as balanced a point of view as possible.

'Reach/pixels on target vs FF' is a long argument. Life is too short for this...


Gerry
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pknight
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Apr 15, 2015 09:04 |  #14

lapino wrote in post #17518077 (external link)
Not pretending to be an expert but this is simply not true, instead due to pixel density the 7d should be sharper (not considering lens quality of course). Correct me if I am wrong.

I agree, and so do other people: https://photography-on-the.net …read.php?t=1425​001&page=1


Digital EOS 90D Canon: EF 50mm f/1.8 II, EF 50mm f/2.5 Compact Macro, Life-Size Converter EF Tamron: SP 17-50mm f/2.8 DiII, 18-400mm f/3.5-6.3 DiII VC HLD, SP 150-600 f/5-6.3 Di VC USD G2, SP 70-200 f/2.8 Di VC USD, 10-24mm f/3.5-4.5 DiII VC HLD Sigma: 30mm f/1.4 DC Art Rokinon: 8mm f/3.5 AS IF UMC

  
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lapino
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Apr 15, 2015 09:16 |  #15

Since my thread had a whole different reason, let us skip this argument and keep it on topic. Other reasons to advise for/against the 7d2. For normal zoom I always used the 5d3+24205. Can I expect about the same iq from the 7d2-1755 combo?


http://www.flickr.com/​photos/23660915@N07/ (external link)
Gear:
Fuji X-T3 / 18-55 / 23-1.4 / 35-2 / 55-200 / RX100M4
Sony A7III / Tamron 28-75 / 55-1.8

  
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