A7RII. What about which frame rate is best?
It depends on the aesthetic you're going for. 24P is the frame rate used in cinema, so it will have the aesthetic of a movie. 30p or 60p will look like broadcast television, 'soap opera', or home video.
mystik610 Cream of the Crop More info | Aug 10, 2016 08:13 | #21916 digital_AM wrote in post #18091447 A7RII. What about which frame rate is best? It depends on the aesthetic you're going for. 24P is the frame rate used in cinema, so it will have the aesthetic of a movie. 30p or 60p will look like broadcast television, 'soap opera', or home video. focalpointsphoto.com
LOG IN TO REPLY |
Aug 10, 2016 08:29 | #21917 mystik610 wrote in post #18091494 It depends on the aesthetic you're going for. 24P is the frame rate used in cinema, so it will have the aesthetic of a movie. 30p or 60p will look like broadcast television, 'soap opera', or home video. I dont think thats 100% right. Cinema will output 24p but most footage will be recorded 60p. You can always downsample which leaves more room when recording 60p. Sony A7RII | Sony A7S
LOG IN TO REPLY |
Eddie xpfloyd lookalike More info | Aug 10, 2016 08:54 | #21918 MedicineMan4040 wrote in post #18091439 You guys enjoy your Batis'. I'm going to struggle on with my working man's 28mm. Here's one with the poor man's 28 and the wide angle adapter. I think I said long long ago that the 28/2 was a sleeper ![]() ![]() I love my B25 but considering a repurchase of the FE28 too as I prefer the focal length for family stuff and it pairs well with the 55. Leica M11 | Leica Q2 | Sony α7RV
LOG IN TO REPLY |
Aug 10, 2016 09:34 | #21919 Thanks guys for the input on video. - Alfredo -
LOG IN TO REPLY |
Eddie xpfloyd lookalike More info | Aug 10, 2016 09:38 | #21920 digital_AM wrote in post #18091568 Thanks guys for the input on video. The FE28 looks very appealing. Would work well on my a6000 to get an equivalent 35mm for shots of my family. Agreed. Thats another thought im having. Pick up a a6300 and the Zony 24 1.8 or instead A6300 and FE28 and that way it can be used on both bodies. Cant quite get to a decision, Going to sell my Fuji though. Realised I was just keeping it as it looks amazing (One of the nicest looking cameras out IMO). However my Sony just feels better to me. The Fuji is very capable but struggles a bit with an active 3 year old. Leica M11 | Leica Q2 | Sony α7RV
LOG IN TO REPLY |
mystik610 Cream of the Crop More info Post edited over 7 years ago by mystik610. | Aug 10, 2016 09:41 | #21921 davidfarina wrote in post #18091504 I dont think thats 100% right. Cinema will output 24p but most footage will be recorded 60p. You can always downsample which leaves more room when recording 60p. I just currently shot several music videos that are now in post. Im really looking forward to the final videos but the first renderings of it look very promising. Will definitely post something here once its published. Cinema is typically shot and output at 24fps. The flicker at 24fps is what gives movies the cinema type aesthetic. You can downsample 30 or 60p down to 24p, but its not an even conversion since 30 and 60 are not divisible by 24. Its kind of like watching a movie on an older 60hz TV...the aesthetic feels off. This is why 120hz and 240hz TV's became popular in pretty recent times...the refresh rates can evenly align with the FPS of the source material so the aesthetic is consistent. focalpointsphoto.com
LOG IN TO REPLY |
Aug 10, 2016 10:22 | #21922 Permanent banxpfloyd wrote in post #18091571 Agreed. Thats another thought im having. Pick up a a6300 and the Zony 24 1.8 or instead A6300 and FE28 and that way it can be used on both bodies. Cant quite get to a decision, Going to sell my Fuji though. Realised I was just keeping it as it looks amazing (One of the nicest looking cameras out IMO). However my Sony just feels better to me. The Fuji is very capable but struggles a bit with an active 3 year old. I had the Zony 24 1.8, it was a nice lens, but I couldn't justify the cost, especially since it was only fully usable on A6300, but the Batis 25 in in its place, but that Sony 28 does look very interesting.
LOG IN TO REPLY |
Eddie xpfloyd lookalike More info | Aug 10, 2016 10:25 | #21923 nekrosoft13 wrote in post #18091618 I had the Zony 24 1.8, it was a nice lens, but I couldn't justify the cost, especially since it was only fully usable on A6300, but the Batis 25 in in its place, but that Sony 28 does look very interesting. I had a play with the 6300 and B25 before I returned the 6300 (thinking I was keeping the Fuji) and it was a nice combo. The Batis lenses are at the maximum size I an be bothered with now though and still feel big in comparison to the FE28 for example. When I used to walkaround with the 28/55 combo it just felt right size wise Leica M11 | Leica Q2 | Sony α7RV
LOG IN TO REPLY |
Aug 10, 2016 10:27 | #21924 Permanent banxpfloyd wrote in post #18091624 I had a play with the 6300 and B25 before I returned the 6300 (thinking I was keeping the Fuji) and it was a nice combo. The Batis lenses are at the maximum size I an be bothered with now though and still feel big in comparison to the FE28 for example. When I used to walkaround with the 28/55 combo it just felt right size wise I agree I will get the 28 in near future... as well with that 21 adapter
LOG IN TO REPLY |
Aug 10, 2016 11:06 | #21925 |
ccp900 Goldmember 1,569 posts Likes: 144 Joined Jun 2006 More info | Aug 10, 2016 12:26 | #21926 you or the pigeon? [Sony A7R Mark 3 | Sony A7S | Sony Zeiss 16-35m f/4.0 | Sony FE 85m f1.8 | Sony FE 20m f1.8 G | Samyang 18m f2.8 | Samyang 45m f1.8 | Zeiss Batis 40m f2 | Sony FE 28m f2 | Sony Zeiss 55m f1.8 | Sony FE 28-70m f/3.5-5.6 | Helios 44-2 | Helios 44-3 | Nikon 105m f/2.5 AIS | Contax Zeiss Planar 50m f1.7 | Contax Zeiss Planar 100m f2 | Voigtlander Nokton 40m f/1.4 | Canon 24-105m f/4.0L | Canon 85m f/1.8 | Sigma 30m f/1.4 | Canon 10-22m f/3.5-4.5 | Canon 100m f/2.8 Macro USM | Canon 580 EX Ver 1.0]
LOG IN TO REPLY |
Aug 10, 2016 12:37 | #21927 How do you keep your camera cool when shooting in 105°+ temperatures? My camera slowed way down at that temperature. I didn't have any options other than staying in the shade, removing the battery and opening the LED screen. Finding shade was difficult. Sony α7rIV, Sony α7rii, α6500, Metabones IV, Zeiss Batis 18mm f/2.8, FE 24-70mm f/2.8 GM, FE 50mm f/1.8, EF 70-200L II IS USM f2.8, EF 100mm 1:2.8L IS USM Macro
LOG IN TO REPLY |
Aug 10, 2016 12:39 | #21928 Permanent banrcarlton wrote in post #18091767 How do you keep your camera cool when shooting in 105°+ temperatures? My camera slowed way down at that temperature. I didn't have any options other than staying in the shade, removing the battery and opening the LED screen. Finding shade was difficult. I was thinking next time I shoot in those conditions using an ice chest with sealed cool packs, and putting the camera in a bag with a desiccant pack. Take it out just before shooting. Any other ideas? paint it white
LOG IN TO REPLY |
Eddie xpfloyd lookalike More info | Aug 10, 2016 12:39 | #21929 105 is the limit stated in the manual is it not? Leica M11 | Leica Q2 | Sony α7RV
LOG IN TO REPLY |
Eddie xpfloyd lookalike More info | Aug 10, 2016 12:41 | #21930 Can anyone recommend a sturdy and reasonably cheap pocket/table tripod? (Small, cheap and sturdy - that's probably not possible now I think about it). Leica M11 | Leica Q2 | Sony α7RV
LOG IN TO REPLY |
![]() | x 1600 |
| y 1600 |
| Log in Not a member yet?
Register to forums
Registered members may log in to forums and access all the features: full search, image upload, follow forums, own gear list and ratings, likes, more forums, private messaging, thread follow, notifications, own gallery, all settings, view hosted photos, own reviews, see more and do more... and all is free. Don't be a stranger - register now and start posting!
|
| ||
| Latest registered member is griggt 1883 guests, 122 members online Simultaneous users record so far is 15,144, that happened on Nov 22, 2018 | |||