Eddie, you might even find a large O-ring that will work. Here's a site in the UK:
https://www.polymax.co.uk/o-rings/rubber-viton-oring/
navydoc Cream of the Crop  More info | Sep 03, 2015 18:20 | #4831 Eddie, you might even find a large O-ring that will work. Here's a site in the UK: Gene - My Photo Gallery ||
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eriet30 Goldmember  More info Post edited over 8 years ago by eriet30. | Sep 03, 2015 18:56 | #4832 I carry about 4 of these rubber band type things... use them for all sorts of issues and exactly the light leaks "Vision is the art of seeing that which is invisible"
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Sep 03, 2015 18:59 | #4833 Hmmm the Voigtlander 15 viii showed up..... not a lot of time with it but it is ....'weird" feeling. "Vision is the art of seeing that which is invisible"
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Sep 03, 2015 19:06 | #4834 eriet30 wrote in post #17694152 I carry about 4 of these rubber band type things... use them for all sorts of issues and exactly the light leaks http://www.amazon.com …oh_aui_detailpage_o02_s00 I bought 5 of these http://www.ebay.com …?var=&hash=item257ca9b06f Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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vinmunoz Cream of the Crop  More info Post edited over 8 years ago by vinmunoz. | Sep 03, 2015 20:54 | #4835 Anyone owns the FE28-70 kit lens? Is it good? Might be good for wedding receptions since i'm at f5.6 anyway with flash. | SONY A7SIII(2) | A73 | A6000 | Sony A7IV | Sigma105 | FE1635F4 | Tamron 70-180mm F2.8 | Tamron 17-28 Tamron 28-75 | FE50F1.8 | Sony 16035F4PZ | SEL30mm F3.5 Macro | Canon 24mm TSE | Laowa 15mm Shift
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EverydayGetaway Cream of the Crop  More info | Sep 03, 2015 21:27 | #4836 a7S + Yashica ML 50/1.7  DSC07090.jpg by Lucas Graenicher, on FlickrFuji X-T3 // Fuji X-Pro2 (Full Spectrum) // Fuji X-H1 // Fuji X-T1
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Like / Hate relationship. It vignettes pretty bad. Not terribly fast at focus. But I got mine used for 225 bucks so for the money it is decent more of a back up lens for me..... but i dont shoot people i shoot things so take my 2 cents for just that. "Vision is the art of seeing that which is invisible"
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advaitin Goldmember  4,624 posts Gallery: 434 photos Best ofs: 2 Likes: 877 Joined Jun 2003 Location: The Fun Coast of Florida More info | It takes a while to break in the focus ring. You should be able to magnify your view and slowly move the focus until you see a sharp item. What camera have you put it on?. The 12mm, 15mm and some others, including the CV 40mm f1.4 are so small that there's hardly room for fingers and thumb to grip-- it takes practice. Canons to the left, Canons to the right,
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advaitin Goldmember 4,624 posts Gallery: 434 photos Best ofs: 2 Likes: 877 Joined Jun 2003 Location: The Fun Coast of Florida More info | Possibly one of the older versions. The version III is upgraded to work better with mirrorless. Not a screw mount? You will always have some vignetting, which can be corrected in post. Canons to the left, Canons to the right,
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pretty sure he was referring to the 28-70, not CV15. Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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Sep 03, 2015 23:32 | #4841 advaitin wrote in post #17694358 It takes a while to break in the focus ring. You should be able to magnify your view and slowly move the focus until you see a sharp item. What camera have you put it on?. The 12mm, 15mm and some others, including the CV 40mm f1.4 are so small that there's hardly room for fingers and thumb to grip-- it takes practice. On the CV15 i have it on the A7rII.... focus is smooth it just does not appear to play well with focus peaking. I will have more time to play with it tomorrow and determine further. "Vision is the art of seeing that which is invisible"
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MedicineMan4040 The Magic Johnson of Cameras  More info Post edited over 8 years ago by MedicineMan4040. | Sep 04, 2015 00:34 | #4842 Per the stimulation of NavyDoc my Metabones IV is off to B&H for exchange for the 'latest' T version. flickr
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LeeRatters Cream of the Crop  More info | Sep 04, 2015 00:40 | #4843 Johnny010 wrote in post #17694014 I have always pushed as far as possible to the right before blowing out highlights I want to keep...it is like the old film days. I look at a scene, and in a night scene, I know everything interesting is a good 4-5 stops "below a middle grey"...so I bump it all +2 to +3 EV to get the detail I want and if I blow some highlights I wanted to keep...an HDR may be the fix for non-moving stuff. This brings me to a question I keep forgetting to ask. I seem to have to keep my A7 on +2/3 or +1 exposure comp pretty much all of the time. Anyone else the same?
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same here for indoors or cloudy day, but sunny day will be 0 Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
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Eddie xpfloyd lookalike  More info | Sep 04, 2015 00:48 | #4845 Charlie wrote in post #17694162 I bought 5 of these http://www.ebay.com …?var=&hash=item257ca9b06f , costs a lot less  ThIs is what I was thinking of getting Leica M11 | Leica Q2 | Sony α7RV
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