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FORUMS Cameras, Lenses & Accessories Sony Digital Cameras 
Thread started 27 May 2015 (Wednesday) 18:49
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mystik610
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Post edited over 8 years ago by mystik610. (2 edits in all)
     
Nov 11, 2015 05:36 |  #9031

More portraits from a dreary day y'day. 135 1.8 ZA and Batis 85. "That Zeiss rendering" is very much apparent in these two lenses

IMAGE: https://farm6.staticflickr.com/5632/22753115840_6091c5057f_b.jpg
IMAGE LINK: https://flic.kr/p/AEBE​CG  (external link) _DSC6900 (external link) by Carlo Alcala (external link), on Flickr

IMAGE: https://farm6.staticflickr.com/5624/22915145616_8a121e82e8_b.jpg
IMAGE LINK: https://flic.kr/p/AUW7​rw  (external link) _DSC6700_1 (external link) by Carlo Alcala (external link), on Flickr

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Zethar
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Nov 11, 2015 08:26 |  #9032

mystik610 wrote in post #17779651 (external link)
More portraits from a dreary day y'day. 135 1.8 ZA and Batis 85. "That Zeiss rendering" is very much apparent in these two lenses

QUOTED IMAGE
IMAGE LINK: https://flic.kr/p/AEBE​CG  (external link) _DSC6900 (external link) by Carlo Alcala (external link), on Flickr

QUOTED IMAGE
IMAGE LINK: https://flic.kr/p/AUW7​rw  (external link) _DSC6700_1 (external link) by Carlo Alcala (external link), on Flickr

Very cute!


1DX, 1DIV, 5DIII, A7RII, RX1RII, 14 2.8L II, 35 1.4L, 50 1.2L, 85 1.2L II, 135 2L, 16-35 2.8L II, 24-105 4L IS, 24-70 2.8L, 70-200 2.8L IS II, 300 2.8L, 400 5.6L, IS, 800 5.6L IS

  
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wallstreetoneil
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Nov 11, 2015 08:29 |  #9033

xpfloyd wrote in post #17779590 (external link)
Why on earth would you have to go to f/22 with a 16mm lens to get enough dof??? At 16mm and f/8 the hyperfocal distance is just over 1m. Set your lens to 2m focus and everything from around 1m to infinity is in focus.

I was actually going to write why not use F5.6 at 16mm - HFD is 5feet - but then I was wondering if he was going for a smooth water effect but it doesn't quite look like it. Either way, what was the SS and ISO because for me I would rather be using as low ISO as possible for better colours.


Hockey and wedding photographer. Favourite camera / lens combos: a 1DX II with a Tamron 45 1.8 VC, an A7Rii with a Canon 24-70F2.8L II, and a 5DSR with a Tamron 85 1.8 VC. Every lens I own I strongly recommend [Canon (35Lii, 100L Macro, 24-70F2.8ii, 70-200F2.8ii, 100-400Lii), Tamron (45 1.8, 85 1.8), Sigma 24-105]. If there are better lenses out there let me know because I haven't found them.

  
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Charlie
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Nov 11, 2015 08:34 as a reply to  @ post 17779604 |  #9034

+1, do whatever works for your. Personally, I avoid F22 like the plague. Dust spots start showing up and IQ takes a huge hit. If I had no choice left, I'de do it, as well as a few more focus stacks at lower apertures, and blend in the sharp parts or a shot for foreground, one for background.


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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wallstreetoneil
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Nov 11, 2015 08:39 |  #9035

Charlie wrote in post #17779784 (external link)
+1, do whatever works for your. Personally, I avoid F22 like the plague. Dust spots start showing up and IQ takes a huge hit. If I had no choice left, I'de do it, as well as a few more focus stacks at lower apertures, and blend in the sharp parts or a shot for foreground, one for background.

Charlie, just looked at your Flikr page - some very nice work.


Hockey and wedding photographer. Favourite camera / lens combos: a 1DX II with a Tamron 45 1.8 VC, an A7Rii with a Canon 24-70F2.8L II, and a 5DSR with a Tamron 85 1.8 VC. Every lens I own I strongly recommend [Canon (35Lii, 100L Macro, 24-70F2.8ii, 70-200F2.8ii, 100-400Lii), Tamron (45 1.8, 85 1.8), Sigma 24-105]. If there are better lenses out there let me know because I haven't found them.

  
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Charlie
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Nov 11, 2015 08:50 as a reply to  @ wallstreetoneil's post |  #9036

Thanks


Sony A7siii/A7iv/ZV-1 - FE 24/1.4 - SY 24/2.8 - FE 35/2.8 - FE 50/1.8 - FE 85/1.8 - F 600/5.6 - CZ 100-300 - Tamron 17-28/2.8 - 28-75/2.8 - 28-200 RXD
Panasonic GH6 - Laowa 7.5/2 - PL 15/1.7 - P 42.5/1.8 - OM 75/1.8 - PL 10-25/1.7 - P 12-32 - P 14-140

  
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Puckman
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Nov 11, 2015 09:50 |  #9037

My only response to the above discussion is "Huh?"

This thread and Flickr are full of FF landscapes shot at f8, f11 and sometimes even at f4 or wider.


Sony A7RII and a bunch of lenses.

  
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vinmunoz
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Nov 11, 2015 10:29 |  #9038

Happy Veterans day everyone.....


| SONY A7SIII(2) | A73 | A6000 | Sony A7IV | Sigma105 | FE1635F4 | Tamron 70-180mm F2.8 | Tamron 17-28 Tamron 28-75 | FE50F1.8 | Sony 16035F4PZ | SEL30mm F3.5 Macro | Canon 24mm TSE | Laowa 15mm Shift
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mystik610
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Nov 11, 2015 10:38 as a reply to  @ post 17779575 |  #9039

Puckman wrote in post #17779494 (external link)
That's a beautiful scene and a beautiful capture.


davidfarina wrote in post #17779594 (external link)
Looks good. I shoot some landscapes wide open on purpose with my leica 50 lux, as i feel it gives the images a very unique touch. But i see, the newer lenses like the batis have quite a lot less character than the older rangefinder lenses.

But nice shot nevertheless.

Thanks!


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Nov 11, 2015 10:38 |  #9040

Puckman wrote in post #17779861 (external link)
My only response to the above discussion is "Huh?"

This thread and Flickr are full of FF landscapes shot at f8, f11 and sometimes even at f4 or wider.


Since I am in the forgetful crowd many of my landscapes are shot at f2...... Sigh


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Zethar
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Nov 11, 2015 11:56 |  #9041

So having played with the Batis 25 for a bit now, I've come to the conclusion that having the LED display on all the time does affect the battery life of the camera. I read somewhere in a review that there was no noticeable difference. I felt like the battery went from 100% to 67% quite quickly until I turned it off and then it seemed to drain as it had in the past. I sure wasn't looking at the LED display at all with the wide angle so I feel it is a bit of a gimmick. Maybe it will be more useful with the 85.

Also, I found the lens to be a bit on the bulky side.

Having said that, the lens and the A7RII combo is simply outstanding!

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1DX, 1DIV, 5DIII, A7RII, RX1RII, 14 2.8L II, 35 1.4L, 50 1.2L, 85 1.2L II, 135 2L, 16-35 2.8L II, 24-105 4L IS, 24-70 2.8L, 70-200 2.8L IS II, 300 2.8L, 400 5.6L, IS, 800 5.6L IS

  
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romanv
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Nov 11, 2015 12:33 |  #9042

Puckman - I've given some specific examples of landscape photos where full frame cant acheive the same thing as APSC.
It's not a problem unless you're wanting to include foreground items which are quite close.

Charlie wrote in post #17779784 (external link)
+1, do whatever works for your. Personally, I avoid F22 like the plague. Dust spots start showing up and IQ takes a huge hit. If I had no choice left, I'de do it, as well as a few more focus stacks at lower apertures, and blend in the sharp parts or a shot for foreground, one for background.

Yep I agree about the F22 thing - I've never needed to go beyond F8 or F11 in the past.

I could fluff around stacking pictures, or I could just take the same picture with an APSC or Micro 4/3rds format and not need to bother.

If I had one of the other A7 cameras with a higher megapixel count, which effectively becomes a decent megapixel'd APSC in crop sensor mode then I'd be pretty happy all round. Get a Canon adaptor and whack some nice Canon APSC lenses on there for the best of both worlds.
But having 5 megapixels to work with on A7S crop mode means it's not really practical to use crop mode outside of video.




  
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romanv
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Post edited over 8 years ago by romanv. (3 edits in all)
     
Nov 11, 2015 12:41 |  #9043

davidfarina wrote in post #17779604 (external link)
Well, do what works best for you right? :)

I personally will never go back to APS-C. Just so many benefits in FF...

For sure :)

What are the benefits of full frame that you cant go back from?

Image Quality? ISO performance?

I'm not meaning to sound like a negative nancy in this thread. On the flip side to there being situations where full frame cant do things I could previously easily acheive with APSC, there are some things that were previously impossible which are now easy.

This photo was F1.4 under moonlight, exposed for only half a second.
On my Canon APSC I'd need to expose for a minimum of 13-14+ seconds to get an equivilent level of exposure, which means I'd lose any motion in the water. Amazing difference! The whole reason I got an A7S :D

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Landscape at F1.4 is fine if everything is far enough away haha :)

I also love the fact that now my ISO range is so huge, it feels like the constraints of the exposure triangle are broken.
I set my aperture for DOF I want and the exposure time to suit motion blur or whatever. Then just ramp the ISO to what suits. It's amazing how much of a constraint it feels like, going back to juggling settings to suit a useful maximum of ISO 800! Although I suppose that's as much to do with using some older tech as it is sensor size.



  
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mystik610
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Post edited over 8 years ago by mystik610. (9 edits in all)
     
Nov 11, 2015 13:06 |  #9044

romanv wrote in post #17780021 (external link)
Puckman - I've given some specific examples of landscape photos where full frame cant acheive the same thing as APSC.
It's not a problem unless you're wanting to include foreground items which are quite close.

Shooting with an equivalent focus distance to keep an equivalent FOV, the difference in the f-stop needed to match the DOF between a FF camera to that of an APS-C camera with a proportionately wider (relative to the crop factor) focal length is not as drastic as you're making it out to be.

As can be seen below, with a focus distance of 10 feet, to match the DOF and FOV of 25mm @ f8 on an APS-C camera, you'd use a 35mm lens (25 *1.4 = 35) and an aperture of f10.

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focalpointsphoto.com (external link) - flickr (external link) - Instagram (external link)
α7ʀIV - α7ʀIII
Sigma 14-24 f2.8 ART - Zeiss Loxia 21 - Sigma 35 f1.2 ART - Sony 35 1.8 - Sony/Zeiss 55 1.8 - Sony 85GM

  
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Puckman
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Nov 11, 2015 13:32 |  #9045

Again. The evidence is there for plenty of pics all over the internet/Flickr/POTN for FF landscape shots WITH foreground objects and a pretty deep DOF.

I don't mean to be contrary here, but I'm not really making anything up that's not proven by a few hundreds of thousands of landscape pics including some serious professional work hanging in galleries, etc...

No one has ever complained that FF doesn't provide enough DOF to do landscape. Sorry.


Sony A7RII and a bunch of lenses.

  
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