mlanyi wrote in post #17635731
I am deciding between the two lenses and would like to hear other people's opinions, pros/cons of each, and anything else you have to add. I have been looking to buy an Ultra wide angle lens for awhile now because my widest lens at the moment is my kit 18-55m. I will most likely be using it for landscapes, city photography, and maybe other things. Thanks!
Heya,
I had the Tokina 11-16 F2.8 II. Extremely sharp lens, even wide open. Wicked sharp stopped down even a little bit. Amazing lens really. Built like a tank, heavy, sharp, wonderful contrast & color. It takes normal filters. And it focused lovely at infinity, so I always left it literally at infinity and never worried, it was always in focus (even astro stuff, I never had to use live view or anything, I just turned it to infinity and it was in sharp focus, which was just such a wonderful thing). The reason I *had* this lens is because I eventually got sick and tired of the flaring. It flares horribly. Even a street light can give you a big ugly blob of flare. Some times flare can be ok. But too much just destroys an image. And Tokinas tend to just have the most flare I've ever experienced.
I moved to an EF-S 10-22 for my APS-C based ultrawide needs. It's not as sharp as the Tokina. But the color & contrast is good, it's reasonably sharp, takes normal filters, and the MOST important thing, is that it handles flare very well, and I can barely get flare out of it even with direct light sources.
Ultimately I still stick with the 10-22 (which has better flare handling than the 10-18 STM by the way). For me, an ultrawide has the following importances: 1) corner sharpness when stopped down (f8 as a standard for me), 2) normal filter use (threaded, non-bulbous front elements), 3) flare handling. So I gave up the sharpness for the flare performance when I moved from the Tokina to the Canon 10-22. I don't regret it either, because frankly, it's not enough of a sharpness loss to matter to me.
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Examples:
Tokina 11-16 F2.8 II
No-flare (if you're careful about where the light source is, and if it's masked or direct, you can avoid flare):
IMAGE LINK: https://flic.kr/p/oBDH4X
DPP_0526_7_8_tonemapped_marked
by
Martin Wise
, on Flickr
IMAGE LINK: https://flic.kr/p/op2mRd
DPP_0778_tonemapped_marked
by
Martin Wise
, on Flickr
IMAGE LINK: https://flic.kr/p/pEcAV4
DPP_1957_proc_mark
by
Martin Wise
, on Flickr
Astro sharpness at F2.8 (wide open), focused to infinity without using viewfinder nor live view, just turned the lens to infinity:
IMAGE LINK: https://flic.kr/p/nS8keV
IMG_5174
by
Martin Wise
, on Flickr
Flare (worst example I have of flare that I got with the Tokina; this occurs at specific angles of bright direct light sources):
IMAGE LINK: https://flic.kr/p/pLeGJr
DPP_1645_proc_mark
by
Martin Wise
, on Flickr
Flare (minor example, but still shows all the elements involved, it's still an odd, mechanical looking flare):
IMAGE LINK: https://flic.kr/p/qj8FKT
DPP_2146_proc_marked
by
Martin Wise
, on Flickr
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Canon 10-22 flare handling (same direct light, handles flare without all the bad stuff):
IMAGE LINK: https://flic.kr/p/qyZX4s
DPP_2310_proc_mark
by
Martin Wise
, on Flickr
IMAGE LINK: https://flic.kr/p/toKhok
DPP_2649_proc_mark
by
Martin Wise
, on Flickr
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So it really depends on you.
If it were not for the flare handling, I would have kept the Tokina II. Amazing lens when it's not flaring out of control. But I am in Florida, sun is always present, and I just couldn't stand all the flare ups. So I stay with the 10-22 on APS-C for now for these uses.
Very best,