The 17-55mm/2.8 is a fast, high quality and expensive lens that came out around 9 years ago. A lot has happened to lenses since then. In particular, Canon has come out with a line of very sharp and well performing STM lenses, including the humble and ubiquitous 18-55mm STM kit lens.
Photozone.de
has tested these lenses (and many more), and published resolution figures for them. I decided to plot the data up on graphs to make it easier to compare them. The graphs are included at the end of this post.
For those who are not at home scrutinizing graphs, I summarize the findings in words below.
The first graph shows the results for the center of the image. It shows sharpness curves for both lenses for a range of apertures and for a selection of focal lengths, which happen to be the focal lengths tested at PZ. The curves show that at a focal length of 17 or 18mm, the 17-55 is slightly sharper. The peak sharpness of the 17-55mm happens at f/4 whereas the 18-55mm lens peaked a stop smaller, at f/5.6. For all the other focal lengths, the 18-55mm kit lens was a bit sharper. In each case, the optimal (sharpest) aperture was one stop smaller for the 18-55mm lens.
Now on to the graph for the border of the image. At the border, the 18-55 kit lens again is generally a bit sharper for all focal lengths. The optimal apertures of the two lenses are closer together, differing by around 1/3 stop.
So overall, the expensive 17-55mm lens is a bit less sharp than the 18-55mm kit lens. To get the best center sharpness from the 17-55, shoot at f/4. For the 18-55, shoot at f/5.6. For best border sharpness, stop either lens down another 1/2 or full stop.
I own both lenses and have compared them in shoots. I can affirm that my copies behave essentially as described by the PZ data. A couple of example shots are included in my POTN review of the 18-55mm STM lens.
Reminder: There are many properties of lenses that are important besides sharpness. They include build quality, light transmission, color, bokeh, chromatic aberration, vignetting, and distortion. Fortunately, these days the latter three qualities are easy to correct in post-processing, and therefore less importance can be accorded them. Autofocus performance is also important, and it should be noted that some users have reported problems with the 17-55mm/2.8 when shooting at distances.
I think most people would be better off with the 18-55mm STM kit lens, unless they require the fast aperture of the 17-55mm/2.8.
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) For me, I'd rather switch to a prime ( like the 24mm F 2.8 EF-S) id I really needed the aperture, but I am so pleased with the ISO 6400 performance of the Rebel T6S, I have not felt the need to resort to primes.
