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Thread started 19 Oct 2015 (Monday) 15:22
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SteB
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Nov 10, 2015 03:51 |  #16

Dalantech wrote in post #17778151 (external link)
I think that even top down light looks flat

This claim makes no sense, and it is logically contradictory i.e. an oxymoron (a contradiction in terms).

Top down lighting is "oblique lighting" i.e. lighting from an angle relative to the lens axis. "Flat lighting" is light directly from the lens axis, and not at a steep angle relative to lens axis. The 2 terms are mutually contradictory.

especially when the shadow directly under the subject is blown out by a second light source.

Another bizarre claim contrary to the actuality. The light from below, if it is there at all (in this set up I can have all the light from above), is fill-in, where the light from below is at a much lower intensity (power ratio), than the light from above. Nothing is "blown out", there is no blown out anything. These supposed criticisms are just meaningless word salads. You are struggling so much to try and find something to criticise, that you are just making things up and you are contradicting yourself.

As for how I build my diffusers: I use materials that were designed to diffuse light for photography because they don't add an odd color cast to my images. In cases where I could get the raw materials I used them, but for some I had to use what was commercially available. Using packing foam doesn't make the light better...

Again this doesn't make sense. There is no foam anything in this diffuser design, which you'd have known if you'd actually seen it before criticising it. The diffuser material is "diffuser gel", which is specifically designed for diffusing photographic, movie and theatre lighting.

I think we'd be having this same conversation even if I had said something even remotely neutral. You do not handle constructive criticism well.

How is this remotely "neutral" or "constructive criticism"? You were criticising a diffuser design you had never seen, but Kurt had, because I'd sent him photos of my set-up. You had no idea of the flash head position, or the diffuser design you were criticising. In fact on Dpreview you told me it was impossible to diffuse the light from this type of flashgun, and self-evidently I have proven you wrong.

It really is best for me to not respond after this because you are not making any sense at all.




  
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Dalantech
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Nov 10, 2015 03:57 |  #17

SteB wrote in post #17778313 (external link)
It really is best for me to not respond after this because you are not making any sense at all.

Ahem... :)


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Dalantech
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Nov 10, 2015 04:03 |  #18

SteB, the light looks flat because it's a ring flash -the two light sources are 180 degrees apart. So the shadows produced by the top flash get blown out by the bottom one. The same thing happens with the MT-24EX when the two flash heads are placed on opposite sides of the Canon flash mount. The reflector that you've added to top of your ring flash "diffuser" doesn't change the fact that the bottom flash head is erasing the shadows produced by the top head.

I'm not taking the time to explain why the light looks flat to you, because you have blinders on and can only win this debate by taking what I say out of context. I'm taking the time to explain it for the other people who are reading this thread.


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SteB
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Nov 11, 2015 08:01 |  #19

Dalantech wrote in post #17778316 (external link)
SteB, the light looks flat because it's a ring flash -the two light sources are 180 degrees apart. So the shadows produced by the top flash get blown out by the bottom one. The same thing happens with the MT-24EX when the two flash heads are placed on opposite sides of the Canon flash mount. The reflector that you've added to top of your ring flash "diffuser" doesn't change the fact that the bottom flash head is erasing the shadows produced by the top head.

As I said it's best not to respond in detail because you are not making any sense. No the "bottom flash head" is NOT "erasing the shadows produced by the top head" because:

A) Sometimes it is switched off completely, and when it's "off" it is not contributing to anything'

B) Even when it is switched on, it is set on a much lower power ratio than the top tube, so it is not cancelling out the more powerful directional light from above.

Do you not understand the concept of fill-in light?

fill light
noun
1.
(photog) a light that supplements the key light without changing its character, used esp to lighten shadows
http://dictionary.refe​rence.com/browse/fill-light (external link)

This is why it is best not to respond in depth, as you are exposing your lack of knowledge about lighting principles. Is this too difficult for you to comprehend - that fill light is a "a light that supplements the key light without changing its character" i.e. the shadows are still there, just not as deep.

How hard is it to understand that if you switch the bottom tube off, it isn't cancelling out anything? The bottom tube is just used for fill-in, when you don't want deep shadows below the subject. In other words, fill-in from below is optional.

What is more if you had bothered to read my explanation of this diffusion principle you would be aware that I explain how it can be adapted for true ring flashes with no power ratio control, by simply using several extra layers of diffuser gel on the bottom half of the tube to attenuate light from lower half.

John this is why you are not making any sense at all, and your criticisms are just contrived and meaningless.




  
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Dalantech
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Nov 11, 2015 15:25 as a reply to  @ SteB's post |  #20

Sorry SteB, but like most of our conversations I have to get out of this one. Your condescending attitude is rude, unwarranted, and speaks volumes about you as an individual. My last post to this thread.


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NickWell24
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Nov 14, 2015 10:05 |  #21

Sophia Scott wrote in post #17752142 (external link)
Hello, I'm new here. I want to buy a new macro ring ...I thought to this http://www.macroringfl​ash.com/yongnuo-yn-14ex-c/ (external link) but i'm not sure if it's good...i'm looking forward your opinion... :)

This thread really got off topic. I was having the same debate you were a few months ago. In the end I did purchase the Yongnuo ring flash for myself, and later one for my girlfriend who also does macro photography.

Would I recommend it? Sure, it's easy to use and lets you light your subjects easily.
Do I think it's the best lighting possible for the money? Nope.

If you're wanting the best lighting possible I suggest picking up a flash bracket, speed light, and diffuser. The ring light, in my experience, doesn't really give lighting that makes you think "Wow". This method will probably require a bit more of a learning curve at first, but in the end you'll end up with shots similar to the one orion posted early in this forum. I'd suggest looking through the forum a bit more as there are many examples of other macro photos, most of them far more experienced than myself, sharing their setup and the lighting results they get from it.


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Nelvick
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Nov 14, 2015 16:24 |  #22

I just order a YONGNUO YN-14EX Macro Ring Flash to test my macro pictures. I will give my opinion after test the flash.




  
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SteB
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Post edited over 8 years ago by SteB.
     
Nov 15, 2015 04:08 |  #23

Dalantech wrote in post #17780213 (external link)
Sorry SteB, but like most of our conversations I have to get out of this one. Your condescending attitude is rude, unwarranted, and speaks volumes about you as an individual. My last post to this thread.

I have no idea why you are doing this John, as you simply don't have a point. You have made entirely false and seriously misleading claims about my lighting. I have patiently just contradicted what you falsely claimed with evidence, reasoning, and references, and instead of addressing this evidence and these references, you just go on to make more entirely false and completely unsubstantiated assertions.

I will make one last try. No I am not being rude. I initially tried to settle this with you in the most polite and patient way. I simply pointed out why what you said about my light diffusion was mistaken and incorrect. I even tried to do it by PM to save your embarrassment.

In a nutshell the problem is very simple. You falsely claimed the light from my diffusion was "too flat" and "too top down2. This was a mutual contradiction as "flat lighting" means shadowless lighting from the front, and top down lighting is light from an oblique and steep lighting from the top, which leaves shadows under the subject. In other words, lighting can be "flat" or "top down", but not both as the categories are

Over time you have repeatedly made entirely false and misleading claims about my light diffusion. As you are clearly objective wrong, I have no idea of what lies behind this. I do not know whether you simply have no understanding of lighting principles, or there is something else behind your false claims. However, you are seriously misleading the public about the light from my diffusion which I took a long time developing, and have generously shared with people.

It is very simple and clear cut. You first claimed not here, but on Dpreview that the light from my diffusion was "too flat" and "too down". This is a mutual contradiction, because flat lighting is entirely shadowless frontal lighting, and top down lighting is oblique lighting with shadows. In other words top down lighting cannot be flat because the 2 terms are mutually contradictory.

Several months ago I entirely contradicted your claims about the lighting from my diffusion being "too flat" by providing:

1) High magnification crops, which showed clear micro shadows below pits and bumps i.e. modeling - this is where in texture, small shadows below raised parts, brings out this texture.

2) Multiple definitive references in dictionaries and photographic encyclopaedias defining the term "flat lighting". These definitions were remarkably similar in that they describe "flat lighting as "frontal lighting with no shadows".

This proved that right at the beginning you were objectively mistaken by your erroneous claims about "flat lighting". Either you needed to contradict my evidence with reasons, evidence or references, or admit you were mistaken. Anything else would be dishonest.

Unfortunately you just went on to either repeat these claims, and failed to support or substantiate them with reason, evidence, or references, or you just made false claims.

This left me in a very difficult personal position. As you are well aware I have repeatedly defended you. However, it was clear that either you didn't understand basic lighting principles, or you were making malicious false claims about my light modification principles for reasons only you understand.

Throughout I have been more than patient with you, pointing out why you are mistaken, and generally not responding to what are in reality personal attacks.

I had never previously made any comment on your lighting, even though I don't like it, or any comments about your explanations of lighting, which I thought were muddled and mistaken. Unfortunately though you will not stop make critical and snide attacks on my light modification principles and designs. Here, you absurdly criticised the light modifier for a Macro Lite I had designed, and which Kurt mentioned, when you had never even seen it. Yet Kurt had seen it.

The problem is very simple John. You claimed my diffusion produced "flat light". Whereas all the dictionary and encyclopaedia definitions explain "flat lighting" is frontal lighting with "no shadows" and "no modeling" (micro shadows in textured surfaces). I provided a high magnification crop to show these micro shadows, meaning you were objectively wrong and mistaken.

flat light

noun, Photography.
1.
even front lighting of a subject, producing little contrast, no shadows, and no modeling.
http://dictionary.refe​rence.com/browse/flat-light (external link)

The term flat lighting is an objective fact. In other words, if there are shadows and modelling, the light cannot be flat. You cannot have genuine opinions contrary to objective facts.

It is valid to say I don't like that lighting. However, if you say I don't like that lighting because it is "too flat" and I prove it is not flat lighting, then you are wrong and mistaken, end of story.

Not once since you have tried to justify your false claims have you once addressed or even acknowledged the facts why the dictionary and encyclopaedia definitions of "flat lighting" contradict your apparent definition of flat lighting, which you have never even attempted to define. Nor have you acknowledged that my high magnification crops showed micro shadows which your claim of flat lighting implied were not there.

You are now making further provably false claims about my light diffusion. You have absurdly claimed that on the light from my diffused Macro light, the light from one flash tube, cancels out the shadows from the other side. When I have clearly explained that the tube from one side can be left off, and when left on I generally use it on an 8:1 power ratio for just fill-in.

The question is what are you making provably false and erroneous claims about my light modification principles, repeatedly?

It is perfectly valid for me to address your false claims about my light modification, when you are trying to mislead other photographers about it, months after your mistaken assertion was pointed out to you.

I am generously sharing my light modification principles and designs with people, which are entirely original. I am doing this to help people get good light for very little money, and you are basically repeatedly trolling me by making false and apparently malicious false claims about my lighting. You are an intelligent person. I gave you evidence and references as to why your claims were false many months ago, and you are repeating the same false claims. So this isn't a simple misunderstanding.




  
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Tom ­ Reichner
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Post edited over 8 years ago by Tom Reichner.
     
Nov 20, 2015 14:44 |  #24

SteB wrote in post #17778313 (external link)
Top down lighting is "oblique lighting" i.e. lighting from an angle relative to the lens axis. "Flat lighting" is light directly from the lens axis, and not at a steep angle relative to lens axis.

You are absolutely correct. What flat light is is not subjective; the term has nothing to do with what we like or don't like, or with how we feel about certain lighting. It is a term with an actual definition, and anything outside of that definition is not flat light. It has nothing to do with the quality of the light; rather, it has only to do with what direction(s) the light is coming from, relative to the camera and lens.

BTW, flat light is not inherently bad; in fact, there are times when flat lighting will provide the most aesthetically pleasing image. Flat light is sometimes the best light for a given image. And it can also be the worst light for a given image.


"Your" and "you're" are different words with completely different meanings - please use the correct one.
"They're", "their", and "there" are different words with completely different meanings - please use the correct one.
"Fare" and "fair" are different words with completely different meanings - please use the correct one. The proper expression is "moot point", NOT "mute point".

  
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SteB
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Nov 22, 2015 04:00 |  #25

Tom Reichner wrote in post #17790920 (external link)
You are absolutely correct. What flat light is is not subjective; the term has nothing to do with what we like or don't like, or with how we feel about certain lighting. It is a term with an actual definition, and anything outside of that definition is not flat light. It has nothing to do with the quality of the light; rather, it has only to do with what direction(s) the light is coming from, relative to the camera and lens.

BTW, flat light is not inherently bad; in fact, there are times when flat lighting will provide the most aesthetically pleasing image. Flat light is sometimes the best light for a given image. And it can also be the worst light for a given image.

Yes I agree. Ring flashes and Macro Lites are regularly used for medical photography because shadowless lighting has advantages for this purpose. Of course it is also popular with certain types of portraiture. But for normal macro photography of natural subjects it can be a bit boring, although it can be useful for biorecording.

This was my whole point, it's horses for courses. My light modification for macro flash, including making the light from Macro Lites or Ring Flashes more oblique does exactly what I want it to. I fully accept it might not be everyone's taste, and it was just designed for my particular style and work flow. I needed fairly low contrast light, which wasn't flat because I take shots of active insects. So I have to use a smallish aperture well in the diffraction limited zone, and I need to apply a fair bit of micro-contrast boost, to counteract the diffraction softening. Contrasty images don't respond well to this and look horribly over-sharpened. So you need a fairly low contrast image out of camera.

My point throughout has not been about what lighting is best, but the lighting characteristics from my light modification.




  
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NickWell24
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Nov 22, 2015 08:50 as a reply to  @ Nelvick's post |  #26

Post your results after you've taken a few! It's a shame this post has been hijacked discussing something other than your original question.

If you have a camera with an articulating screen it really helps for some of the really up close shots at a tough angle.


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SteB
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Nov 22, 2015 20:25 |  #27

NickWell24 wrote in post #17792547 (external link)
Post your results after you've taken a few! It's a shame this post has been hijacked discussing something other than your original question.

If you have a camera with an articulating screen it really helps for some of the really up close shots at a tough angle.

My points were directly about the Yongnuo YN14EX, as I have just invented a whole new light modification system for it, which I have generously shared here:
https://photography-on-the.net …/showthread.php​?t=1445313

It wasn't even me that mentioned my light modification system for this flash on this thread. Dalantech then made false claims about my light modification system, when he had never even seen it, by falsely claiming that the light from it was "flat".

I did not hijack anything. False claims were made about my lighting system, before I had even responded to this thread, and I was mentioned by name. When this comment was made I hadn't even made a comment on this thread, and nor had Dalantech ever seen this light modification system which Kurt (Orionmystery) first mentioned as it was made for the Yongnuo YN14EX flash.

Even if Steb1 does figure out how to diffuse one a ring flash will still give you flat light if it's mounted to the end of a lens. The flash heads are just too parallel to the lens, and even ratio control won't improve the light quality enough to keep an image from looking flat. Ring flashes are very appealing because they are so simple to use, but that simplicity comes at the cost of getting good light quality...

I simply pointed out that the light was not flat as falsely claimed.

Since 2009 I have invented 3 entirely new light modification systems and principles for macro flash based on the "concave diffuser" principle. I generously shared these ideas with other people, and they are now used all around the world by people that have no idea that these were entirely my original ideas. They allow a type of light quality previously not possible. Previously it was impossible to avoid specular reflections off shiny subjects.

How is correcting false claims about my light modification system "hijacking" the thread, given I was mentioned first by name - twice- before I had ever made a comment on this thread?




  
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Sophia ­ Scott
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Jan 05, 2016 04:53 |  #28

Hello guys, Thank you for your help! :*




  
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