Dan Kearley wrote in post #17768425
Budget... I guess the sky is the limit, but maybe 600$ish each?
I didn't actually mention HSS.. but I'm only sort of familiar with the difference anyway. At least I know HSS is a continuous burst and hyperspeed is not.
I figured the reason so many strobes require something like a YN622 to get hyperspeed is because it's tricking the camera. (and so it has it's limits)
D
Heya,
So it comes down to lights, features, etc, at $600.
600ws and portable, Rovelight 600 or Jinbei.
360ws and portable, Godox or Cheetah AD360 (a new version coming) too.
Or a couple of Yongnuo 685's if you want 4 lights and lots of versatility.
You can also mix and match things.
I would focus on buying into a system that scales so that you can add lights.
I also have found, I have a big portable 600ws strobe which I really enjoy using, but it's big and heavy and unless you have an assistant it can be a bear to setup all the lighting and do the photography by yourself. When I'm totally by myself, I find speedlites are way more convenient, I'm just limited to the ambient light (ie, if it's too bright out, where I cannot overpower it). When I'm shooting in the "too bright" light, I use the 600ws strobe, to muscle through and over power the ambient light (which is why I got it). I go back and forth and use both. Just depends on your needs and where you're shooting and if you're alone or not. I think folk forget to consider what it's like to lug gear around on their own when recommending big strobes and stands and modifiers.
If you're in a studio and not outside, then it's simple, since you don't need portability nor battery packs and you can get a few strobes for your money that are plenty for studio. Then again, flash can do find in studio too! The big difference other than massive output is more the recycle times and such. Again, depends on needs and size of studio.
Very best,