Xyclopx wrote in post #17774409
the real problem of the 24-70 IS in my own use is that at close to MF it is extremely unsharp. and that seems strange given that it has a macro-range mode, which is also quite sharp. but outside of that macro range, but near MF it's horrible. though, i doubt many people would care. it's just that i take many food pics at restaurants and that's when it becomes a problem. but outside of my restaurant adventures the lens is great.
Tommydigi wrote in post #17774421
I hear it also has a problem with focus shift. that may be the issue when focussing close.
absplastic wrote in post #17774773
The focus shift issue is real, and in the worst-case scenario, it can shift enough to put what you focused on clearly out of focus. That said, it's really only an issue when shooting very close subjects (near MFD) at the 70mm end of the zoom range, and stopping down to f/5.6 - f/8. If the subject is closer than about 4 meters, you can go into macro mode where the FoV is still about 70mm, but the shift issue magically goes away completely.
Completely agree and can corroborate these statements. After some more use this past week, I've definitely noticed the shift + softness. I can tolerate it just fine thanks to my 50L experience with softness and focus shifting
In this case, instead of magical bokeh you get IS, zoom versatility, and a razor sharp macro mode.
UPDATE: So I shot exclusively with the 24-70 f/4L lens over the last week, and despite what I said above, the focus shift and softness at 70mm had more of an impact on my shots than I anticipated because that is where I do a majority of my shooting w/ this range.
So, I sent her back to Canon, and found a somewhat decent deal for the big daddy 2.8 II. Trust me, while happy with the 2.8 II, I am already missing this super versatile f/4 IS, especially the macro mode and small size
But, I have a 100L for a reason, so here's hoping I can move on.
Anyways, here's an example of the performance I'm getting at 70mm at MFD, and at f/5.6 (the danger zone, so to speak). It's sharper than the 50L at least, though without the magical bokeh:
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758004)
© MatthewK [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. I could show focus shift examples, but I think we all know what a mis-focused shot looks like haha
It makes me wonder if Canon intentionally crippled this lens, maybe so it doesn't step on the 24-70 II's toes?. Same questions asked to the 50L: How many 24-70 lenses have they produced over the years, and yet they get this one wrong in such a huge fashion? Focus shift and softness at the tele-end, where arguably it will be used most (that and the 24mm end)?