Looking to buy a 16-35mm for dog photography. I currently have a 50mm 1.4 and 70-200mm 2.8. Trying to decide between the 16-35 f4 and 16-35 2.8 ii. I'm leaning towards the cheaper f4. Any suggestions? Cheers
CaPpedDoG Member More info | Nov 29, 2015 17:10 | #1 Looking to buy a 16-35mm for dog photography. I currently have a 50mm 1.4 and 70-200mm 2.8. Trying to decide between the 16-35 f4 and 16-35 2.8 ii. I'm leaning towards the cheaper f4. Any suggestions? Cheers
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s1a1om Senior Member More info | Nov 30, 2015 16:00 | #2 Everything I've seen seems to indicate the f4 is significantly sharper. It's also the newer of the two. It's cheaper. However, you do lose a couple stops of light. I'm recently made the decision to get the f4 as my next lens. Constructive criticism is always appreciated.
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I shoot pretty much all outdoors. So ya, I think I'll order the f4. Thanks
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Trvlr323 Goldmember 3,318 posts Likes: 1091 Joined Apr 2007 More info | Dec 01, 2015 13:17 | #4 I think you're going in the right direction. I do a lot of dog photography and I rarely used either the 2.8 or the 4 wide open. If you want to completely isolate the pooch from the background you can get some very shallow DOF with your 70-200. Good luck with the purchase and happy shooting. Sometimes not taking a photograph can be as problematic as taking one. - Alex Webb
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Nick5 Goldmember More info | Apr 07, 2016 08:02 | #5 I bought the 16-35 f/4 L IS last summer as an upgrade to the 17-40 f/4 L, which I am also keeping as a backup. Canon 5D Mark III (x2), BG-E11 Grips, Canon Lenses 16-35 f/4 L IS, 17-40 f/4 L, 24-70 f/4 L IS, 70-200 f/2.8 L IS II, 70-200 f/4 L IS, 70-200 f/4 L IS Version II, 100-400 f/4.5-5.6 L IS Version II, TS-E 24 f/3.5 L II, 100 f/2.8 L Macro IS, 10-22 f3.5-4.5, 17-55 f/2.8 L IS, 85 f/1.8, Canon 1.4 Extender III, 5 Canon 600 EX-RT, 2 Canon ST-E3 Transmitters, Canon PRO-300 Printer
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1 stop. Cameras: 5D Mark IV, EOS 3, Elan 7
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Nethawked Senior Member More info | Apr 18, 2016 12:36 | #7 I've bought and returned 1 refurbished and 1 used Canon 16-35mm f/2.8. Neither was even close to the image quality I get with my f/4. If you must have, I'd recommend the Tamron 15-30mm f/2.8 with much better IQ, but it's bulky and heavy. That said, I agree with others here, the f/4 looks to be all you will need. Great lens, congrats on the choice.
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RPCrowe Cream of the Crop More info | May 18, 2016 13:33 | #8 This is swimming against the tide... I really don't like using WA lenses for dog or people photography because of the distortion caused by shooting close. I prefer a normal to tele lens... See my images at http://rpcrowe.smugmug.com/
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Snydremark my very own Lightrules moment More info | May 18, 2016 13:47 | #9 While the 16-35 f/4 seems to be, by all regards, a stupidly good lens, I would be afraid of the same thing that RPCrowe mentions. I would consider a longer lens (135, 70-200, etc) and standing farther away to avoid distortion from being as close as you'd have to be for a WA framing. - Eric S.: My Birds/Wildlife
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phototastic Junior Member 23 posts Likes: 18 Joined Jun 2016 More info | Jun 30, 2016 10:28 | #10 I find myself using focal lengths over 50mm for most of my pet photography but I don't think you could go wrong with the newer 16-35 f4.
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Phoenixkh a mere speck More info | Jun 30, 2016 16:35 | #11 RPCrowe wrote in post #18011243 This is swimming against the tide... I really don't like using WA lenses for dog or people photography because of the distortion caused by shooting close. I prefer a normal to tele lens... This would my view as well, even though I own the 16-35 f/4 IS. I use it for landscapes. I also have a the much maligned 24-105 f/4 and it works for me. Lightroom corrects the lens issues with one click. I prefer the range for people and pets. My 100-400ii gets more use because birds are usually my main focus (pun intended). Kim (the male variety) Canon 1DX2 | 1D IV | 16-35 f/4 IS | 24-105 f/4 IS | 100L IS macro | 70-200mm f/2.8L IS II | 100-400Lii | 50 f/1.8 STM | Canon 1.4X III
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Gungnir Senior Member More info | Jul 02, 2016 05:57 | #12 I did a lot of dog photography years ago. The one shot they all wanted was the classic wide angle of dog looking in to lens for that distorted look made popular by ad companies. Steve
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