tongard wrote in post #17834639
Hi guys thanks for the posts. The 70-200 is the longest I have therefore fancy something a little longer to play with its as simple as that.
I would like to shoot a couple of air shows a year and a little bit of sport and wildlife , I'm a part time hobbist, I may not pick my camera up for weeks, but when I do I enjoy it.
I'm not sure I would use the 70-200 that much if I bought the 100-400, but feel I would use it if I had the sigma.
I tried both lens out at shop , there does seem something very special about the canon looking at the snaps I took, I fine myself leaning toward it once I can get over the price . 2600 usd in uk
Another option I am really interested in is trade 70-200 for 70-300 and get sigma it still works out cheaper.
Since I got the 6 d I really have found 70-200 just a little short .
Ugh, UK prices are nuts.
Have you thought about just going for a 2nd hand 100-400 MKI? I mean, you're talking about 2~3 times a year using it. Maybe a bit more with some wildlife, but as you put it, several weeks at a time you're not shooting and there's only 52 weeks in a year, and a lot of those are not friendly to electronics all year round, so you have limited times to do that. So it might be a better route to simply get great glass and save $1500+ and get a used 100-400 MKI while they're still flooding the market and being cheaper with the MKII release. It's still an awesome piece of glass and even more awesome now that it's really affordable.
Alternatively, a 150-600C Sigma is a beast. You may find it too long depending on what airshow you're talking about. Great for wildlife that isn't moving a lot. It's good for moving wildlife, birds in flight even, if you're in really good light. But if you're in haze, fog, dark weather skies of England for it, you will find it to be a slow lens in that kind of light, and may want to stick to things not moving as much. Really, for where you are (depending on what you shoot), I'd probably push more towards a Sigma 120-300 F2.8 OS instead. Costs more, but it ultimately gives you way more options if wildlife is something you really want to get into, especially in darker light places in the world.
I'd keep your 70-200. It may be short, but sometimes, shallow depth of field, and/or more ability to shoot in lower light is important. The 70-300 is slower aperture, so you're losing light, gaining a little bit more reach.
Very best,