Approve the Cookies
This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and our Privacy Policy.
OK
Forums  •   • New posts  •   • RTAT  •   • 'Best of'  •   • Gallery  •   • Gear
Guest
Forums  •   • New posts  •   • RTAT  •   • 'Best of'  •   • Gallery  •   • Gear
Register to forums    Log in

 
FORUMS Cameras, Lenses & Accessories Canon Lenses 
Thread started 28 Jan 2016 (Thursday) 18:55
Search threadPrev/next
sponsored links (only for non-logged)

16-35 f/4L IS or 16-35 f2.8 L II?

 
Scott ­ M
Goldmember
3,399 posts
Gallery: 111 photos
Likes: 517
Joined May 2008
Location: Michigan / South Carolina
Post edited over 7 years ago by Scott M.
     
Jan 29, 2016 07:39 |  #16

Snydremark wrote in post #17876990 (external link)
Mal's dead on on the 17-55. Don't shoot yourself in the foot by discounting the lens just because it's EF-S. Unless you have immediate plans to switch to a FF body in the near future, you're just burning money by skipping over it as an option. It's a fantastic lens for a much better price than the L lenses; plus, should you decide to go FF in the future, it resells fairly well, so you should come out close enough to even to not have to worry too much.

That said, he's also correct that unless you NEED 2.8 for some reason, the f/4 is just that much better that it may be worthwhile to nab it.

^ This. The EFS 17-55 is a much better solution for a crop body than either 16-35L you are considering. It gives you the best of everything -- quick USM focus motor, f/2.8 constant aperture, and image stabilization, along with excellent image quality. Plus you gain additional focal range on the long end. I currently own the EF 16-35 f/4 IS, and it's a great ultra wide angle lens solution for a full frame body. However, I would rather have my old EFS 17-55 back if I went back to a crop-only kit.

I used to own the EFS 17-55, and only sold it when I moved to a full frame body for any shooting that required this focal range. It's a terrific general use lens for landscapes, indoor shooting, portraits, etc.


Photo Gallery (external link)
Gear List

  
  LOG IN TO REPLY
notastockpikr
Senior Member
440 posts
Likes: 73
Joined Aug 2011
Location: Canada
     
Jan 29, 2016 07:55 |  #17

Went FF a few years ago and sold my 17-55 ef-s. Didn't want part with it because it was a great lens on my 7D at the time. Very sharp and the build was nor plasticky feeling at all to me. Recently purchased the 7D II and I'm looking to get the 17-55 again.

Had a very sharp copy of the 16-35 2.8 II and for some reason didn't use it as much as I thought. Wide open at 35mm was not the greatest nor was 16mm. Sold it about two years ago and when the 16-35 IS came I was intrigued. Xmas rebates pushed me through the doorway and I bought the 16-35 IS. Great lens, sharp, very contrasty and IS doesn't hurt at all.

My recommendation, get the 16-35 IS and don't discount the 17-55 ef-s.




  
  LOG IN TO REPLY
bseitz234
Senior Member
Avatar
608 posts
Gallery: 23 photos
Best ofs: 1
Likes: 381
Joined Feb 2013
Location: Maynard, MA, USA
     
Jan 29, 2016 11:18 |  #18

Have the 17-55 for 7d (original), and when I bought the 7d, I was seriously considering the 17-40L. This was before the 16-35 f/4 was released, and the 2.8 II was out of my price range. I decided to go with the 17-55, despite planning on upgrading to full frame, and it has been an amazing go-to lens ever since. That was 3 years ago and I still haven't felt the need to go full-frame. Definitely glad I didn't let the EF-s stop me...



-Brian
5 EOS bodies, and constantly growing lens selection.
IG @bseitz234

  
  LOG IN TO REPLY
Vertigo1
Senior Member
310 posts
Likes: 49
Joined Sep 2006
     
Jan 30, 2016 15:45 |  #19

MalVeauX wrote in post #17876920 (external link)
The 16-35 F2.8's of all flavors are notoriously soft compared to the 16-35 F4L IS.

Really, you either need F2.8 or you don't. If you need F2.8, you get the F2.8 II. Or, if you don't, you get the F4 IS.

This. The f/4L IS is superior to the f/2.8 II in every single way except aperture. If you don't need the extra stop, the f/4L IS is a total no brainer.

MalVeauX wrote in post #17876952 (external link)
The EF-S 17-55 F2.8 IS is quite literally an "L" level lens for the EF-S mount.

In quality terms, yes it is but the build quality is nothing like an 'L'. Not knocking it though, I used to own one and it's an amazing lens.


Canon 5D3/6D | EF 16-35 f/4L IS | EF 24-70 f/2.8L II | EF 70-200 f/2.8L IS II | EF 100-400 f/4.5-5.6L IS II | EF 35 f/1.4L II | EF 50 f/1.4

  
  LOG IN TO REPLY
sponsored links (only for non-logged)

5,524 views & 9 likes for this thread, 15 members have posted to it and it is followed by 4 members.
16-35 f/4L IS or 16-35 f2.8 L II?
FORUMS Cameras, Lenses & Accessories Canon Lenses 
AAA
x 1600
y 1600

Jump to forum...   •  Rules   •  Forums   •  New posts   •  RTAT   •  'Best of'   •  Gallery   •  Gear   •  Reviews   •  Member list   •  Polls   •  Image rules   •  Search   •  Password reset   •  Home

Not a member yet?
Register to forums
Registered members may log in to forums and access all the features: full search, image upload, follow forums, own gear list and ratings, likes, more forums, private messaging, thread follow, notifications, own gallery, all settings, view hosted photos, own reviews, see more and do more... and all is free. Don't be a stranger - register now and start posting!


COOKIES DISCLAIMER: This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and to our privacy policy.
Privacy policy and cookie usage info.


POWERED BY AMASS forum software 2.58forum software
version 2.58 /
code and design
by Pekka Saarinen ©
for photography-on-the.net

Latest registered member is Marcsaa
1326 guests, 119 members online
Simultaneous users record so far is 15,144, that happened on Nov 22, 2018

Photography-on-the.net Digital Photography Forums is the website for photographers and all who love great photos, camera and post processing techniques, gear talk, discussion and sharing. Professionals, hobbyists, newbies and those who don't even own a camera -- all are welcome regardless of skill, favourite brand, gear, gender or age. Registering and usage is free.