people used to say that about zooms faster than f2.8 though...
What zoom is faster than 2.8 for FF?
Mar 03, 2016 08:58 | #31 DreDaze wrote in post #17921508 people used to say that about zooms faster than f2.8 though... What zoom is faster than 2.8 for FF? Andrew | Midwest Automotive
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Mar 03, 2016 09:21 | #32 Myboostedgst wrote in post #17921817 What zoom is faster than 2.8 for FF? sigma 24-35/2 but it's as big as a 24-70/2.8 Canon 7D/350D, Σ17-50/2.8 OS, 18-55IS, 24-105/4 L IS, Σ30/1.4 EX, 50/1.8, C50/1.4, 55-250IS, 60/2.8, 70-200/4 L IS, 85/1.8, 100/2.8 IS L, 135/2 L 580EX II, 430EX II * 2, 270EX II.
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DreDaze happy with myself for not saying anything stupid More info | Mar 03, 2016 09:39 | #33 Myboostedgst wrote in post #17921817 What zoom is faster than 2.8 for FF? the 24-35 f2...plus with sigmas 18-35f1.8 and now 50-100 f1.8 i don't think anyone would be shocked if they came out with like an 85-135 f2 for FF in the future..if you had said that a few years ago nobody would've believed it Andre or Dre
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Mar 03, 2016 10:39 | #34 I forgot about the 24-35, but look at how short that focal range is. I just can't imagine seeing some thing 85-135 @F1.8 for full frame anytime soon with current technology. The size would be massive. And even if they did produce it, would the average person be willing to haul that around? Andrew | Midwest Automotive
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TomReichner "That's what I do." 17,611 posts Gallery: 213 photos Best ofs: 2 Likes: 8357 Joined Dec 2008 Location: from Pennsylvania, USA, now in Washington state, USA, road trip back and forth a lot More info Post edited over 7 years ago by Tom Reichner. | Mar 03, 2016 12:05 | #35 . DreDaze wrote in post #17879499 meh, if it's replacing the lens entirely and the original is being discontinued i don't think it's that far off...the 35LII went up in price 18%, the 100-400L price went up from 1699 to 2199 a 24% raise...so all of a sudden they're going to make it a 50% mark up? have they ever done that with any lens? The 400mm f2.8 IS was $7200, and it was replaced with the 400mm f2.8 iS v2 at $10,999. "Your" and "you're" are different words with completely different meanings - please use the correct one.
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idkdc Goldmember 3,230 posts Likes: 409 Joined Oct 2014 More info | Mar 03, 2016 12:08 | #36 CanonYouCan wrote in post #17878764 Would you sell your 135 F2L if the price was double, only for the IS ? We all know that Canon is not only specialised in great lenses, but also in astonishing prices ![]() Normally this year this lens will be announced http://www.lens-rumors.com …-to-be-announced-in-2016/ I've already sold two copies in anticipation. Ready to pay around 1600-1800 for it. I like big cinema cameras and I can not lie
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AlanU Cream of the Crop More info | Mar 03, 2016 14:57 | #37 If they created a new 135L simply to replicate most Canon mk2 lenses.....that'd be "Interesting" 5Dmkiv |5Dmkiii | 24LmkII | 85 mkII L | | 16-35L mkII | 24-70 f/2.8L mkii| 70-200 f/2.8 ISL mkII| 600EX-RT x2 | 580 EX II x2 | Einstein's
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Mar 03, 2016 17:19 | #38 AlanU wrote in post #17922271 On the other hand seldom touch my 100L because the 70-200L f/2.8mk2 provides better perspective and is ultra versatile. I am really just considering selling my 135L and going the 70-200 route. It is such a good lens, and so versatile. The cost of a 85 1.8, 135L, and my Tamron 70-300VC (which is an awesome lens BTW) I can basically afford the 70-200 IS II. It won't be quite as good for those 15% of shots, but it will be better for every other shot that the 135L can't get. Andrew | Midwest Automotive
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idkdc Goldmember 3,230 posts Likes: 409 Joined Oct 2014 More info Post edited over 7 years ago by idkdc. | Mar 03, 2016 17:35 | #39 Myboostedgst wrote in post #17922465 I am really just considering selling my 135L and going the 70-200 route. It is such a good lens, and so versatile. The cost of a 85 1.8, 135L, and my Tamron 70-300VC (which is an awesome lens BTW) I can basically afford the 70-200 IS II. It won't be quite as good for those 15% of shots, but it will be better for every other shot that the 135L can't get. Do it. I sold my 135L's for the 70-200 IS II. It's a boring lens, but it's reliable, zooms, has IS and gets the job done better than the 135L's. More practical. Not as finger-can't-be-placed-on-why dreamy as the 135L, but it's done very well for me with weddings and sports compared to the 135 prime. I'll get the 135 prime again either with Zeiss APO or Canon's IS when it comes out, but only in addition to the 70-200 and not as a replacement. I like big cinema cameras and I can not lie
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Myboostedgst Goldmember More info Post edited over 7 years ago by Myboostedgst. (3 edits in all) | Mar 03, 2016 17:43 | #40 idkdc wrote in post #17922489 Do it. I sold my 135L's for the 70-200 IS II. It's a boring lens, but it's reliable, zooms, has IS and gets the job done better than the 135L's. More practical. Not as finger-can't-be-placed-on-why dreamy as the 135L, but it's done very well for me with weddings and sports compared to the 135 prime. I'll get the 135 prime again either with Zeiss APO or Canon's IS when it comes out, but only in addition to the 70-200 and not as a replacement. I agree, but the thing that is keeping me from making the change is that I never photograph anything I can't stage. Portraits and automotive. So primes make sense since I can place the subject as I want and they sit still. They are cheaper, usually sharper, and weigh less. This test wasn't done for sharpness or anything other than, when exporting at sizes I would use online, what looks the best. The 2.8 zoom and the F4 are actually pretty close when all the way down to ~135mm, but the 135L is clearly special. And since the F4 and the 2.8 are so close unless you are zoomed all of the way out to 200mm, I would MUCH prefer the F4 IS. I love the F4 feel, size, and weight. I am not a huge fan of the 2.8 IS II because of those same factors. While it would be a MUCH more expensive setup, I think a 85L and 135L would be better for my uses than the 70-200 IS II. It also doesn't hurt that I now have a Sigma 300mm F2.8 I can use if I need the length. Andrew | Midwest Automotive
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idkdc Goldmember 3,230 posts Likes: 409 Joined Oct 2014 More info | Mar 03, 2016 17:58 | #41 Myboostedgst wrote in post #17922502 I agree, but the thing that is keeping me from making the change is that I never photograph anything I can't stage. Portraits and automotive. So primes make sense since I can place the subject as I want and they sit still. But I also have compared the zoom directly to the 135L. Below is a quick example. ![]() This test wasn't done for sharpness or anything other than, when exporting at sizes I would use online, what looks the best. The 2.8 zoom and the F4 are actually pretty close when all the way down to ~135mm, but the 135L is clearly special. And since the F4 and the 2.8 are so close unless you are zoomed all of the way out to 200mm, I would MUCH prefer the F4 IS. I love the F4 feel, size, and weight. I am not a huge fan of the 2.8 IS II because of those same factors. While it would be a MUCH more expensive setup, I think a 85L and 135L would be better for my uses than the 70-200 IS II. It also doesn't hurt that I now have a Sigma 300mm F2.8 I can use if I need the length. If you already have the 135L, the 70-200 F4L IS and the 70-200 f/2.8L IS Mark I will not satisfy you, or at least they never satisfied me because of the f/2 aperture and sharpness / je ne sais quoi of the 135L. If I shot strictly controlled photos, I'd personally stick with the 135L or move up to the Zeiss APO Sonnar. I like big cinema cameras and I can not lie
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Myboostedgst Goldmember More info Post edited over 7 years ago by Myboostedgst. | Mar 03, 2016 18:02 | #42 idkdc wrote in post #17922521 If you already have the 135L, the 70-200 F4L IS and the 70-200 f/2.8L IS Mark I will not satisfy you, or at least they never satisfied me because of the f/2 aperture and sharpness / je ne sais quoi of the 135L. If I shot strictly controlled photos, I'd personally stick with the 135L or move up to the Zeiss APO Sonnar. The only benefit I saw in the photos of the 135L over the F4 IS was the DOF and the look of the bokeh. Sharpness was the same wide open, colors looked the same, everything else was pretty much identical. The DOF at f2 is so thin anyways, I need much more practice before I can successfully use it anyways. So if I end up having to stop down to 2.8 or so to feel confident I get a completely in focus subject, both 70-200's become damn close. Andrew | Midwest Automotive
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idkdc Goldmember 3,230 posts Likes: 409 Joined Oct 2014 More info | Mar 03, 2016 18:13 | #43 Myboostedgst wrote in post #17922524 The only benefit I saw in the photos of the 135L over the F4 IS was the DOF and the look of the bokeh. Sharpness was the same wide open, colors looked the same, everything else was pretty much identical. The DOF at f2 is so thin anyways, I need much more practice before I can successfully use it anyways. So if I end up having to stop down to 2.8 or so to feel confident I get a completely in focus subject, both 70-200's become damn close. Also, I hated the 2.8 IS I. It was terrible for me. I would only be considering the 2.8 IS II. What body are you shooting on? I personally only shoot wide aperture with a 5D3 autofocus system or aperture. Yeah, the 2.8 IS Mark I sux. 2.8 IS Mark II is the only way to go. The 70-200 F4L IS is really only good for its flexibility in zoom and for landscapes in my opinion. For portraits, I prefer 2.8 and wider. I like big cinema cameras and I can not lie
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gonzogolf dumb remark memorialized More info | Mar 03, 2016 18:15 | #44 As a lomg time follower of the 135L thread, many sold theirs to get the 70-200 2.8 IS II. Most of them came back within a year as zoom just couldn't quite replicate the look of the 135L.
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idkdc Goldmember 3,230 posts Likes: 409 Joined Oct 2014 More info | Mar 03, 2016 18:17 | #45 gonzogolf wrote in post #17922537 As a lomg time follower of the 135L thread, many sold theirs to get the 70-200 2.8 IS II. Most of them came back within a year as zoom just couldn't quite replicate the look of the 135L. My resolve is strong...I will wait for the 135L IS. Never mind that I bought and sold the 135L twice before. Shush. I like big cinema cameras and I can not lie
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