This was taken at my home with some basic 2 light setup.
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Feb 16, 2016 15:51 | #1 This was taken at my home with some basic 2 light setup. Image hosted by forum (776055) © brian4646 [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff.
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gonzogolf dumb remark memorialized More info | Feb 16, 2016 15:59 | #2 It's a little bit flat, but that's better than being overly dramatic given the subject.
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BrickR Cream of the Crop 5,935 posts Likes: 115 Joined Mar 2011 Location: Dallas TX More info | Feb 16, 2016 23:05 | #3 Looks good to me My junk
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Hannya Goldmember 1,062 posts Likes: 66 Joined Apr 2008 Location: UK More info | Feb 17, 2016 07:54 | #4 If you have room, place her farther from the backdrop and try to get all her feet in. Smooth out the flooring. “Your first 10,000 photographs are your worst.” ― Henri Cartier-Bresson
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LeftHandedBrisket Combating camera shame since 1977... More info | Feb 17, 2016 08:04 | #5 not doing much for me, mainly because the eyes are so dark. PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20
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I used a 47"octobox with a speedlight camera right 45 degrees up and to the right. I used a shoot thru umbrella camera left 45 degrees for fill with speedlight. I'm a hobbyist, so any advise is welcome. I taped the floor down but it didn't hold.
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LeftHandedBrisket Combating camera shame since 1977... More info Post edited over 7 years ago by Left Handed Brisket. (2 edits in all) | Feb 17, 2016 08:55 | #7 my first thought that the light camera right was too far back to the left of the subject, but i think maybe that the light is too high which is why you are getting the dark eyesockets. Might be a bit of both. PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20
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LeftHandedBrisket Combating camera shame since 1977... More info Post edited over 7 years ago by Left Handed Brisket. (5 edits in all) | Feb 17, 2016 09:03 | #8 couple of examples of the one light (actually 32 inch octa, i think, whatever LOL) with foam core directly to their right. These have a hair light, speedlight in a gridded 24" softbox too. The Octa was quite a ways back from the kids. Image hosted by forum (776206) © Left Handed Brisket [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (776207) © Left Handed Brisket [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. PSA: The above post may contain sarcasm, reply at your own risk | Not in gear database: Auto Sears 50mm 2.0 / 3x CL-360, Nikon SB-28, SunPak auto 322 D, Minolta 20
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gonzogolf dumb remark memorialized More info | Feb 17, 2016 09:41 | #9 brian4646 wrote in post #17901772 I used a 47"octobox with a speedlight camera right 45 degrees up and to the right. I used a shoot thru umbrella camera left 45 degrees for fill with speedlight. I'm a hobbyist, so any advise is welcome. I taped the floor down but it didn't hold. You really don't want your fill to be 45degrees. Instead try putting it on the camera axis. The idea is that the key light will create highlights and shadows, and the fill controls their depth. By being on the camera axis the fill softens the shadows the camera sees. By going out to 45 degrees you are filling in the good shadowing, that which gives you some depth, but not giving good fill.
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