Thanks for the comments, guys, I'll go one by one.
idkdc wrote in post #17915561
RRS TVC 34L should have a 75mm bowl, no? I imagine the fluid gimbal video head from RRS would be right up your alley, wouldn't it?
Yeap, and also really much more expensive than the 23 that I own. Would there be an alternative from gitzo worth looking into?
ShadowHillsPhoto wrote in post #17916233
On the RRS site under Q&A for the TVC-24L:
SimonM: Hi, I have just ordered the TVC24-L and already own the BH-55. I intend using a Nikon D810 + 400mm F2.8 as the heaviest combination. Will the tripod be man enough or do I need to reconsider.... before despatctch!
CSR ScottN: All of our Series 2 tripods are rated to carry 40 lbs and solidly hold a 400mm lens with no camera shake. Your combination will work perfectly.If RRS is confident it can take a 400mm f2.8 with a 2lb ballhead it should be fine with a 500mm f4 with a 4lb video head.
That's interesting. Problem is that they're talking about 400mm, and we're speaking of 500mm and sometimes 1000mm.
SailingAway wrote in post #17916426
If you want to go low-low, traditionally, in video bowl-style tripods of 100 and 150mm you'd have sticks, sawed-off sticks, and a high hat. Sawed off referring to about half-height, because these sticks were actually sticks made of wood, and the typical design was one stage (two sections).
Now, 2-stage (3 section) is standard, you don't see sawed-off any more with alu and CF.
But, you can still buy a high hat! The selection in 75mm is quite meager, but they *are* out there. This could be great if you want to retain ball leveling.
Typically, a high hat is just high enough to clear the screw handle. A lens height of about 10" is typical. Moving the head between tripod and hat is a matter of 3 or 4 minutes.
This one is shown bolted to a piece of plywood, a very traditional approach:
http://www.indurogear.com/dr-hi-hat-tripod-set.html
Also, for a wider range of choices, there are 100mm bowl to 75mm ball adapters, so you could use a 100mm high hat.
Here's one in the old style:
http://www.filmtools.com …-75-75mm-ball-hi-hat.html
A modern approach, which must be bolted to a base:
http://www.aviatorcameragear.com/product/micro-hi-hat-75mm/
Or, you could get one of these:
http://www.bhphotovideo.com …529B_529_Hi_Hat_with.html
*and* a 100-75mm adapter
http://www.bhphotovideo.com …19_319_75mm_to_100mm.html
That's a very detailed response, I really appreciate it
I was asking a few FB groups about the induro, and I mentioned that they weren't on sale anywhere now. Wonder what happened to them.
The Manfrotto high hat would be the next best alternative, but it's another 2kg just to go low. Rock solid though, I've used it before on video gigs.
johnf3f wrote in post #17916744
Intrigued at your choice of head - are you shooting primarily video with the 500? If stills are your game then I would favor a Wimberley 2 - probably why I have one!
Your RRS tripod will certainly do the job and do it pretty well too! I would prefer the next series up (3 series) from either Gitzo or RRS.
I use the Canon 800mm F5.6 L IS on a 3 series Gitzo (3530LS) with a Wimberley 2 head. I have tried the larger 5 series but could find no practical advantage for shooting stills - video is a different game and I have absolutely no idea about it!Were I in your shoes (shooting stills) I would simply put a Wimberley 2 on your RRS and go out and shoot! Then ONLY if you find a problem with the setup (I don't think you will) would I change the legs. I don't get the thing about leveling bases, whilst the do slightly speed setting up, to me they are dead weight most of the time and can reduce rigidity if you don't buy a top quality one.
Still intrigued by your choice of head.
I do photography with my 5D3 and video with the Sony FS7... so if say I travel for a safari gig, or feel like I'm ready to do some more wildlife video, it would make sense to bring the FSB8. The FSB8 also packs down smaller than the full sized wimberley. With the wimberley being 1.4kg and the fsb8 being 2.1kg, that little 600g difference won't matter to me. That, and it's 600 usd (or whatever used prices go at these days) that I don't have to spend.
I underlined the part where you mentioned your gear and experience. I was contemplating moving to a 3 series but that friend of mine said that the size of the stage really matters a lot, especially with the 75mm fluid head, and told me it'd be a bad idea if I got a 3 series. He told me look at 4 series or 5 series... which would be beastly to carry around, no?