props to you for helping folks out , shows confidence in yourself, but then again , your work is absolutely killer
12Rock Senior Member More info Post edited over 5 years ago by 12Rock. | props to you for helping folks out , shows confidence in yourself, but then again , your work is absolutely killer
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killer work
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Jorgac Goldmember 1,306 posts Gallery: 180 photos Best ofs: 23 Likes: 15279 Joined Sep 2013 Location: Stellenbosch, South Africa More info | Oct 20, 2018 16:16 | #393 Tried out some of my new gear today. Image hosted by forum (939163) © Jorgac [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (939164) © Jorgac [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Name is Charles
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Oct 22, 2018 01:00 | #394 From our men's retreat this weekend Image hosted by forum (939425) © goalerjones [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (939426) © goalerjones [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff.
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Ltdave it looks like im post #19,016 5,664 posts Gallery: 24 photos Likes: 8505 Joined Apr 2012 Location: the farthest point east in michigan More info | Nov 11, 2018 04:13 | #395 TeamSpeed wrote in post #18239991 Motion blur is from too slow a shutter stopping the motion. If focus was off, you would see focus elsewhere potentially in the image, not where you intended, but that area would be sharp. Like I said, school children could use a shutter range of 1/1000 through 1/1600th to really crisp up the shots, and for pros, I run 1/2000th, and sometimes that isn't enough. If you are at 1/500th at ISO 3200, going to 1/1000th at ISO 6400 will freeze the action more, but your exposure will be identical to what you are getting now, since you bumped both settings up the same amount. To lighten up the exposure, you would want to go to ISO 8000, 10000 or 12800. However at these levels, you most likely aren't going to get any better a result than just raising brightness in post, depending on where the native ISO stops on the T3i and the multiplicative version of ISO kicks in (which is all you do in post when you brighten). I just leveled up the image, ran Noiseware, ran a USM step to increase contrast, ran a USM step to improve sharpness, and then added a bit of saturation. With Photoshop, you can just record all these steps together and then run that action singularly, or in bulk against a folder of JPG files. That being said, the Canon 70-200 II is quite a bit sharper than the Sigma. Which Sigma 70-200 do you have, I think there were like 3 or 4 different models through the years. I think the OS version is the most recent and the sharpest though. Sigma 70-200mm f/2.8 EX DG HSM APO Sigma 70-200mm f/2.8 EX DG Macro HSM APO Sigma 70-200mm f/2.8 II EX DG Macro HSM APO Sigma 70-200mm f/2.8 EX DG OS HSM APO
-im just trying. sometimes i succeed
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TeamSpeed 01010100 01010011 More info | Nov 11, 2018 06:25 | #396 USM is unsharp mask, used to both sharpen and add micro contrast. Past Equipment | My Personal Gallery
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TeamSpeed 01010100 01010011 More info | Nov 11, 2018 21:08 | #397 Some from the new season... Past Equipment | My Personal Gallery
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Ltdave it looks like im post #19,016 5,664 posts Gallery: 24 photos Likes: 8505 Joined Apr 2012 Location: the farthest point east in michigan More info | Nov 12, 2018 02:01 | #398 TeamSpeed wrote in post #18748637 USM is unsharp mask, used to both sharpen and add micro contrast. looks like something ELSE to study and try to master! thanks for the explanation -im just trying. sometimes i succeed
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Nov 12, 2018 15:33 | #399 Happy it's BB season, tired of shooting football in the rain.
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Zivnuska Goldmember More info Post edited over 4 years ago by Zivnuska. (2 edits in all) | Nov 12, 2018 16:10 | #400 Yes. A 24-70 is more than wide enough. A 70-200 is also a great choice on a FF. www.zivnuska.zenfolio.com/blog
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Thank you. I do shoot the 70-200mm on 1 body, and a wider lens on the 2nd.
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Nov 13, 2018 06:14 | #402 I can't wait to get back to shooting some youth basketball! Got roped into helping coach last season and couldn't take any pictures. T1i with 18-55, 55-250, 50 1.8
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pat.kane Senior Member 693 posts Likes: 138 Joined May 2005 Location: Arlington, VA More info | +1 on the 24-70. 1Dx Mk II, 5D4 and some L glass (gear list / feedback)
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Yes, I've found some Version 1s of the 24-70mm F/2.8 for sale around the same price as the 16-35mm F/2.8, so I think that is the way I'm leaning. I also figure it will be more helpful to me come next football season as well. I would much rather get a used F/2.8 than a new F/4, that is if the used version is in good shape. I have never bought used because I have witnessed first hand how "most" professionals treat their equipment.
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pat.kane Senior Member 693 posts Likes: 138 Joined May 2005 Location: Arlington, VA More info | I'd recommend saving up and buying the vII version instead of the original. It's lighter, slightly smaller and sharper. I've seen used ones sell for ~$1,100. That's probably twice what you'd pay over the original though. Good luck. 1Dx Mk II, 5D4 and some L glass (gear list / feedback)
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