Critiques, please.
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Jun 18, 2016 14:19 | #1 Critiques, please. Image hosted by forum (799219) © Silver-Halide [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff.
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Jun 18, 2016 14:21 | #2 I rather like the overall image, but it seems too tight at the top. -Randy Gear: Canon 5D MKIII, 6D & 7D, 70-200mm f2.8 IS II, 24-105mm L, 50mm STM - Sigma 85mm & 35mm f1.4 ART - Rokinon 8mm Fisheye
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Jun 18, 2016 14:33 | #3 thanks. Her forehead? hair?
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SavageDigital Senior Member More info Post edited over 7 years ago by SavageDigital. | Edit - should't comment on images when outside on a laptop. -Randy Gear: Canon 5D MKIII, 6D & 7D, 70-200mm f2.8 IS II, 24-105mm L, 50mm STM - Sigma 85mm & 35mm f1.4 ART - Rokinon 8mm Fisheye
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Jun 18, 2016 14:50 | #5 thanks
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PineBomb I have many notable flaws More info | Jun 18, 2016 15:12 | #6 Is this just a general test shoot or was there any other objective? Will the subject use the image for anything? Answers to those questions will help those reacting to your image. -Matt
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Jun 18, 2016 15:26 | #7 Thanks Matt! General test. Yes, my better shot. Not hired for a headshot. Good call on the lights: YN360 Light wand above, and reflector below, silver of course
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windpig Chopped liver More info | Jun 18, 2016 15:55 | #8 Need more light from the cheeks down. Would you like to buy a vowel?
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Jun 18, 2016 18:01 | #9 Nice image overall. Good DOF. _______________
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windpig Chopped liver More info | Jun 18, 2016 19:22 | #10 Depending on the modifier feathering down would be my suggestion. SBs and octas with lips really help, umbrellas are not capable in that regard. Would you like to buy a vowel?
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Jun 18, 2016 20:13 | #11 Permanent banI don't care for the central positioning of the subject, nor for the non-uniform background: that dark band on the right is indeed distracting and detracting. 'The success of the second-rate is deplorable in itself; but it is more deplorable in that it very often obscures the genuine masterpiece. If the crowd runs after the false, it must neglect the true.' —Arthur Machen
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