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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 04 Jul 2016 (Monday) 12:35
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Turning my strobes into Fresnel Spots

 
dmward
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Jul 04, 2016 12:35 |  #1

IMAGE: http://www.davidmward.photography/knowledge/wp-content/gallery/FRESNEL-LENS/A7R22016070204763.jpg

HERE (external link) is a quick article on a product I discovered that can turn a strobe with a Bowens S mount into a fresnel spot.
Quick test confirms that it works as expected. Now to explore its potential.

David | Sharing my Insights, Knowledge & Experience (external link) | dmwfotos website (external link)

  
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abiciriderback
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Jul 04, 2016 13:46 |  #2

Thank you Very cool could be very fun for some B&W Film Noir looks




  
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dmward
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Jul 04, 2016 14:55 |  #3

abiciriderback wrote in post #18057775 (external link)
Thank you Very cool could be very fun for some B&W Film Noir looks

For sure.
What attracted me to fresnel lens spot housing is how many lighting options they offer.
Just look at any old or even new motion picture.


David | Sharing my Insights, Knowledge & Experience (external link) | dmwfotos website (external link)

  
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abbadon31
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Jul 04, 2016 20:21 |  #4

My option its a piece of crap



I AM SHOM

  
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dmward
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Jul 04, 2016 22:32 |  #5

abbadon31 wrote in post #18058075 (external link)
My option (opinion?) its a piece of crap.

To each his own.

For $30 its worth having available as a tool. I've spent more for something less useful.


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owenegan
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Jul 05, 2016 01:38 |  #6

I'll be interested to hear about any test results you have to report. In particular, how it compares to a tight grid in terms of both how the light looks, and control of spill. I sometimes shoot speaker events where I wonder about the utility of setting up a flash at the back of the room. If this seems like a viable way to concentrate light from a distance light and avoid lighting up the whole room, it could be useful.

Owen.




  
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dmward
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Jul 05, 2016 08:53 |  #7

owenegan wrote in post #18058262 (external link)
I'll be interested to hear about any test results you have to report. In particular, how it compares to a tight grid in terms of both how the light looks, and control of spill. I sometimes shoot speaker events where I wonder about the utility of setting up a flash at the back of the room. If this seems like a viable way to concentrate light from a distance light and avoid lighting up the whole room, it could be useful.

Owen.

That's one of the tests planned. I have a set of grids that fit the 7" reflectors. I think the narrowest one is 10 degrees which is the claimed narrow beam of the fresnel adapter.

Biggest difference I anticipate is the grid "eats" light and the fresnel focuses it. That should result in better exposure settings with the fresnel.


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Left ­ Handed ­ Brisket
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Post edited over 7 years ago by Left Handed Brisket.
     
Jul 05, 2016 09:21 |  #8

any shots of what the edges of the light look like falling on a flat surface? I would love to see a wide image of the light with manny a couple of feet from a wall.

also, unsolicited advice here, i didn't realize the product name was linked until i accidentally rolled over the text on my way to close your page. If you don't like standard blue link text, an underline is still a common way to denote links in body copy.

edit: nevermind, this video seems to show very soft edges which is not what I'm looking for.


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Jul 05, 2016 16:45 |  #9

I ordered 2 from Amazon yesterday got them today to each his own but for $30 a piece can't beat it tried it out on my faithful model our Husky Nanook shot with a 360 set to 1/4 power inside house can be real fun for a film noir shoot

IMAGE: https://photography-on-the.net/forum/images/hostedphotos_lq/2016/07/1/LQ_801908.jpg
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Foodguy
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Jul 05, 2016 17:35 |  #10

Hope they work out for you! Fresnels are a great tool and one of my favorite light sources. I generally use them in combination with a softer bank light for the ability to create hard shadows in an otherwise soft-light environment....or when I want to add a little *pop*. I have 2- 6" and one 10" Bardwell McAlisters that were converted to work with my speedos. In both cases they have the ability to focus by way of a slider that moves the flash tube internally.

fwiw, I've tried using a grid for a similar look but it didn't offer the same control for my needs.

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RicoTudor
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Jul 05, 2016 18:44 |  #11

Great gear hack, David! Fresnels make my favorite hard light, so I found it worthwhile for Profoto to engineer the fixture, and pay them the big bucks. For a change, the barndoors actually have a useful effect, and I also use the gel holder. The unit is so light that I can just stick it on a grip arm:

IMAGE: http://patternassociates.com/rico/fm/sandals8.jpg

For the young folk with perfect skin, it serves nicely as an umodded key:

IMAGE: http://patternassociates.com/rico/photo/misc/dance5.jpg

Canon, Nikon, Contax, Leica, Sony, Profoto.

  
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dmward
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Jul 05, 2016 22:32 |  #12

Left Handed Brisket wrote in post #18058454 (external link)
also, unsolicited advice here, i didn't realize the product name was linked until i accidentally rolled over the text on my way to close your page. If you don't like standard blue link text, an underline is still a common way to denote links in body copy.

Thanks for the comment about text color. I found when I looked at the page that the link was obscure. I'll fix it.

I also did some testing today compared to grids offering about the same light spread.
I'm going to update the page tomorrow.


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dmward
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Jul 06, 2016 10:10 |  #13

I added a comparison between the fresnel adapter and grids mounted in a 7" reflector to the article.

Bottom line, the 10 degree grid eats about 2.2 EV of light compared to the fresnel adapter set to 10 degree focus. i.e. fully extended.


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Wilt
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Post edited over 7 years ago by Wilt. (4 edits in all)
     
Jul 12, 2016 15:37 |  #14

A Fresnel light should create very hard edge shadows. Like this example http://www.screenlight​andgrip.com …/Arri_LED_Shado​w_Comp.jpg (external link)

But in the video linked in post #8, we can see that the Fresnel attachment on the head hardly acccomplished that task...the result looks simply like a 'brighter and somewhat contrastier but SOFT light'...look at the shadow edges of the supporting neck holding the diffuser disk on the light meter, it almost vanishes in the image on the right compared to the usual light source characteristic on the left.

IMAGE: http://i69.photobucket.com/albums/i63/wiltonw/POTN%202013%20Post%20Mar1/fresnel%20comparison_zpsyxiwygse.jpg

The hard edges of shadows is generally what makes the Fresnel on stage lights project background shadows to simulate things like paned windows, etc.

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Foodguy
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Post edited over 7 years ago by Foodguy. (2 edits in all)
     
Jul 12, 2016 17:05 |  #15

^ a better choice for projecting patterns is an ellipsoidal zoom, imo. I have one modified to work with my speedos and a variety of laser cut cookies that fit inside.

This is an *old* image (as in decades) but the only one I have at the moment in a digital format that shows the use.


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Turning my strobes into Fresnel Spots
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