MalVeauX wrote in post #18084116
Anyhow, I will defer to other much more experienced big mammal photographers, I suggest you check some of them out, they have valuable advice. I know Tom does a lot of deer & elk and has tons of experience with this.
Hey, Martin - thanks for the vote of confidence! Don't know why it took me 4 days to find this thread.......I usually check the "Wildlife Talk" section frequently because it's my very favorite section in this entire forum!
Silver-Halide wrote in post #18084094
I'm pretty sure a tripod is off the table. I want to run around and not be static.
MalVeauX wrote in post #18084116
A solid tripod + gimbal is not static, it's just a stable way to give yourself a big positive edge towards getting a sharp image with a long lens. You can trek with it over your shoulder.
Silver, you are absolutely right about one thing - you do want to be able to run around and move while shooting elk. Their rut is very active and mobile, and you need to be able to not only keep up with them, but you also need to move around a lot so that you can line the elk up with the most desirable backgrounds, or shoot them from the angle that is most aesthetically advantageous.
But Martin is right, too. A tripod doesn't mean that you are stuck in one place, as you can prance about in a mobile fashion while toting a tripod over your shoulder.
But really, what lens (focal length) you use and whether or not you use a tripod are factors which should be viewed as variable. Those things are dependent on the conditions under which you are shooting, the degree to which the elk are habituated, and your artistic vision, with respect to what types of images you are trying to create at any given time.
As for focal length, with Elk that is all over the place.
Some areas, such as Rocky Mountain National Park and the Slippery Ann Viewing Area, have strictly enforced rules about where you can walk, so in these locations it really pays to have a lot of focal length at your disposal. I would look at 600mm on a full frame as being a minimum when shooting these situations.
In other areas you are free to roam about as you please, so long as you don't get so close to the Elk so as to disturb them (25 yards in Yellowstone). In these areas, especially when the Elk are habituated to human proximity, you could actually shoot them with a 24-105mm lens.
Of course, Canon's new 100-400mm zoom is the most versatile lens for Elk. This is due to two primary factors; it's ability to take a 1.4 tele-extender and still produce impeccable image quality and its 4 stop Image Stabilization, which allows you to shoot in low light without a tripod. If you have a 100-400 on a full frame body and carry a 1.6 crop factor body and a 1.4 extender in your pack, then you are able to shoot an equivalent focal length of anywhere from 100mm to 896mm. That is a heck of a lot of range!
I am attaching a couple of sample photos taken at very different focal lengths. The first image was taken with my 24-105 on a full frame, at 82mm. The second image was taken with my big 400 an a 1.4 extender on my 1.6 crop 50D, for an angle of view equivalent to 896mm. I wish I had shot that 2nd image a little wider, as I would have loved to get more of the beautiful vegetation in the frame.....but I was using a prime, and the hurried conditions did not allow me time to take off the extender. There really is a lot of advantage to a zoom when you have to adjust compositions on the fly and you want to shoot one image tight and two seconds later you want to open up to capture the surrounding habitat.
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